Clive Barker - Coldheart Canyon

"The dead?" she said.

He nodded. "Yes. All the ghosts, outside in the Canyon. They want to come into the house, and we've kept them out all these years."

"Yes, but -- "

He shook his head, as if to say: don't interrupt me, I don't have time.

"You have to let them in." he told her.

"But they're afraid of something," Tammy said.

"I know. The threshold. Remember how I told you I went back to Romania?"

"Of course."

"I found one of the Brotherhood there. A friend of Father Sandru's. He taught me a method of keeping the dead from coming into your house. What you have to do is undo what I did. And in they'll come. Believe me. In they'll come.

"How?" she said. If time was so short, and he was so certain, why waste a breath on argument?

"Go into the kitchen and get a knife." He told her. "A strong knife, one that's not going to break on you. Then go to the back door and dig in the threshold."

"The threshold?"

"The wood frame you step over to go outside. There are five icons, in the wood. Ancient Romanian symbols."

"And all I have to do is remove them?"

"You just remove them. The dead will be ready, as soon as the threshold is clear. They've waited a very long time for this. Been very patient." He allowed himself the smallest of smiles as he spoke; dearly the prospect of the dead invading the house pleased him. "Will you do this for me, Tammy?"

"Of course. If that's what you want."

"It's what's right."

"Then I'll do it. Of course I'll do it."

"You only need open one door, they'll all find their way in. I suggest the back door, because it's rotting. The threshold will be easier to ... " He stopped, his lips drawn back from his teeth in a grimace. The wound was taking its terrible toll. Fresh blood came between his fingers.

"You don't need to tell me any more." She told him. "You just lie quietly. I'll go get some help."

"No," he said.

"You need help."

"No," he said again, shaking his head. "Just get to work."

"Are you sure?"

"Yes. This is more important."

"All right, I'll -- "

She was about to repeat her reassurance when she realized he'd stopped breathing. His eyes were still open, and there was still a lively gloss in them, but no life there; nothing. William Zeffer's long and agonizing life was at an end.

On the floor above, Jerry looked up as the door to the master bedroom opened and Todd emerged.

"Hello, Jerry," he said as he started down the stairs.

"You got hurt?"

"I fell during the quake."

"We need to get outside and find Maxine."

"Really?"

"She's lost out there. And Sawyer's dead. I'm afraid if somebody doesn't get to her -- "

"I heard the shouts," Jerry said vaguely, looking and sounding like a man who'd lost all interest in the drama that was being played out around him.

"Who else is here?" Todd asked him.

"Eppstadt's downstairs with some kid he brought from the party -- "

"Yes, I saw him. Is he one of Maxine's new superstars?"

"No. He's just a waiter," Jerry said.

Todd looked down the rest of the flight. There was a body at the bottom of the stairs, and somebody else, a woman, bent over, touching the face of the dead man. With great gentility, she closed the dead man's eyes.

Then she looked up the stairwell.

"Hello, Todd," she said.

"Hello, Tammy."

"I thought you were drowned."

"Sorry to disappointment you." He started down the stairs towards her. She turned her face from him, returning her gaze to the body.

"Did you see Eppstadt?" he asked her as he came down the flight.

"You mean that sonofabitch from the studio?"

"Yes. That sonofabitch."

"Yes, I saw him." She glanced up at Todd. There were tears in her eyes, but she didn't want to shed them in front of him. Not after what had happened on the beach. He'd been so horribly careless of her feelings. She wasn't going to show any vulnerability now, if she could help it.

"Where did he go?" Todd asked her, as if there was much choice in the matter.

She nodded down the passageway towards the door to the Devil's Country.

"He went in there, I think. I didn't see it. Jerry told me."

"How long ago?"

"I don't know," she said. IAnd frankly, I don't really care right now." Todd put his hand on Tammy's shoulder "I'm sorry. This is a bad time. I never was very good expressing my feelings."

"Is that supposed to mean you're sorry?" she said.

"Yeah," he replied, the word hardly shaped; more like a grunt than an apology. She made the tiniest shrug of her shoulder, to get him to take his hand off her, which he did. There was so much she wanted to say to him, but this was neither the time nor the place to say it.

He got the message. She didn't have to look back to see that he'd gone; she heard his footsteps as he headed off down the passageway. Only after ten or fifteen seconds did she look up, and by that time he was stepping through the door.

Suddenly, the tears she'd held back broke: a chaotic cluster of feelings battling to surface all at once: gratitude that Todd was alive, sorrow that Zeffer was dead, anger that Todd had no better way to show his feelings than to grunt at her that way. Didn't he know how much he'd hurt her?

"Here."

The voice at her shoulder was that of Jerry Brahms. He was offering her a cleanly pressed handkerchief: a rather old-fashioned gesture but very much appreciated at that particular moment. "Which one are you crying over?"

She wiped her tears from her eyes.

"Because if it's Todd," he went on, "I wouldn't bother. He'll survive this and go on and forget all of us. That's the kind of man he is."

"You think so?"

"I'm sure of it."

She wiped her nose. Sniffed.

"What was he talking to you about?" Jerry asked.

"He wanted to know about Eppstadt."

"Not Todd. Zeffer."

"Oh. He ... he had something he wanted me to do for him."

She wasn't sure she wanted to share Zeffer's proposal with Jerry. This was a world filled with people who had extremely complicated allegiances. Suppose Jerry, out of some misplaced loyalty to Katya, tried to stop her? It was perfectly possible that he might try. But then how the hell did she get rid of him, so that she could go upstairs and do what she had to do?

One obvious way presented itself, although it was playing with fire. If she went to the door of the Devil's Country, Jerry would probably follow her. The place had a way of holding your attention, she knew. And if it held his for long enough, then she could slip away upstairs into the kitchen. Find a knife. Go to the threshold, and get to work.

It wasn't her favourite plan (the further she stayed away from that door the happier she was) but she had no alternative to hand at that moment. And she needed to act quickly.

Without saying anything she got up and walked off down the passageway towards the door. The wind came out to meet her, like an eager host, ready to slip its arms through hers and invite her in. She didn't need to look over her shoulder to know that Jerry was coming after her. He was talking to her, just a step behind.

"I don't think you should go any further," he said.

"Why not? I just want to see what's in here. Everybody talks about it. I think I'm the only one who hasn't actually seen it properly for myself."

As she spoke she realized that there was more truth to this than she was strictly admitting. Of course she wanted to see. Her little plot to lure Jerry's attention away was also a neat opportunity to excuse her own curiosity. Talk about muddied allegiances. She had some of her own. One more glimpse into that other world was on her own subconscious agenda, for some reason.

"It's not good to look in there for too long." Jerry said.

"I know that," she replied, a little testily. "I've been in there. But another peek can't hurt, can it? I mean, can it?"