Олаф Стэплдон - Star Maker

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Star Maker: краткое содержание, описание и аннотация

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Star Maker is a science fiction novel by Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years.
Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.
A single human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail.
The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere; a reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive; many imaginative descriptions of species, civilizations and methods of warfare; descriptions of the Multiverse; and the idea that the stars and even pre-galactic nebulae are intelligent beings, operating on vast time scales. A key idea is the formation of collective minds from many telepathically linked individuals, on the level of planets, galaxies, and eventually the cosmos itself. A symbiotic species, each individual composed of two species, both non-humanoid, is discussed in detail.
Normally detached from the galaxy's turmoil, they intervene in a deus ex machina to end the threat of a civilization dedicated to the idea of total insanity trying to force its mentality onto one stellar civilization after another. The climax of the book is the "supreme moment of the cosmos", when the cosmical mind (which includes the narrator) attains momentary contact with the Star Maker, the creator of the universe. but stands in the same relation to it as an artist to his work, and calmly assesses its quality without any feeling for the suffering of its inhabitants. This element makes the novel one of Stapledon's efforts to write "an essay in myth making".
After meeting the Star Maker, the traveler is given a "fantastic myth or dream," in which he observes the Star Maker at work. He discovers that his own cosmos is only one of a vast number, and by no means the most significant. He sees the Star Maker's early work, and he learns that the Star Maker was surprised and intensely interested when some of his early "toy" universes — for example a universe composed entirely of music with no spatial dimensions — displayed "modes of behavior that were not in accord with the canon which he had ordained for them." He sees the Star Maker experimenting with more elaborate universes, which include the traveler's own universe, and a triune universe which closely resembles "Christian orthodoxy" (the three universes respectively being hell, heaven, and reality with presence of a savior). 

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The emotional attitude of the worlds had also changed. The fervor for the establishment of cosmical Utopia had vanished, and with it the fervor for the completion of the spirit's adventure by the fulfilment of knowledge and creative capacity. Now that extermination seemed inevitable within a comparatively short time, there was an increasing will to meet fate with religious peace. The desire to realize the far cosmcal goal, formerly the supreme motive of all awakened worlds, now seemed to be extravagant, even impious. How should the little creatures, the awakened worlds, reach out to knowledge of the whole cosmos, and of the divine. Instead they must play their own part in the drama, and appreciate their own tragic end with godlike detachment and relish.

This mood of exultant resignation, appropriate to unavoidable disaster, quickly changed under the influence of a new discovery. In certain quarters there had long been a suspicion that the irregular activity of the stars was not merely automatic but purposeful, in fact that the stars were alive, and were striving to rid themselves of the pest of planets. This possibility had at first seemed too fantastic; but it gradually became obvious that the destruction of a star's planetary system was the end which determined the duration of the irregular action. Of course it was possible that in some unexplained but purely mechanical way the presence of many planetary girdles created the explosion, or the fiery limb. Astronomical physics could suggest no mechanism whatever which could have this result. Telepathic research was now undertaken in order to test the theory of stellar consciousness, and if possible to set up communication with the minded stars. This venture was at first completely barren. The worlds had not the slightest knowledge of the right method of approach to minds which, if they existed at all, must be inconceivably different from their own. It seemed all too probable that no factors in the mentality of the minded worlds were sufficiently akin to the stellar mentality to form a means of contact. Though the worlds used their imaginative powers as best they might, though they explored, so to speak, every subterranean passage and gallery of their own mentality, tapping everywhere in the hope of answer, they received none. The theory of stellar purposefulness began to seem incredible. Once more the worlds began to turn to the consolation, nay the joy, of acceptance. Nevertheless, a few world-systems that had specialized in psychological technique persisted in their researches, confident that, if only they could communicate with the stars, some kind of mutual understanding and concord could be brought about between the two great orders of minds in the galaxy. At long last the desired contact with the stellar minds was effected. It came not through the unaided efforts of the minded worlds of our galaxy but partly through the mediation of another galaxy where already the worlds and the stars had begun to realize one another.

