Олаф Стэплдон - Star Maker

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Star Maker: краткое содержание, описание и аннотация

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Star Maker is a science fiction novel by Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years.
Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.
A single human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail.
The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere; a reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive; many imaginative descriptions of species, civilizations and methods of warfare; descriptions of the Multiverse; and the idea that the stars and even pre-galactic nebulae are intelligent beings, operating on vast time scales. A key idea is the formation of collective minds from many telepathically linked individuals, on the level of planets, galaxies, and eventually the cosmos itself. A symbiotic species, each individual composed of two species, both non-humanoid, is discussed in detail.
Normally detached from the galaxy's turmoil, they intervene in a deus ex machina to end the threat of a civilization dedicated to the idea of total insanity trying to force its mentality onto one stellar civilization after another. The climax of the book is the "supreme moment of the cosmos", when the cosmical mind (which includes the narrator) attains momentary contact with the Star Maker, the creator of the universe. but stands in the same relation to it as an artist to his work, and calmly assesses its quality without any feeling for the suffering of its inhabitants. This element makes the novel one of Stapledon's efforts to write "an essay in myth making".
After meeting the Star Maker, the traveler is given a "fantastic myth or dream," in which he observes the Star Maker at work. He discovers that his own cosmos is only one of a vast number, and by no means the most significant. He sees the Star Maker's early work, and he learns that the Star Maker was surprised and intensely interested when some of his early "toy" universes — for example a universe composed entirely of music with no spatial dimensions — displayed "modes of behavior that were not in accord with the canon which he had ordained for them." He sees the Star Maker experimenting with more elaborate universes, which include the traveler's own universe, and a triune universe which closely resembles "Christian orthodoxy" (the three universes respectively being hell, heaven, and reality with presence of a savior). 

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One event, which happens only to a small minority of the stars in the course of their dance-life, is apparently of great psychological importance. This is the close approach of two or perhaps three stars to one another, and the consequent projection of a filament from one toward another. In the moment of this "moth kiss," before the disintegration of the filament and the birth of planets, each star probably experiences an intense but humanly unintelligible physical ecstasy. Apparently the stars which have been through this experience are supposed to have acquired a peculiarly vivid apprehension of the unity of body and spirit. The "virgin" stars, however, though unblessed by this wonderful adventure, seem to have no desire to infringe the sacred canons of the dance in order to contrive opportunities for such encounters. Each one of them is angelically content to play its allotted part, and to observe the ecstasy of those that fate has favored. To describe the mentality of stars is of course to describe the unintelligible by means of intelligible but falsifying human metaphors. This tendency is particularly serious in telling of the dramatic relations between the stars and the minded worlds, for under the stress of these relations the stars seem to have experienced for the first time emotions superficially like human emotions. So long as the stellar community was immune from interference by the minded worlds, every member of it behaved with perfect rectitude and had perfect bliss in the perfect expression of its own nature and of the common spirit. Even senility and death were accepted with calm, for they were universally seen to be involved in the pattern of existence; and what every star desired was not im-mortality, whether for itself or for the community, but the perfect fruition of stellar nature. But when at last the minded worlds, the planets, began to interfere appreciably with stellar energy and motion, a new and terrible and incomprehensible thing presumably entered into the experiences of the stars. The stricken ones found themselves caught in a distracting mental conflict. Through some cause which they themselves could not detect, they not merely erred but willed to err. In fact, they sinned. Even while they still adored the right, they chose the wrong.

I said that the trouble was unprecedented. This is not strictly true. Something not wholly unlike this public shame seems to have occurred in the private experience of nearly every star. But each sufferer succeeded in keeping his shame secret until either with familiarity it became tolerable or else its source was overcome. It was indeed surprising that beings whose nature was in many ways so alien and unintelligible should be in this one respect at least so startlingly "human."

