Sara Alexander - The Last Concerto

SARA ALEXANDERattended Hampstead School, went on to graduate from the University of Bristol, with a BA hons in Theatre, Film & TV. She followed on to complete her postgraduate diploma in acting from Drama Studio London. She has worked extensively in the theatre, film and television industries, including roles in much-loved productions such as Harry Potter and the Deathly Hallows, Doctor Who , and Franco Zeffirelli’s Sparrow . She is based in London.

Under A Sardinian Sky

The Secret Legacy

The Last Concerto

Sara Alexander

ONE PLACE MANY STORIES

An imprint of HarperCollins Publishers Ltd

1 London Bridge Street

London SE1 9GF

First published in Great Britain by HQ in 2019

Copyright © Sara Alexander 2019

Sara Alexander asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library.

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

E-book Edition © August 2019 ISBN: 9780008273729

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Page numbers taken from the following print edition: ISBN 9780008273712

For Mum & Dad, thank you for the piano

Music was my refuge. I could crawl into the space between the notes and curl my back to loneliness.

– MAYA ANGELOU

Cover

About the Author

Booklist

Title Page

Copyright

Note to Reader

Dedication

Epigraph

I MOVIMENTO

CHAPTER 1

CHAPTER 2

CHAPTER 3

1975

CHAPTER 4

CHAPTER 5

CHAPTER 6

CHAPTER 7

CHAPTER 8

II MOVIMENTO

CHAPTER 9

CHAPTER 10

CHAPTER 11

CHAPTER 12

CHAPTER 13

CHAPTER 14

CHAPTER 15

CHAPTER 16

1978

CHAPTER 17

CHAPTER 18

CHAPTER 19

CHAPTER 20

CHAPTER 21

III MOVIMENTO

ROME 1988

CHAPTER 22

CHAPTER 23

CHAPTER 24

CHAPTER 25

CHAPTER 26

CHAPTER 27

CHAPTER 28

CHAPTER 29

CHAPTER 30

CHAPTER 31

CHAPTER 32

CHAPTER 33

CHAPTER 34

ACKNOWLEDGEMENTS

A READING GROUP GUIDE

DISCUSSION QUESTIONS

ABOUT THE PUBLISHER

Overture

a piece of music that is an introduction to a longer piece

When her brother opened his eyes, Alba was convinced she was present at his wake. Her mother, Giovanna, knelt on one side of his bed, forehead resting on her thumbs whilst they crawled over the worn beads of her rosary. In the corner three wailers sobbed their own prayers in warbled unison, invoking Mary, Jesus and any saint who wished to assist. On the other side of the bed, their neighbour Grazietta held a bowl with oil and water. She told the women that the way in which the liquids mixed confirmed that Giovanna’s first-born, Marcellino, was, in fact, yet another victim of the evil eye. There could be no other explanation as to why he had been kidnapped alongside his father, Bruno, who was still held captive, whilst his son was released by the bandits the night before, after three days of white panic for all their family and friends. Grazietta grasped her wand of rosemary twigs and dipped it into the liquid, dousing the sheets like a demented priest. The wailers let out a further cry, which trebled across the sheets. A droplet fell on his forehead from another swing of the rosemary, this time a close miss of Alba’s eye. With his wince, everyone at last noticed that Marcellino was in fact conscious.

Giovanna jumped to her feet and held her child into her bosom. Alba could smell the reassuring scent of sofritto in the folds of her housedress, even from where she stood at the foot of the bed, those tiny cubes of carrots, onion, and celery fried in olive oil before making Sunday’s batch of pasta sauce for the week, cut through with the sweat of her panic beneath.

‘ Biseddu meu ,’ she murmured in Sardinian, rocking Marcellino with such passion that Alba knew it would induce a vague seasickness. This was a woman obsessed with omens. If the sauce boiled too fast, three starlings rather than two screeched their morning tweet, or a feather fell unexpectedly from nowhere, her particular strain of logic would portend horrific visions. She sang prayers to St Anthony at the crossroads in their Sardinian town when they needed something specific, accepting that it would lead, by necessity, to her forfeiting something in return. Alba had faded memories of her mother praying to miss her cycle one month because there was extra work to be done, only to be doubled up in excruciating pain the following month. Saints gave to those who prayed, but at a cost: the original protection racket. It sat at an uncomfortable angle in Alba’s mind, this idea of bargaining with a saint, the very thing she’d been taught was the devil’s speciality. Alba’s prodding at this point met only with the stone-setting stares of her aunts at best, physical harm at worst. She chose her battles with care, and made a silent pact with herself never to be indebted.

If something was lost, the Fresus would seek their neighbours’ cousins’ friends who were well practised in a branch of acceptable magic. In return for fresh eggs, home-made wine, or some other kindness other than money, these soothsayers would murmur secret prayers at midday at a crossroads on the second Tuesday of a month and relay a dutiful list of everything they heard on the street in order to find said lost item. One day, when twenty lire had gone missing from her mother’s kitchen drawer, one such prayer had returned with the word Francesco repeated three times. Alba remembers her mother pinning the unsuspecting labourers working on the house next door with her Sardinian glare, black eyes like darts, thick eyebrows scouring a frown, when she found out they were from out of town and all shared that very same name. After that incident Giovanna stitched her cash into her skirts like her grandmother used to do.

None of these accepted manias were woven into the morning of 27 May, 1968. No red sky in the morning to warn the shepherds, no burned garlic, curdled milk, dough that wouldn’t prove, solitary nightingale calls. It was a joyous late spring day, the kind that teases you with the golden kiss of the Mediterranean summer to come. Giovanna had shrieked at Alba to return in time to accompany her father to the vineyard, her brothers Marcellino and Salvatore needed a rest and besides, it was her turn, but the familiar trill of her mother’s voice fell on deaf ears. Alba had lost track of time, or rather decided never to pay much attention to it to begin with, and when she sauntered home at last, was met with the kind of pummelling from her mother that should have been reserved for the making of bread or churning of butter alone. Marcellino had been sent in her place and because of it, he now sat wrapped up in bed with her family facing a daily terror of a missing father.