Clive Barker - Weave World

‘What are your house-breaking skills like?' Cal asked Suzanna.

‘Under-developed,' she replied. ‘But I'm a fast learner.' They crossed Jamaica Street for a closer inspection. There was little need to pretend innocence; there had been no pedestrians on the street since they'd arrived, and traffic was minimal.

‘There must be some way in,' said Suzanna. ‘You head round the far side. I'll go this way.'

‘Right. Meet you at the back.'

They parted. Whereas Cal's route had taken him into shadow, Suzanna's left her in bright sunlight. Oddly, she found herself longing for some clouds. The heat was making her blood sing, as though she was tuned in to some alien radio-station, and its melodies were whining around her skull.

As she listened to them Cal stepped around the corner, startling her.

‘I've found a way,' he said, and led her round to what had once been the cinema's emergency exit. It too was padlocked, but both chain and lock were well rusted. He had already found himself half a brick, with which he now berated the lock. Brick-shards flew off in all directions, but after a dozen blows the chain surrendered. Cal put his shoulder to the door, and pushed. There was a commotion from inside, as a mirror and several other items piled against the door toppled over; but he was able to force a gap large enough for them to squeeze through.

2

The interior was a kind of Purgatory, in which thousands of household items - armchairs, wardrobes, lamps large and small, curtains, rugs - awaited Judgment, piled up in dusty wretchedness. The place stank of its occupants; of things claimed by woodworm and rot and sheer usage; of once fine pieces now so age-worn even their makers would not have given them house room.

And beneath the smell of decrepitude, something more bitter and more human. The scent of sweat perhaps, soaked up by the boards of a sick bed, or in the fabric of a lamp that had burned through a night whose endurer had known no morning. Not a place to linger too long.

They separated once more, for speed's sake.

‘Anything that looks promising.' Cal said, ‘holler.'

He was now eclipsed by piles of furniture.

The whine in Suzanna's skull did not die down once she was out of the sun; it worsened. Maybe it was the enormity of the task before them that made her head spin, like an impossible quest from some faery-tale, seeking a particle of magic in the wilderness of decay.

The same thought, though formulated differently, was passing through Cal's mind. The more he searched, the more he doubted his memory. Maybe it hadn't been Gilchrist they'd named; or perhaps the removal men had decided the profit made bringing the carpet here would not repay their effort.

As he turned a corner, he heard a scraping sound from behind a stack of furniture.

‘Suzanna?' he said. The word went out and returned unanswered. The noise had already faded behind him, but it had sent adrenalin rushing through his system, and it was with speedier step that he made his way to the next mountain of goods and chattels. Even before he came within five yards of it his eyes had alighted upon the rolled carpet that was all but concealed beneath half a dozen dining chairs and a chest of drawers. All of these items lacked price-tags, which suggested they were recent, unsorted acquisitions.

He went down on his knees and pulled at the edge of the carpet, in an attempt to see the design. The border was damaged, the weave weak. When he pulled he felt strands snap. But he could see enough to confirm what his gut already knew: that this was the carpet from Rue Street, the carpet which Mimi Laschenski had lived and died protecting; the carpet of the Fugue.

He stood up and started to unpile the chairs, deaf to the sound of approaching footsteps at his back.

3

The first thing Suzanna saw was a shadow on the ground. She looked up.

A face appeared between two wardrobes, only to move off again before she could call it by its name.

Mimi! It was Mimi.

She walked over to the wardrobes. There was no sign of anyone. Was she losing her sanity? First the din in her head, now hallucinations?

And yet, why were they here if they didn't believe in miracles? Doubt was drowned in a sudden rush of hope - that the dead might somehow break the seal on the invisible world and come amongst the living.

She called her grandmother's name, softly. And she was granted an answer. Not in words, but in the scent of lavender water. Off to her left, down a corridor of piled tea-chests, a ball of dust rolled and came to rest. She went towards it, or rather towards the source of the breeze that had carried it, the scent getting stronger with every step she took.

4

That's my property, I believe,' said the voice at Cal's back. He turned. Shadwell was standing a few feet from him. His jacket was unbuttoned.

‘Perhaps you'd stand aside, Mooney, and let me claim what's mine.'

Cal wished he'd had the presence of mind to come here armed. At that moment he'd have had no hesitation in stabbing Shadwell through his gleaming eye and calling himself a hero for it. As it was, all he had were his bare hands. They'd have to suffice.

He took a step towards Shadwell, but as he did so the man stood aside. There was somebody standing behind him. One of the sisters, no doubt; or their bastards.

Cal didn't wait to see, but turned and picked up one of the chairs from those dumped on the carpet. His action brought a small avalanche; chairs spilling between him and the enemy. He threw the one he held towards the shadowy form that had taken Shadwell's place. He picked up a second, and threw it

the way of the first, but now the target had disappeared into the labyrinth of furniture. So had the Salesman.

Cal turned, his muscles fired, and put his back into shifting the chest of drawers. He succeeded; the chest toppled backwards, knocking over several other pieces as it fell. He was glad of the commotion; perhaps it would draw Suzanna's attention. Now he reached to take possession of the carpet, but as he did so something seized him from behind. He was dragged bodily from his prize, a small section of the carpet coming away in his hand, then he was flung across the floor.

He came to a halt against a pile of ornately framed paintings and photographs, several of which toppled and smashed. He lay amid the litter of glass for a moment to catch his breath, but the next sight snatched it from him again. The by-blow was coming at him out of the gloom. ‘Get up!' it told him.

He was dead to its instruction, his attention claimed by the face before him. It wasn't Elroy's off-spring, though this monstrosity also had its father's features. No; this child was his.

The horror he'd glimpsed, stirring from the lullaby he'd heard lying in the dirt of the rubbish tip, had been all too real. The sisters had squeezed his seed from him, and this beast with his face was the consequence.

It was not a fine likeness. Its naked body was entirely hairless, and there were several horrid distortions - the fingers of one hand were twice their natural length, and those of the other half-inch stumps, while from the shoulder blades eruptions of matter sprang like malformed wings - parodies, perhaps, of the creatures his dreams envied.

It was made in more of its father's image than the other beasts had been, however, and faced with himself, he hesitated.

It was enough, that hesitation, to give the beast the edge. It leapt at him, seizing his throat with its long-fingered hand, its touch without a trace of warmth, its mouth sucking at his as if to steal the breath from his lips.

It intended patricide, no doubt of that; its grip was unconditional. He felt his legs weaken, and the child allowed him to collapse to his knees, following him down. The knuckles of his fingers brushed against the glass shards, and he made a fumbling attempt to pick one up, but between mind and hand the instruction lost urgency. The weapon dropped from his hand.