Sarah Fraser - The Last Highlander - Scotland’s Most Notorious Clan Chief, Rebel & Double Agent

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Saltire First Scottish Book of the Year 2012The story of the life of Simon Fraser, Lord Lovat : a clan chief of the Scottish nobility, rebel and Jacobite conspirator. He became the last British peer to go under the axe, marking a moment in history when the rest of Britain turned decisively away from the Celtic heritage.Lord Lovat was a spy, clan-chief, traitor, polyglot, deserter and philosopher. His wit, ambition and dubious morality thrust him repeatedly into the thick of political intrigue. A treacherous turncoat, and yet a martyr for Bonnie Prince Charlie’s dreams to retake the British throne, Lovat conjured a legend: a man whose loyalty had no home, whose sword had a price, and whose taste for risks led him into pacts with Catholics and Protestants, Scots and Englishmen.The last nobleman to be executed for treason, Lovat was one of Scotland’s most notorious and romantic figures, and this swashbuckling account of his life creates an extraordinary portrayal of a nation in revolt. As Sarah Fraser argues, the defeat at Culloden led directly to the end of traditional Gaelic civilization; to the brutal clearances and ‘pacification’ of the Highlands which followed and the lost civilisations of Scotland that were destroyed after 1745 by English repression.

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The Last Highlander

SCOTLAND’S MOST

NOTORIOUS CLAN CHIEF,

REBEL & DOUBLE AGENT

SARAH FRASER

The Last Highlander Scotlands Most Notorious Clan Chief Rebel Double Agent - изображение 1

HarperPress

An imprint of HarperCollinsPublishers Ltd.

1 London Bridge Street,

London SE1 9GF

www.harpercollins.co.uk

Published by HarperPress in 2012

Copyright © Sarah Fraser 2012

Sarah Fraser asserts the moral right to be identified as the author of this work

A catalogue record for this book is available from the British Library

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins ebooks

This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, re-sold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser

HarperCollins Publishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication

Source ISBN: 9780007229499

Ebook Edition © April 2012 ISBN: 9780007302642

Version: 2018-06-21

Dedication

For Kim

&

For Arabella Vanneck

1959–2011

Epigraph

‘[The soul] demands that we should not live alternately with our opposing tendencies in continual see-saw of passion and disgust, but seek some path on which the tendencies shall no longer oppose, but serve each other to common end … The soul demands unity of purpose, not the dismemberment of man’

– ROBERT LOUIS STEVENSON

‘A son can bear with equanimity the loss of his father, but the loss of his inheritance may drive him to despair’

