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Geoff Ryman: Was

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Geoff Ryman Was

Was: краткое содержание, описание и аннотация

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From Publishers Weekly Ryman's darkly imaginative, almost surreal improvisation on L. Frank Baum's Oz books combines a stunning portrayal of child abuse, Wizard of Oz film lore and a polyphonic meditation on the psychological burden of the past. From Kirkus Reviews The Scarecrow of Oz dying of AIDS in Santa Monica? Uncle Henry a child abuser? Dorothy, grown old and crazy, wearing out her last days in a Kansas nursing home? It's all here, in this magically revisionist fantasy on the themes from The Wizard of Oz. For Dorothy Gael (not a misprint), life with Uncle Henry and Aunty Em is no bed of roses: Bible-thumping Emma Gulch is as austere (though not as nasty) as Margaret Hamilton, and her foul- smelling husband's sexual assaults send his unhappy niece over the line into helpless rage at her own wickedness and sullen bullying of the other pupils in nearby Manhattan, Kansas. Despite a brush with salvation (represented by substitute teacher L. Frank Baum), she spirals down to madness courtesy of a climactic twister, only to emerge 70 years later as Dynamite Dottie, terror of her nursing home, where youthful orderly Bill Davison, pierced by her zest for making snow angels and her visions of a happiness she never lived, throws over his joyless fianc‚e and becomes a psychological therapist. Meanwhile, in intervening episodes in 1927 and 1939, Frances Gumm loses her family and her sense of self as she's transformed into The Kid, Judy Garland; and between 1956 and 1989, a little boy named Jonathan, whose imaginary childhood friends were the Oz people, grows up to have his chance to play the Scarecrow dashed by the AIDS that will draw him to Kansas-with counselor Davison in pursuit-in the hope of finding Dorothy's 1880's home and making it, however briefly, his own. This tale of homes lost and sought, potentially so sentimental, gets a powerful charge from Ryman's patient use of homely detail in establishing Dorothy's and Jonathan's childhood perspectives, and from the shocking effects of transforming cultural icons, especially in detailing Dorothy's sexual abuse. Science-fiction author Ryman (The Child Garden, 1990) takes a giant step forward with this mixture of history, fantasy, and cultural myth-all yoked together by the question of whether you can ever really go home.

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There were fields, but tall marsh grass grew up among them, even in the drought.

"Dorothy," said Aunty Em. "See that grass there? That marks a wallow. Now you must be careful of the wallows, whenever you see them. They're quicksand. Children disappear into them. There was a little girl who got swallowed up in the buffalo wallows and was never found again. So when you play, you go up those hills there."

Dorothy believed in death. "Yes, Ma'am," she said very solemnly.

Toto still growled.

Hens ran away from the wagon as it pulled into the yard. Toto snarled as if worrying something in his mouth and then scrabbled over the running boards. "Wow wow wow wow!" he said, haring after the hens.

The hens seemed to explode, running off in all directions. Aunty Em jumped down from the wagon, gathering up her gray skirts. She ran after Toto into the barn, long flat feet and skinny black ankles pumping across the hard ground.

"That's going to get your aunt into a powerful rage," said Uncle Henry, taking the mule's lead.

Inside the barn there were cries like rusty hinges and the fluttering of wings. Hens scattered back out of it, dust rising behind them like smoke, pursued by Toto. Aunty Em followed with a broom made of twigs.

"Shoo! Shoo!" she said in a high voice.

"He won't hurt them, Aunty Em!" said Dorothy.

Aunty Em brought the broom down on Toto with a crackling of twigs. He yelped and rolled over. She whupped him again, and he kicked up dust and shot under the house.

"Henry, get a rope," said Aunty Em.

"Got to take care of the mule, Em."

The house rested about a foot off the ground on thick beams. Toto peered out from between them, quivering. Dorothy saw his eyes.

Aunty Em sighed and caught an escaping wisp of hair. "Dorothy," she said, sounding somewhat more kindly. "Your dog is going to have to learn to stay away from the hens. Now let's get you inside."

Aunty Em held up her arms and lifted Dorothy down. She walked back to the house, holding Dorothy's hand. "We're going to have to tie Toto up, Dorothy. Just for a while. He can't go inside, or we'll never keep things clean, and he'll just have to learn not to worry the livestock." Aunty Em lifted Dorothy up to the level of the front door, and then looked into her eyes. "Do you understand, Dorothy?"

"Yes, Ma'am," murmured Dorothy, scowling, confused.

"Well, in you go," said Aunty Em, giving Dorothy's hand a rousing shake. "Let's have some food and get you cleaned up. Henry, please to see to the dog."

Then Dorothy saw inside the house. "Oh no!" she grizzled. It wasn't nice. There was only one room, and it was dark, with only one window with no curtains.

