Грегори Бенфорд - Not One of Us - Stories of Aliens on Earth

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Mankind comes face to face with extraterrestrial life in this short fiction reprint anthology from Clarkesworld publisher Neil Clarke.
They Are Strangers from Far Lands…
Science fiction writers have been using aliens as a metaphor for the other for over one hundred years. Superman has otherworldly origins, and his struggles to blend in on our planet are a clear metaphor for immigration. Earth’s adopted son is just one example of this “Alien Among Us” narrative.
There are stories of assimilation, or the failure to do so. Stories of resistance to the forces of naturalization. Stories told from the alien viewpoint. Stories that use aliens as a manifestation of the fears and worries of specific places and eras. Stories that transcend location and time, speaking to universal issues of group identity and its relationship to the Other.
Nearly thirty authors in this reprint anthology grapple both the best and worst aspects of human nature, and they do so in utterly compelling and entertaining ways. Not One of Us is a collection of stories that aren’t afraid to tackle thorny and often controversial issues of race, nationalism, religion, political ideology, and other ways in which humanity divides itself.

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I tell you my first impressions, of a beautiful white city—and you may laugh because you know it was only a UNECTA mobile base—that they put together as fast and cheap as they could. But there is a truth here; seeing is magical. Looking kills. The longer I looked, the more the magic faded.

The air in the clearing smelled as badly of diesel smoke as it had in the troop carrier. Everywhere was engine-noise. A path had been slashed through the forest, as if the base had come down it. I looked at the tracks. The big cog wheels were turning. The base was moving, slowly and heavily, like the hands of a clock, creaking backward on its tracks in pace with the advance of the Chaga. Little Egg took my hand. I think my mouth must have been open in wonder for some time.

“Come on then,” said the officer. He was smiling now. “You wanted to see the Chaga.”

He gave us over to a tall American man with red hair and a red beard and blue eyes. His name was Byron and he spoke such bad Swahili that he did not understand when Little Egg said to me, “he looks like a vampire.”

“I speak English,” I told him and he looked relieved.

He took us through the tractors to the tower in the middle, the tallest. It was painted white, with the word UNECTA big in blue on the side, and beneath it, the name, Nyandarua Station. We got into a small metal cage. Byron closed the door and pressed a button. The cage went straight up the side of the building. I tell you this, that freight elevator was more frightening than any stories about murdering gangs of vultures. I gripped the handrail and closed my eyes. I could feel the whole base swaying below me.

“Open your eyes,” Byron said. “You wouldn’t want to come all this way and miss it.”

As we rose over the tops of the trees the land opened before me. Nyandarua Station was moving down the eastern slopes of the Aberdare range: the Chaga was spread before me like a wedding kanga laid out on a bed.

It was as though someone had cut a series of circles of colored paper and let them fall on the side of the mountains. The Chaga followed the ridges and the valleys, but that was all it had to do with our geography. It was completely something else. The colors were so bright and silly I almost laughed: purples, oranges, lots of pink and deep red. Veins of bright yellow. Real things, living things were not these colors. This was a Hollywood trick, done with computers for a film. I guessed we were a kilometer from the edge. It was not a very big Chaga, not like the Kilimanjaro Chaga that had swallowed Moshi and Arusha and all the big Tanzanian towns at the foot of the mountain and was now halfway to Nairobi. Byron said this Chaga was about five kilometers across and beginning to show the classic form, a series of circles. I tried to make out the details. I thought details would make it real to me. I saw jumbles of reef-stuff the color of wiring. I saw a wall of dark crimson trees rise straight for a tremendous height. The trunks were as straight and smooth as spears. The leaves joined together like umbrellas. Beyond them, I saw things like icebergs tilted at an angle, things like open hands, praying to the sky, things like oil refineries made out of fungus, things like brains and fans and domes and footballs. Things like other things. Nothing that seemed a thing in itself. And all this was reaching toward me. But, I realized, it would never catch me. Not while I remained here, on this building that was retreating from it down the foothills of the Aberdares, fifty meters every day.

