Олаф Стэплдон - Star Maker

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Star Maker: краткое содержание, описание и аннотация

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Star Maker is a science fiction novel by Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years.
Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written.
A single human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail.
The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere; a reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive; many imaginative descriptions of species, civilizations and methods of warfare; descriptions of the Multiverse; and the idea that the stars and even pre-galactic nebulae are intelligent beings, operating on vast time scales. A key idea is the formation of collective minds from many telepathically linked individuals, on the level of planets, galaxies, and eventually the cosmos itself. A symbiotic species, each individual composed of two species, both non-humanoid, is discussed in detail.
Normally detached from the galaxy's turmoil, they intervene in a deus ex machina to end the threat of a civilization dedicated to the idea of total insanity trying to force its mentality onto one stellar civilization after another. The climax of the book is the "supreme moment of the cosmos", when the cosmical mind (which includes the narrator) attains momentary contact with the Star Maker, the creator of the universe. but stands in the same relation to it as an artist to his work, and calmly assesses its quality without any feeling for the suffering of its inhabitants. This element makes the novel one of Stapledon's efforts to write "an essay in myth making".
After meeting the Star Maker, the traveler is given a "fantastic myth or dream," in which he observes the Star Maker at work. He discovers that his own cosmos is only one of a vast number, and by no means the most significant. He sees the Star Maker's early work, and he learns that the Star Maker was surprised and intensely interested when some of his early "toy" universes — for example a universe composed entirely of music with no spatial dimensions — displayed "modes of behavior that were not in accord with the canon which he had ordained for them." He sees the Star Maker experimenting with more elaborate universes, which include the traveler's own universe, and a triune universe which closely resembles "Christian orthodoxy" (the three universes respectively being hell, heaven, and reality with presence of a savior). 

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Shortly before I left the Other Earth a geologist discovered a fossil diagram of a very complicated radio set. It appeared to be a lithographic plate which had been made some ten million years earlier. The highly developed society which produced it had left no other trace. This find was a shock to the intelligent world; but the comforting view was spread abroad that some non-human and less hardy species had long ago attained a brief flicker of civilization. It was agreed that man, once he had reached such a height of culture, would never have fallen from it.

In Bvalltu's view man had climbed approximately to the same height time after time, only to be undone by some hidden consequence of his own achievement.

When Bvalltu propounded this theory, among the ruins of Us native city, I suggested that some time, if not this time, man would successfully pass this critical point in his career. Bvalitu then spoke of another matter which seemed to indicate that we were witnessing the final act of this long-drawn-out and repetitive drama. It was known to scientists that, owing to the weak gravitational hold of their world, the atmosphere, already scant, was steadily deceasing. Sooner or later humanity would have to face the problem of stopping this constant leakage of precious oxygen. Hitherto life had successfully adapted itself to the progressive rarefaction of atmosphere, but the human physique had already reached the limit of adaptability in this respect. If the loss were not soon checked, the race would inevitably decline. The only hope was that some means to deal with the atmospheric problem would be discovered before the onset of the next age of barbarism. There had only been a slight possibility that this would be achieved. This slender hope the war had destroyed by setting the clock of scientific research back for a century just at the time when human nature itself was deteriorating and might never again be able to tackle so difficult a problem.

The thought of the disaster which almost certainly lay in wait for the Other Men threw me into a horror of doubt about the universe in which such a thing could happen. That a whole world of intelligent beings could be destroyed was not an unfamiliar idea to me; but there is a great difference between an abstract possibility and a concrete and inescapable danger. On my native planet, whenever I had been dismayed by the suffering and the futility of individuals, I had taken comfort in the thought that at least the massed effect of all our blind striving must be the slow but glorious awakening of the human spirit. This hope, this certainty, had been the one sure consolation. But now I saw that there was no guarantee of any such triumph. It seemed that the universe, or the maker of the universe, must be indifferent to the fate of worlds. That there should be endless struggle and suffering and waste must of'course be accepted; and gladly, for these were the very soil in which the spirit grew. But that all struggle should be finally, absolutely vain, that a whole world of sensitive spirits fail and die, must be sheer evil. In my horror it seemed to me that Hate must be the Star Maker.