"Guess it isn't St. Louis," said Aunty Em. She flung open the door of an iron stove, red with rust, and lit two tallow candles. Immediately there was a smell of burned fat.

In the flickering light, Dorothy saw that inside, the walls were made of thick raw logs. There was a worn throw rug over a wooden floor, and a bare table and bare chairs; there was a wardrobe and a table with a chipped china basin and long handles on which towels hung. The chimney and fireplace occupied one entire side of the room, but were empty and cold. There was a bed crammed into one corner, and a blanket hung across the room. On the other side of it was a pile of straw.

Dorothy thought of Toto, who was still under the house. She felt disloyal being here. She wanted to hide, too, under the house.

Aunty Em took a deep breath and then sighed, a long, high, showy kind of sigh that she meant Dorothy to hear. She had decided to be nice.

"Well," she said, animated. "What have we got here but some nice stew! I think there's probably a little child somewhere who has had a very long day. Maybe she'd like something to eat."

Dorothy was not hungry, but she said, "Yes please, Ma'am."

"What a nicely brought up little child she is," said Aunty Em, still piping.

"Can Toto have some too?"

Aunty Em managed to chuckle. "Heh," she said. "This is people stew, Dorothy. We got special food for dogs."

Aunty Em passed her the stew. It was brown, in a brown cracked bowl. Aunty Em leaned over to peer, grinning, into Dorothy's face as she took a spoonful.

"There!" Aunty Em said, soothing.

The meat was hard and dry in the middle and very, very salty, and there were bubbles of salty fat in the gravy, and there were no vegetables with the meat. Dorothy's mother had always eaten lots of crisp vegetables, lots of fresh fruit, like she could never get enough of it. Dorothy was going to ask for some, but looked around, and saw there was no fruit or vegetables. Dorothy chewed and swallowed. But she couldn't lie. She couldn't say it was nice.

"It's greasy," she whispered. If this was what they fed people in Kansas, what did they feed dogs?

Aunty Em tried to be nice. "Well," she said, with another drawn-out sigh. "How about some nice hot cornbread to soak it up? Fresh-made this morning." She didn't wait for an answer. She turned away smartly, and began to saw away at the bread. Dorothy could see she was still mad. Aunty Em dropped the bread on her plate from high up. The bread was bright yellow.

From under the house came a low, warning growl.

"Nice doggy. Nice doggy," Uncle Henry was saying outside the front door. Dorothy's back was toward it. She didn't dare look around.

"You just eat up, honey," said Aunty Em. "I'll go make sure Toto's happy."

Dorothy heard Em's boots on the floor. Dorothy sat still and tried to swallow the meat and she chewed the bread, and it went round and round in her mouth, rough and gritty. She began to weep silently and slowly, listening to what they were doing to Toto.

"He's gone right under!" grunted Henry.

"Well, hook him out with the broom," Aunty Em was whispering.

Dorothy did nothing. If she had been big and brave she would have done something. She would have hit Aunty Em with the broom and called Toto and walked away and never come back. But she knew what the world was like, now. It was like that train ride. Here, at least, she would be fed.

"Got him," said Henry.

Aunty Em came back in, smiling at Dorothy. "It's going to rain, soon," she said. "Oh, you can smell it in the wind. We need that rain. And you, young lady. You need a bath."

Dorothy nodded, solemnly. She did. She liked baths. The water was hot, and it smelled nice, and she always felt pretty afterward. Aunty Em kept smiling. She pulled a big metal tub out of the corner, and poured a kettle into it. The water was boiling. Dorothy heard the ringing sound of the water as it hit the metal. It was a sound she had always liked. It was a sound from home.

"You want to get ready, Dorothy?"

"Yes, Ma'am." Outside, Toto began to bark. He went on barking.

"Toto's always quiet when you let him inside," said Dorothy, unbuttoning her dress.

"He'll bring in the dust, Dorothy," explained Aunty Em. "Here now." She pulled off the dress. Dorothy heard boots.

"Henry, please! Can't you see the little lady is engaged in her toilet?" Aunty Em was still trying to sound nice. The joke was an adult joke, made for adults, the kind of joke a child wouldn't understand. Dorothy, her head covered by the white fairy dress, could only hear Henry grunt and stomp away.

Dorothy was going to test the water with her toe. Aunty Em snatched her up and lowered her into the bath.

It was hot, far too hot. "Ow!" yelped Dorothy. The heat seared into her. "Ow, ow, ow," she danced back and forth in the tub and tried to climb out. Aunty Em held her in.

"It's hot!" wailed Dorothy. Em stuck her hand in.

"It is not too hot, Dorothy."

It was. Very suddenly Dorothy and Em were wrestling. Dorothy jumping, leaping, trying to keep out of the water, held by Em's hands.

"All right!" said Aunty Em. She pulled Dorothy out. Dorothy stood naked, rubbing her shins.

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