We were close to the top of the building. The cage swayed in the wind. I felt sick and scared and grabbed the rail and that was when it became real for me. I caught the scent of the Chaga on the wind. False things have no scent. The Chaga smelled of cinnamon and sweat and soil new turned up. It smelled of rotting fruit and diesel and concrete after rain. It smelled like my mother when she had The Visit. It smelled like the milk that babies spit out of their mouths. It smelled like televisions and the stuff the Barber Under the Tree put on my father’s hair and the women’s holy place in the shamba. With each of these came a memory of Gichichi and my life and people. The scent stirred the things I had recently learned as a woman. The Chaga became real for me there, and I understood that it would eat my world.

While I was standing, putting all these things that were and would be into circles within circles inside my head, a white man in faded jeans and Timberland boots rushed out of a sliding door onto the elevator.

“Byron,” he said, then noticed that there were two little Kenyan girls there with him. “Who’re these?”

“I’m Tendeléo and this is my sister,” I said. “We call her Little Egg. We’ve come to see the Chaga.”

This answer seemed to please him.

“I’m called Shepard.” He shook our hands. He also was American. “I’m a Peripatetic Executive Director. That means I rush around the world finding solutions to the Chaga.”

“And have you?”

For a moment he was taken aback, and I felt bold and rude. Then he said, “Come on, let’s see.”

“Shepard,” Byron the vampire said. “It’ll wait.”

He took us in to the base. In one room were more white people than I had seen in the whole of my life. Each desk had a computer but the people—most of them were men dressed very badly in shorts, with beards—did not use them. They preferred to sit on each other’s desks and talk very fast with much gesturing.

“Are African people not allowed in here?” I asked.

The man Shepard laughed. Everything I said that tour he treated as if it had come from the lips of a wise old m’zee. He took us down into the Projection Room where computers drew huge plans on circular tables: of the Chaga now, the Chaga in five years’ time, and the Chaga when it met with its brother from the south and both of them swallowed Nairobi like two old men arguing over a stick of sugar cane.

“And after Nairobi is gone?” I asked. The maps showed the names of all the old towns and villages, under the Chaga. Of course. The names do not change. I reached out to touch the place that Gichichi would become.

“We can’t project that far,” he said. But I was thinking of an entire city, vanished beneath the bright colors of the Chaga like dirt trodden into carpet. All those lives and histories and stories. I realized that some names can be lost, the names of big things, like cities, and nations, and histories.

Next we went down several flights of steep steel stairs to the “lab levels.” Here samples taken from the Chaga were stored inside sealed environments. A test tube might hold a bouquet of delicate fungi, a cylindrical jar a fistful of blue spongy fingers, a tank a square meter of Chaga, growing up the walls and across the ceiling. Some of the containers were so big people could walk around inside. They were dressed in bulky white suits that covered every part of them and were connected to the wall with pipes and tubes so that it was hard to tell where they ended and alien Chaga began. The weird striped and patterned leaves looked more natural than the UNECTA people in their white suits. The alien growing things were at least in their right world.

“Everything has to be isolated.” Mr. Shepard said.

“Is that because even out here, it will start to attack and grow?” I asked.

“You got it.”

“But I heard it doesn’t attack people or animals,” I said.

“Where did you hear that?” this man Shepard asked.

“My father told me,” I said mildly.

We went on down to Terrestrial Cartography, which was video-pictures the size of a wall of the world seen looking down from satellites. It is a view that is familiar to everyone of our years, though there were people of my parents’ generation who laughed when they heard that the world is a ball, with no string to hold it up. I looked for a long time—it is the one thing that does not pale for looking—before I saw that the face of the world was scarred, like a Giriama woman’s. Beneath the clouds, South America and South Asia and mother Africa were spotted with dots of lighter color than the brown-green land. Some were large, some were specks, all were precise circles. One, on the eastern side of Africa, identified this disease of continents to me. Chagas. For the first time I understood that this was not a Kenyan thing, not even an African thing, but a whole world thing.

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