Even to the minds of fully awakened worlds the stellar mentality was almost too alien to be conceived at all. To me, the little human individual, all that is most distinctive in it is now quite incomprehensible. Nevertheless, its simpler aspect I must now try to summarize as best I may, since it is essential to my story. The minded worlds made their first contact with the stars on the higher planes of stellar experience, but I shall not follow the chronological order of their discoveries. Instead I shall begin with aspects of the stellar nature which were haltingly inferred only after intercourse of a sort had become fairly well established. It is in terms of stellar biology and physiology that the reader may most easily conceive something of the mental life of stars.

3. STARS

Stars are best regarded as living organisms, but organisms which are physiologically and psychologically of a very peculiar kind. The outer and middle layers of a mature star apparently consist of "tissues" woven of currents of incandescent gases. These gaseous tissues live and maintain the stellar consciousness by intercepting part of the immense flood of energy that wells from the congested and furiously active interior of the star. The innermost of the vital layers must be a kind of digestive apparatus which transmutes the crude radiation into forms required for the maintenance of the star's life. Outside this digestive area lies some sort of coordinating layer, which may be thought of as the star's brain. The outermost layers, including the corona, respond to the excessively faint stimuli of the star's cosmical environment, to light from neighboring stars, to cosmic rays, to the impact of meteors, to tidal stresses caused by the gravitational influence of planets or of other stars. These influences could not, of course, produce any clear impression but for a strange tissue of gaseous sense organs, which discriminate between them in respect of quality and direction, and transmit information to the correlating "brain" layer.

The sense experience of a star, though so foreign to us, proved after all fairly intelligible. It was not excessively difficult for us to enter telepathically into the star's perception of the gentle titillations, strokings, pluckings, and scintillations that came to it from the galactic environment. It was strange that, though the star's own body was actually in a state of extreme brilliance, none of this outward-flowing light took effect upon its sense organs. Only the faint in-coming light of other stars was seen. This afforded the perception of a surrounding heaven of flashing constellations, which were set not in blackness but in blackness tinged with the humanly inconceivable color of the cosmic rays. The stars themselves were seen colored according to their style and age. But though the sense perception of the stars was fairly intelligible to us, the motor side of stellar life was at first quite incomprehensible. We had to accustom ourselves to an entirely new way of regarding physical events. For the normal voluntary motor activity of a star appears to be no other than the star's normal physical movement studied by our science, movement in relation to other stars and the galaxy as a whole. A star must be thought of as vaguely aware of the gravitational influence of the whole galaxy, and more precisely aware of the "pull" of its near neighbors; though of course their influence would generally be far too slight to be detected by human instruments. To these influences the star responds by voluntary movement, which to the astronomers of the little minded worlds seems purely mechanical; but the star itself unquestioningly and rightly feels this movement to be the freely willed expression of its own psychological nature. Such at least was the almost incredible conclusion forced on us by the research carried out by the Galactic Society of Worlds.

Thus the normal experience of a star appears to consist in perception of its cosmical environment, along with continuous voluntary changes within its own body and in its position in relation to other stars. This change of position consists, of course, in rotation and passage. The star's motor life is thus to be thought of almost as a life of dance, or of figure-skating, executed with perfect skill according to an ideal principle which emerges into consciousness from the depths of the stellar nature and becomes clearer as the star's mind matures.

This ideal principle cannot be conceived by men save as it is manifested in practice as the well-known physical principle of "least action," or the pursuit of that course which in all the gravitational and other conditions is the least extravagant. The star itself, by means of its purchase on the electromagnetic field of the cosmos, apparently wills and executes this ideal course with all the attention and delicacy of response which a motorist exercises in threading his way through traffic on a winding road, or a ballet-dancer in performing the most intricate movements with the greatest economy of effort. Almost certainly, the star's whole physical behavior is normally experienced as a blissful, an ecstatic, an ever successful pursuit of formal beauty. This the minded worlds were able to discover through their own most formalistic aesthetic experience. In fact it was through this experience that they first made contact with stellar minds. But the actual perception of the aesthetic (or religious?) rightness of the mysterious canon, which the stars so earnestly accepted, remained far beyond the mental range of the minded worlds. They had to take it, so to speak, on trust. Clearly this aesthetic canon was in some way symbolical of some spiritual intuition that remained occult to the minded worlds.

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