– NICCOLÒ MACHIAVELLI

CONTENTS

Title Page

Copyright

Dedication

Epigraph

List of Illustrations

Maps

Lovat Family Tree

Prologue: Death of a Highland chief

PART ONE: FORMATIVE YEARS, C.1670–1702

ONE: Home, birth, youth, c.1670–94

TWO: To be a fox and a lion, 1685–95

THREE: ‘Nice use of the beast and the man’, 1695–96

FOUR: ‘No borrowed chief!’, 1696–97

FIVE: ‘The Grand Fornicator of the Aird’, 1697–99

SIX: Victory and loss, 1699–1702

PART TWO: AT THE COURT OF THE SUN KING, 1702–15

SEVEN: The Stuart Court of St Germains, 1702

EIGHT: Planning an invasion, 1702–04

NINE: ‘A disposition in Scotland to take up arms’, 1703

TEN: The ‘political sensation’, autumn 1703

ELEVEN: The ‘Scotch plot’ exposed, winter 1703–04

TWELVE: ‘You walk upon glass’, 1704–14

THIRTEEN: The end of exile, 1714

FOURTEEN: A necessary change, 1714–15

FIFTEEN: Return to Scotland, 1715

SIXTEEN: Fighting for the prize, 1715

PART THREE: THE RETURN OF THE CHIEF, 1715–45

SEVENTEEN: Home, 1715–16

EIGHTEEN: The legal battles begin, 1716

NINETEEN: Living like a fox, 1716

TWENTY: ‘What a lion cannot manage, the fox can’, 1717–18

TWENTY-ONE: Matters of life and death, 1718–21

TWENTY-TWO: Networking from Inverness, 1722–24

TWENTY-THREE: Lovat under Wade’s eye, 1725–27

TWENTY-FOUR: Tragedy, 1727–31

TWENTY-FIVE: Kidnapping and election-rigging, 1731–34

TWENTY-SIX: A pyrrhic victory, 1734–39

PART FOUR: LORD LOVAT’S LAMENT, 1739–47

TWENTY-SEVEN: Floating between interests, 1738–43

TWENTY-EIGHT: ‘A foolish and rash undertaking’, 1743–45

TWENTY-NINE: Rebellion, July–December 1745

THIRTY: A quick victory, and long march to defeat, December 1745–June 1746

THIRTY-ONE: The beginning of the end, 1746–47

THIRTY-TWO: Dying like a lion

Picture Section

Footnotes

Select Bibliography

Acknowledgements

Notes

About the Publisher

ILLUSTRATIONS

Etching of Simon Fraser, Lord Lovat after William Hogarth. (Scottish National Portrait Gallery)

James II and family, 1694, by Pierre Mignard. (The Royal Collection © 2011 Her Majesty Queen Elizabeth II/The Bridgeman Art Library)

Queen Mary II, c. 1685, studio of Willem Wissing. (Kenwood House, London © English Heritage Photo Library/The Bridgeman Art Library)

King William III by Godfried Schalcken. (© The Crown Estate/The Bridgeman Art Library)

Prince James Francis Edward Stuart, 18th century English School. (© Scottish National Portrait Gallery/The Bridgeman Art Library)

Louis XIV in Royal Costume, 1701, by Hyacinthe Rigaud. (© Louvre, Paris/Giraudon/The Bridgeman Art Library)

View of Edinburgh by J Slezer (engraved copper plate) produced for D. Browne, London, 1718. (© The British Library Board)

Major James Fraser of Castle Leathers, c. 1720, attributed to John Vanderbank. (Private Collection)

John Campbell, 2nd Duke of Argyll and Greenwich, William Aikman. (Scottish National Portrait Gallery)

Archibald Campbell, 3rd Duke of Argyll, attributed to Allan Ramsay. (Scottish National Portrait Gallery)

Sir James Grant. Etching by John Kay, 1798. (© The Mary Evans Picture Library)

The death of Colonel Gardiner on the field of Prestonpans. Sir William Allan lithograph by E. Walker. (© The Mary Evans Picture Library)

George II at the Battle of Dettingen by David Morier. (© Private Collection/Arthur Ackerman Ltd/The Bridgeman Art Library)

Field-Marshal George Wade, attributed to Johan van Diest. (Scottish National Portrait Gallery)

Prince Charles Edward Stuart, by William Mosman. (Scottish National Portrait Gallery)

The Battle of Culloden, 1746. Coloured engraving published by R. Sayer and J. Bennett, London c. 1780. (© The National Army Museum, London)

William Augustus, Duke of Cumberland, mid 18th century English School. (© Royal Armouries, Leeds/The Bridgeman Art Library)

Lord Lovat’s ghost. Mezzotint by Samuel Ireland. (© Grosvenor Prints/The Mary Evans Picture Library)

Simon Fraser, Lord Lovat. Engraved by Cook after a portrait by Le Clare. (© The Mary Evans Picture Library)

MAPS

Scotland

Clans of Scotland

Aird of Lovat

Battle of Culloden

LOVAT FAMILY TREE PROLOGUE Death of a Highland chief His execution was a public - фото 2

LOVAT FAMILY TREE PROLOGUE Death of a Highland chief His execution was a public - фото 3

LOVAT FAMILY TREE

PROLOGUE

Death of a Highland chief

His execution was a public holiday. Tens of thousands crowded onto Tower Hill for the entertainment. In the Tower the prisoner raged at his barber. In a few hours he would lose his head. The barber offered up the condemned man’s wig, very light on powder ‘on account of it being a rainy day’. The prisoner tossed it back to be taken away, properly groomed, generously powdered and then returned. If he ‘had a suit of velvet embroidered, he would wear it’ today; he would go ‘to the block’ he said, ‘with pleasure’. These sartorial sensitivities belonged to the last aristocrat in Britain to be beheaded.

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