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Geoff Ryman: Was

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Geoff Ryman Was

Was: краткое содержание, описание и аннотация

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From Publishers Weekly Ryman's darkly imaginative, almost surreal improvisation on L. Frank Baum's Oz books combines a stunning portrayal of child abuse, Wizard of Oz film lore and a polyphonic meditation on the psychological burden of the past. From Kirkus Reviews The Scarecrow of Oz dying of AIDS in Santa Monica? Uncle Henry a child abuser? Dorothy, grown old and crazy, wearing out her last days in a Kansas nursing home? It's all here, in this magically revisionist fantasy on the themes from The Wizard of Oz. For Dorothy Gael (not a misprint), life with Uncle Henry and Aunty Em is no bed of roses: Bible-thumping Emma Gulch is as austere (though not as nasty) as Margaret Hamilton, and her foul- smelling husband's sexual assaults send his unhappy niece over the line into helpless rage at her own wickedness and sullen bullying of the other pupils in nearby Manhattan, Kansas. Despite a brush with salvation (represented by substitute teacher L. Frank Baum), she spirals down to madness courtesy of a climactic twister, only to emerge 70 years later as Dynamite Dottie, terror of her nursing home, where youthful orderly Bill Davison, pierced by her zest for making snow angels and her visions of a happiness she never lived, throws over his joyless fianc‚e and becomes a psychological therapist. Meanwhile, in intervening episodes in 1927 and 1939, Frances Gumm loses her family and her sense of self as she's transformed into The Kid, Judy Garland; and between 1956 and 1989, a little boy named Jonathan, whose imaginary childhood friends were the Oz people, grows up to have his chance to play the Scarecrow dashed by the AIDS that will draw him to Kansas-with counselor Davison in pursuit-in the hope of finding Dorothy's 1880's home and making it, however briefly, his own. This tale of homes lost and sought, potentially so sentimental, gets a powerful charge from Ryman's patient use of homely detail in establishing Dorothy's and Jonathan's childhood perspectives, and from the shocking effects of transforming cultural icons, especially in detailing Dorothy's sexual abuse. Science-fiction author Ryman (The Child Garden, 1990) takes a giant step forward with this mixture of history, fantasy, and cultural myth-all yoked together by the question of whether you can ever really go home.

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"You can come back and get it later," he said.

"She'll never find it, ever," said Dorothy. She squished mud between her toes. Wilbur's hand reached back for her.

"What have you got on?" Wilbur asked, feeling her shoulders. He gave her his shirt. It was huge and wet, clammy and musty at once, but at least it covered her. They walked blindly, feeling their way down the hill.

They came to the lane and saw a lamp.

"We're over here, Mr. Gulch," called Wilbur.

Uncle Henry had a coat draped over his face, over the lamp. Dorothy saw his face solemn in its red light.

"Thankee, Wilbur," said Uncle Henry. He took Dorothy's hand.

"You be all right, Dorothy," said Wilbur. He and Dorothy had a secret.

Aunty Em was sitting at the table, reading by candlelight. She wore steel spectacles.

"Time for bed, Dorothy," she said.

"Yes, Ma'am."

Aunty Em stood up, pulling back her chair. She pulled back the old blanket that hung across the room. She pointed to the straw.

"This is where you sleep. We will be getting you a bed as soon as we can afford it, but for now you'll have to sleep on straw. Not what you're used to, but it is good clean Kansas straw." She took a rag, soaked in the bathwater, and used it to wipe the mud from Dorothy's feet. "At least the rain got you clean," she said. She gave Dorothy one of her own old, darned nightdresses. "This has already been cut down for you."

Aunty Em unfolded blankets over the straw. She stood up, wincing, hands pressed against the small of her back. "Good night, Dorothy," she said.

"Good night, Ma'am."

"That was quite an introduction we had."

"Yes, Ma'am."

Dorothy crawled onto the blanket, and felt the straw underneath it. She pretended to go to sleep. She listened. She wanted to hear what Aunty Em said. She heard pots banging on the stove. She smelled food burning. She heard the rain on the roof.

"I'd say that was as thorough a job as she could manage of showing me up, with the Jewells," Aunty Em said, a long time later.

Uncle Henry sighed. "I don't reckon Wilbur will say anything about it."

"She had a scarlet dress. Scarlet. For a child. God knows what sort of life she had in St. Louis with that man."

Dorothy heard creaking. Uncle Henry was crawling onto the bed.

"Work," he mumbled.

And Dorothy heard Aunty Em pace. She heard her boots clunking back and forth, back and forth on the hollow floor. She heard Aunty Em weep, brief, breathless sobs. She heard the garments slip off. She heard the lamp being blown out. Everything went dark. She waited until she heard Aunty Em snore. Aunty Em's snores were loud, enraged. Then Dorothy took off the sour old nightdress and she padded on light child's feet across the floor, and she stepped out into the rain again, and she slipped under the house. It was fairly dry under the house, except for where the water trickled in little streams like blood.