Not so to Bvalitu. "Even if the powers destroy us," he said, "who are we, to condemn them? As well might a fleeting word judge the speaker that forms it. Perhaps they use us for their own hihg ends, use our strength and our weakness, our joy and our pain, in some theme inconceivable to us, and excellent." But I protested, "What theme could justify such waste, such futility? And how can we help judging; and how otherwise can we judge than by the light of our own hearts, by which we judge ourselves? It would be base to praise the Star Maker, knowing that he was too insensitive to care about the fate of his worlds." Bvalitu was silent in his mind for a moment. Then he looked up, searching among the smoke-clouds for a daytime star. And then he said to me in his mind, "If he saved all the worlds, but tormented just one man, would you forgive him? Or if he was a little harsh only to one stupid child? What has our pain to do with it, or our failure? Star Maker! It is a good word, though we can have no notion of its meaning. Oh, Star Maker, even if you destroy me, I must praise you. Even if you torture my dearest. Even if you torment and waste all your lovely worlds, the little figments of your imagination, yet I must praise you. For if you do so, it must be right. In me it would be wrong, but in you it must be right."

He looked down once more upon the ruined city, then continued, "And if after all there is no Star Maker, if the great company of galaxies leapt into being of their own accord, and even if this little nasty world of ours is the only habitation of the spirit anywhere among the stars, and this world doomed, even so, even so, I must praise. But if there is no Star Maker, what can it be that I praise? I do not know. I will call it only the sharp tang and savor of existence. But to call it this is to say little."

CHAPTER IV

I TRAVEL AGAIN

I MUST have spent several years on the Other Earth, a period far longer than I intended when I first encountered one of its peasants trudging through the fields. Often I longed to be at home again. I used to wonder with painful anxiety how those dear to me were faring, and what changes I should discover if I were ever to return. It was surprising to me that in spite of my novel and crowded experiences on the Other Earth thoughts of home should continue to be so insistent. It seemed but a moment since I was sitting on the hill looking at the lights of our suburb. Yet several years had passed. The children would be altered almost beyond recognition. Their mother? How would she have fared?

Bvalltu was partly responsible for my long spell on the Other Earth. He would not hear of my leaving till we had each attained a real understanding of the other's world. I constantly stimulated his imagination to picture as clearly as possible the life of my own planet, and he had discovered in it much the same medley of the splendid and the ironical as I had discovered in his. In fact he was far from agreeing with me that his world was on the whole the more grotesque.

The call to impart information was not the only consideration that bound me to Bvalitu. I had come to feel a very strong friendship for him. In the early days of our partner ship there had sometimes been strains. Though we were both civilized human beings, who tried always to behave with courtesy and generosity, our extreme intimacy did sometimes fatigue us. I used, for instance, to find his passion for the gustatory fine art of his world very wearisome. He would sit by the hour passing his sensitive fingers over the impregnated cords to seize the taste sequences that had for him such great subtlety of form and symbolism. I was at first intrigued, then aesthetically stirred; but in spite of his patient help I was never at this early stage able to enter fully and spontaneously into the aesthetic of taste. Sooner or later I was fatigued or bored. Then again, I was impatient of his periodic need for sleep. Since I was disembodied, I myself felt no such need. I could, of course, disengage myself from Bvalitu and roam the world alone; but I was often exasperated by the necessity of breaking off the day's interesting experiences merely in order to afford my host's body time to recuperate. Bvalitu, for his part, at least in the early days of our partnership, was inclined to resent my power of watching his dreams. For though, while awake, he could withdraw his thoughts from my observation, asleep he was helpless. Naturally I very soon learned to refrain from exercising this power; and he, on his side, as our intimacy developed into mutual respect, no longer cherished this privacy so strictly. In time each of us came to feel that to taste the flavor of life in isolation from the other was to miss half its richness and subtlety. Neither could entirely trust his own judgment or his own motives unless the other were present to offer relentless though friendly criticism.

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