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Tor Essentials presents science fiction and fantasy titles of proven merit and lasting value, each volume introduced by an appropriate literary figure.
 Acclaimed as one of the most original voices in modern literature, a winner of the World Fantasy Award for lifetime achievement, Raphael Aloysius Lafferty (1914-2002) was an American original, a teller of acute, indescribably loopy tall tales whose work has been compared to that of Avram Davidson, Flannery O'Connor, Flann O'Brien, and Gene Wolfe. The Best of R. A. Lafferty presents 22 of his best flights of offbeat imagination, ranging from classics like "Nine-Hundred Grandmothers" (basis for the later novel) and "The Primary Education of the Cameroi," to his Hugo Award-winning "Eurema's Dam." Introduced by Neil Gaiman, the volume also contains story introductions and afterwords by, among many others, Michael Dirda, Samuel R. Delany, John Scalzi, Connie Willis, Jeff VanderMeer, Kelly Robson, Harlan Ellison...

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“A lot of times they forget to throw the head down if you don’t remind them,” Day-Torch said.

The meaning of the fallen torso and head was that there was now one less prophet or wrestler on the mountain; that there was now an opportunity for one more man to ascend to glory and death.

Several of the men attempted it by various devices, by piling cairns of stones to climb upon, by leaping into the air to try to grab one of the dangling roots of the mountain, by hurling lances with trailing lianas to fasten quivering in the bottom of the mountain. They played it out in the garish day there where all the colors were so bright that they ached. Many of the men fell to their deaths, but one ascended. There is always one who is able to ascend to the great wrestle when there is an empty place to receive him.

And the one who ascended was—no, no, you’ll not have his name from us yet.

Something was mighty odd here. There was just a little bit of something right about things.

2.

Draftsman, draftsman, what do you draw?
Dog days, draggy days, days of straw.

Ballads , Henry Drumhead

3.

Indian Summer. A period of warm or mild weather late in autumn or in early winter.

—Webster’s Collegiate

So Webster’s Collegiate defines it, but Webster’s hasn’t the humility ever to admit that it doesn’t know the meaning of a word or phrase. And it doesn’t know the meaning of this one.

There are intervals, days, hours, minutes that are not remembered directly by anyone. They do not count in the totality of passing time. It is only by the most sophisticated methods that even the existence of these intervals may be shown.

There are whole seasons, in addition to the four regular seasons that are supposed to constitute the year. Nobody knows where they fit in, there being no room for them anywhere in the year; nobody has direct memory of being in them or living in them. Yet, somehow, they have names that have escaped these obliterations. The name of one of the misfit seasons is Indian Summer.

(“Why can’t the Indians have their summer in the summertime like the rest of us?” comes a high voice with a trace of annoyance. Not a high-pitched voice: a high voice.)

But all that is neither here nor there. It is yonder, and we will come to it.

Christopher Foxx was walking down a city street. Things were mighty even here, mighty neat. There was just a little bit of something wrong about their rightness.

The world was rubbed, scrubbed, and tubbed; it was shaved, paved, and saved; it was neat, sweet, and effete. Ah, the latter was possibly what was wrong with it, if anything could be wrong with perfection. The colors were all flat (flat colors had been deemed best for nerves and such), and the sounds were all muted. Christopher, for a moment, wished for a color that shrieked and for a sound that blazed. He put the thought resolutely out of his head. After all, he had for wife Helen Hightower, and he suffered much criticism because of her gaudiness and exuberance.

Christopher took a paper from the slot on the corner, noted that it was a day in May (he had a queer feeling that he had been uneasy about the date, and yet all that registered with him was that it fell within a familiar month). He entered the North Paragon Breakfast Club. It was there that the Symposium would begin (it would last the whole day and into the night, and be held at various sites) on the multiplex subject “Spatial and Temporal Underlays to the Integrated World, with Insights as to Their Possible Reality and Their Relationship to the World Unconscious and to the Therapeutic Amnesia; with Consideration of the Necessity of Belief in Stratified Worlds, and Explorations of the Orological Motif in Connection with the Apparent Occurrence of Simultaneous Days.” It would have been an exciting subject if Excitement had not become another of the muted things.

Buford Strange was already at the North Paragon, and with him were Adrian Montaigne and Vincent Rue.

“I have already ordered for ourselves and for yourself, Christopher,” Buford said. “It is sheldrake, and I hope that you like it. They will not prepare it for fewer than four persons. ‘We can’t go around killing quarter ducks,’ they say.”

“That is all right,” Christopher said meekly. He glanced at the other three nervously. There was surely something familiar about them all.

Great blue mountain thunder! Why shouldn’t there be! He had worked with these men daily for several years. But, no, no, his edgy mind told him that they were familiar in some other and more subtle way. He glanced at the paper which he had taken from the corner slot outside. Something like quick flame ran across the top of it and was gone too quickly to verify. But was it possible that the flame had said “You want a date, honey? You phone—” Of course it was not possible. Clearly, at the top of the paper it was printed A DAY IN MAY. Clearly? Was that clear enough for a date?

“What date is this?” Christopher asked the three of them.

“May the eighth, of course,” Adrian answered him. “You’ve got today’s Journal in your hand and still you ask?”

Well now it was printed clearly there, May 8, and there was no nonsense about “a day in May”; still less was there anything like “You want a date, honey?”

Some wild-looking children burst into the North Paragon Breakfast Club.

“Straw-Men! Straw-Men!” they cried at the four gentlemen there. “Straw-Men! Straw-Men!” The children buffeted the four men a bit, did other extravagant things that are since forgotten, and then they went out of the Breakfast Club again: or at least they disappeared; they were no longer there.

“Why should they have done that?” Adrian asked, puzzled. “Why should they have called us that, and done the other things?”

“Why should who have called us what ?” Vincent asked, even more puzzled.

“I don’t know,” Adrian said dryly. “It seemed that someone was here and said or did something.”

“You’re witless, Adrian,” Vincent chided. “Nobody was here.”

“Straw-Man,” Christopher Foxx said softly. “I remember the word now and I couldn’t remember it before. I woke up this morning trying to remember it. It seemed to be the key to a dream that was slipping away in spite of my trying to hang on to it. I have the key word now, but it fits nothing. The dream is gone forever.”

“We will come back to this subject later in our discussions,” Buford Strange said. “I believe that your word ‘Straw-Man,’ Christopher, is a part of the underlay, or perhaps of the overlay, that pertains to our world and our study. There is a good chance that certain children, or perhaps dwarfs or gnomes, entered here several moments ago. Did any of you notice them?”

“No,” said Vincent Rue.

“No one entered,” said Adrian Montaigne.

“No. I didn’t see anyone,” said Christopher Foxx.

“Yet I believe that a group did come in,” Buford Strange continued suavely. “It was a group unusual enough to be noticed. Then why didn’t we notice it? Or why did we forget, within a short moment, that we had seen it at all? I believe it was because the group was in a different sort of day. I am nearly sure that it is a group that lives in either St. Martin’s Summer or in the Kingfisher Days. Ah, here is the sheldrake ready with all the trimmings! Drool and be happy. We shall never know such moment again.”

It was a momentous fowl, no question of that. It was good, it was rich, it was overflowing with juice. It was peer of the fowl that are found in the land named St. Succulentus’s Springtime. (What? What? There is a land named that?)

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