"Toto," she whispered. "Toto."

He crawled toward her whimpering. She hugged him and he licked her face. He shivered. They both shivered. Dorothy had to be loyal.

I will wait, Dorothy promised Aunty Em. I will wait until you are sick and old, and I'll put lye soap in your eyes, and I'll take some shears, and I'll cut all your hair off, and you won't be able to do a thing, and I'll say, It's for your own good, Aunty Em, because you're dirty. And I'll just let you cry.

Dorothy had learned how to hate.

Lancaster, California-Christmas 1987

1876-When the Southern Pacific Railroad Company laid its tracks through what was to be Lancaster in the summer of 1876, many of the early settlers stated the railroad named the train stop at that time… The Southern Pacific also built the first house in Lancaster, for their employees.

1881-Nicholas Cochran passed through the Valley on the train and recognised its agriculture! possibilities.

1883-The first artesian well in the Valley was sunk near the Southern Pacific track for locomotive use. Soon after this, several men from Sacramento, connected with a bank there and other businessmen of that city, purchased land from the railroad company and prepared to colonize the Valley.

1884-M. L. Wicks purchased 60 sections from the railroad company at two and one-half dollars an acre, laying out a townsite in streets and lots.

An English corporation called the Atlantic and Pacific Fibre Company, with Col. Gay and Mrs. Payne as managers and J. A. Graves of Los Angeles as attorney, contracted to furnish paper for the London Daily Telegraph. They bought up a good deal of yucca land around the Valley and sent a large number of Chinese laborers in to cut doum the trees…

The early streets of Lancaster were easy to find. Starting at 8th St., now Avenue I, continuing South, the streets were 9th and 10th (now Lancaster Blvd.), 11th and 12th streets. Starting at Antelope Avenue, now Sierra Highway, and going west were: Beech, Cedar, Date, Elm and Fern…

– Lancaster Celebrates a Century

There was snow on the Joshua trees. It rested on and between the spines. It was as if giant cotton bolls had grown thorns. Jonathan made Ira stop the car for yet another photograph. Jonathan photographed the clouds in the sky, the points of the spines, the snow on the ground. Jonathan shivered in shorts and a baseball hat with a short ponytail sticking out the back. He hopped back into the car with an actor's brown-legged spring, and a flash of a perfect smile.

"I'm a photo-realist actor," he said.

"You're playing a Joshua tree," said Ira. "Good. I'm glad. It's got to be better than most of those parts you play." Ira was a lawyer. He worked in offices and was plump and pale.

"Private or otherwise. Listen, just content yourself. I could have another hobby, like practicing the drums. Drive on, MacDuff."

"Jonathan?" Ira asked. "Mind telling me what we're doing here?"

Jonathan just smiled, gave his eyebrows a Groucho Marx wiggle. They both adored Groucho Marx. Ira adored living with Jonathan. It made life more interesting. Ira was very proud of living with Jonathan. The guy was maybe seven years older than he was, but already some people thought Jonathan was younger. He did strange, slightly mysterious things like this, drag Ira out to Lancaster, with a secret smile. Ira was so proud that he wished he could tell the people at work about Jonathan. But it was easier if they thought he lived alone and pitied him. Ira carefully looked over his shoulder before signaling and pulling out.

Ahead the road stretched straight for miles. The distant hills were either blue and smooth or rocky and craggy. There was nothing on them, not even a pimple of shrub. A perfect desert complexion.

"Why would anyone come to live here?" Ira asked.

"House prices," said Jonathan. "And anyway, it didn't used to be like this. There used to be grasslands and so many rabbits there was a plague of them. People came and it just stopped raining. The climate changed. They don't know why."

They came to a town called Pearblossom and another called Littlerod. There were tiny, wooden-frame houses that were like a child's stereotyped drawing of a house.

"Woe-hoe!" said Jonathan, which meant photo stop. Just outside of Littlerod, there was a stone ranch-style house with a low wooden front porch. The car's turn signal went click click click and Ira pulled the car over to the side. They kept pulling over. Jonathan scanned the landscape, scanned maps, his eyes fierce, his hair in spikes.

In Palmdale, Jonathan nearly killed them both. Hunched over a map, he suddenly shouted, "Turn! Turn here, now!"

With an illegal but magisterial sweep, the car did a U-turn. There was a screech of brakes and Ira found himself hemmed in by other vehicles in the middle of the intersection. Ira's breath was taken away. "This better be worth it," he said. As if embarrassed, the car crept forward into a broken, ordinary street.

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