Рафаэль Лафферти - The Best of R. A. Lafferty

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Tor Essentials presents science fiction and fantasy titles of proven merit and lasting value, each volume introduced by an appropriate literary figure.
 Acclaimed as one of the most original voices in modern literature, a winner of the World Fantasy Award for lifetime achievement, Raphael Aloysius Lafferty (1914-2002) was an American original, a teller of acute, indescribably loopy tall tales whose work has been compared to that of Avram Davidson, Flannery O'Connor, Flann O'Brien, and Gene Wolfe. The Best of R. A. Lafferty presents 22 of his best flights of offbeat imagination, ranging from classics like "Nine-Hundred Grandmothers" (basis for the later novel) and "The Primary Education of the Cameroi," to his Hugo Award-winning "Eurema's Dam." Introduced by Neil Gaiman, the volume also contains story introductions and afterwords by, among many others, Michael Dirda, Samuel R. Delany, John Scalzi, Connie Willis, Jeff VanderMeer, Kelly Robson, Harlan Ellison...

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“Tell me, Fairhair, what is beyond the Wood Beyond the World, since the world is a globe without bounds?”

“The World Beyond the Wood is beyond the Wood Beyond the World, ” Fairhair said simply. “If you want the Wood, you will come to it, but do not be cast down if it falls short for you.”

“How could it fall short for me? I am a William Morris. My name-game ancestor had to do with the naming as well as the designing of the Wood .”

“Your name-game ancestor had to do with the designing of another thing also,” Fairhair said. Why, that was almost the same thing as the monitor man had said the day before. What did they mean by it?

William and Fairhair came to the great Chopper House at 20th Street. The two of them went in and worked for an hour in the Chopper House.

“You do not understand this, do you, little William?” Fairhair asked.

“Oh, I understand enough for me. I understand that it is everywhere different.”

“Yes, I suppose you understand enough for you,” Fairhair said with a touch of near sadness. (What they chopped up in the Chopper House was the ancients.) They went on and on along the strips and streets of the ever-changing city. They came to 21st Street and 22nd and 23rd. Even a writie could not write down all the marvels that were to be found at every street. It is sheer wonder to be a world traveler.

There was a carnival at 23rd Street. There were barkies, sharkies, sparkies, darkies, parkies, and markies; the visitors were the markies, but it was not really bad for them. There was the very loud music even though it was supposed to be period tingle-tangle or rinky-dink. There was a steam calliope with real live steam. There were the hamburger stands with the wonderful smell of a touch of garlic in the open air, no matter that it was ancient chopper meat and crinoid-root bun from which the burgers were made. There were games of chance, smooch houses and cooch houses, whirly rides and turning wheels, wino and steino bars and bordellos, and Monster and Misbegotten displays in clamshell-cloth tents.

Really, is anyone too old to enjoy a carnival? Then let that one declare himself an ancient and turn himself in to a Chopper House.

But on and on; one does not tarry when there is the whole World City to see and it not be covered in one lifetime. On 24th (or was it 25th?) Street were the Flesh Pots; and a little beyond them was the Cat Center. One ate and drank beyond reason in the Flesh Pots region and also became enmeshed in the Flesh Mesh booths. And one catted beyond reason in the honeycomb-like cubicles of the Cat Center. Fairhair went and worked for an hour at the Cat Center; she seemed to be known and popular there.

But on and on! Everywhere it is different and everywhere it is better.

Along about 27th and 28th Streets were the Top of the Town and Night-Life Knoll, those great cabaret concentrations. It was gin-dizzy here; it was yesterday and tomorrow entangled with its great expectations and its overpowering nostalgia; it was loud as the West Side Show Square; it was as direct as the Mingle-Mangle or the Pad Palace. It was as fleshy as the Flesh Pots and more catty than the Cat-Center. Oh, it was the jumpingest bunch of places that William had yet seen in the City.

Something a little sad there, though; something of passion and pity that was too empty and too pat. It was as though this were the climax of it all, and one didn’t want it to be the climax yet. It was as if the Top of the Town and Night-Life Knoll (and not the Wood Beyond the World ) were the central things of the World City.

Perhaps William slept there awhile in the sadness that follows the surfeit of flesh and appetite. There were other doings and sayings about him, but mostly his eyes were closed and his head was heavy.

But then Fairhair had him up again and rushing toward the Wood in the still early night.

“It is only a block, William, it is only a block,” she sang, “and it is the place you have wanted more than any other.” (The Wood began at 29th Street and went on, it was said, for the space of two full blocks.) But William ran badly and he even walked badly. He was woozy and confused, not happy, not sad, just full of the great bulk of life in the City. He’d hardly have made it to his high goal that night except for the help of Fairhair. But she dragged and lifted and carried him along in her fine arms and on her dusky back and shoulders. He toppled off sometimes and cracked his crown, but there was never real damage done. One sometimes enters the Wood Beyond in a sort of rhythmic dream, grotesque and comic and jolting with the sway of a strong friend and of the tidy world itself. And William came in with his arms around the neck and shoulders of the girl named Fairhair, with his face buried in her hair itself, with his feet touching no ground.

But he knew it as soon as they were in the Wood . He was afoot again and strong again in the middle of the fabled place itself. He was sober? No, there can be no sobriety in the Wood ; it has its own intoxication.

But it had real grass and weeds, real trees (though most of them were bushes), real beasts as well as artificial, real spruce cones on the turf, real birds (no matter that they were clattering crows) coming in to roost.

There was the carven oak figure of old Robin Hood and the tall spar-wood form of the giant lumberjack Paul Bunyan. There was the Red Indian named White Deer who was carved from cedarwood. There was maple syrup dripping from the trees (is that the way they used to get it?), and there was the aroma of slippery elm with the night dampness on it.

There were the famous Muggers from the mugger decades. They were of papier-mâché, it is true, and yet they were the most fearsome. There were other dangerous beasts in the Wood, but none like the Muggers. And William and Fairhair lay down and wept in the very night shadow of the famous Muggers for the remainder of the enchanted night.

3.

“Wander-bird, wander-bird, where do you fly?”
“All over the City, all under the sky.”
“Wandr’ing through wonders of strippies and streets,
Changing and challenging, bitters and sweets.”
“Wander-bird, squander-bird, should not have budged:
City is sicko and sky is a smudge.”

—1st Street Ballad

“Run, William, run in the morning!” Fairhair cried, and she ran while William (confused from the night) shuffled after her.

“We must leave the Wood ?” he asked.

“Of course you must leave the Wood . You want to see the whole world, so you cannot stay in one place. You go on, I go back. No, no, don’t you look back or you’ll be turned into a salt-wood tree.”

“Stay with me, Fairhair.”

“No, no, you want variety. I have been with you long enough. I have been guide and companion and pony to you. Now we part.”

Fairhair went back. William was afraid to look after her. He was in the world beyond the Wood Beyond the World . He noticed though that the street was 1st Street and not 31st Street as he had expected.

It was still wonderful to be a world traveler, of course, but not quite as wonderful as it had been one other time. The number of the street shouldn’t have mattered to him. William had not been on any 1st Street before. Or 2nd.

But he had been on a 3rd Street before on his farthest trip east.

Should he reach it again on his farthest trip west? The world, he knew (being a readie who had read parts of several books), was larger than that. He could not have gone around it in thirty blocks. Still, he came to 3rd Street in great trepidation.

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