In the outer layers of young stars life nearly always appears not only in the normal manner but also in the form of parasites, minute independent organisms of fire, often no bigger than a cloud in the terrestrial air, but sometimes as large as the Earth itself. These "salamanders" either feed upon the welling energies of the star in the same manner as the star's own organic tissues feed, or simply prey upon those tissues themselves. Here as elsewhere the laws of biological evolution come into force, and in time there may appear races of intelligent flame-like beings. Even when the salamandrian life does not reach this level, its effect on the star's tissues may become evident to the star as a disease of its skin and sense organs, or even of its deeper tissues. It then experiences emotions not wholly unlike human fright and shame, and anxiously and most humanly guards its secret from the telepathic reach of its fellows.

The salamandrian races have never been able to gain mastery over their fiery worlds. Many of them succumb, soon or late, either to some natural disaster or to internecine strife or to the self-cleansing activities of their mighty host. Many others survive, but in a relatively harmless state, troubling their stars only with a mild irritation, and a faint shade of insincerity in all their dealings with one another. In the public culture of the stars the salamandrian pest was completely ignored. Each star believed itself to be the only sufferer and the only sinner in the galaxy. One indirect effect the pest did have on stellar thought. It introduced the idea of purity. Each star prized the perfection of the stellar community all the more by reason of its own secret experience of impurity.

When the minded planets began to tamper seriously with stellar energy and stellar orbits, the effect was not a private shame but a public scandal. It was patent to all observers that the culprit had violated the canons of the dance. The first aberrations were greeted with bewilderment and horror. Amongst the hosts of the virgin stars it was whispered that if the result of the much prized interstellar contacts, whence the natural planets had sprung, was in the end this shameful irregularity, probably the original experience itself had also been sinful. The erring stars protested that they were not sinners, but victims of some unknown influence from the grains which revolved about them. Yet secretly they doubted themselves. Had they long ago, in the ecstatic sweep of star to star, after all infringed the canon of the dance? They suspected, moreover, that in respect of the irregularities which were now creating this public scandal, they could, if they had willed firmly enough, have contained themselves, and preserved their true courses in spite of the irritants that had affected them.

Meanwhile the power of the minded planets increased. Suns were boldly steered to suit the purposes of their parasites. To the stellar population it seemed, of course, that these erring stars were dangerous lunatics. The crisis came, as I have already said, when the worlds projected their first messenger toward the neighboring galaxy. The hurtling star, terrified at its own maniac behavior, took the only retaliation that was known to it. It exploded into the "nova" state, and successfully destroyed its planets. From the orthodox stellar point of view this act was a deadly sin; for it was an impious interference with the divinely appointed order of a star's life. But it secured the desired end, and was soon copied by other desperate stars. Then followed that age of horror which I have already described from the point of view of the Society of Worlds. From the stellar point of view it was no less terrible, for the condition of the stellar society soon became desperate. Gone was the perfection and beatitude of former days. "The City of God" had degenerated into a place of hatred, recrimination and despair. Hosts of the younger stars had become premature and embittered dwarfs, while the elders had mostly grown senile. The dance pattern had fallen into chaos. The old passion for the canons of the dance remained, but the conception of the canons was obscured. Spiritual life had succumbed to the necessity of urgent action. The passion for the progress of insight into the nature of the cosmos also remained, but insight itself was obscured. Moreover, the former naive confidence, common to young and mature alike, the certainty that the cosmos was perfect and that the power behind it was righteous, had given place to blank despair.

4. GALACTIC SYMBIOSIS

Such was the state of affairs when the minded worlds first attempted to make telepathic contact with the minded stars. I need not tell the stages by which mere contact was developed into a clumsy and precarious kind of communication. In time the stars must have begun to realize that they were at grips, not with mere physical forces, nor yet with fiends, but with beings whose nature, though so profoundly alien, was at bottom identical with their own. Our telepathic research obscurely sensed the amazement which spread throughout the stellar population. Two opinions, two policies, two parties seem to have gradually emerged.

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