Robert Heinlein - A Stranger in a Strange Land

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Valentine Michael Smith is the stranger. A young human, reared by Martians on Mars, he is brought to Earth where he must adapt not only to the planet's social injustices and its population's foibles, but to its strong gravitational field and rich atmosphere.

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Harshaw sighed. "Yes, I'm sure that's the way it would be. But could you cause to go away just the gun? Not do anything else? Not 'stop' the man, not kill him, just let him go on living?"

Smith considered it. "That would be much easier than doing both at once. But, Jubal, if I left him still corporate, he might still hurt Jill. Or so I grok it."

Harshaw stopped long enough to remind himself that this baby innocent was neither babyish nor innocent - was in fact sophisticated in a culture which he was beginning to realize, however dimly, was far in advance of human culture in some very mysterious ways� and that these naive remarks came from a superman - or what would do in place of a "superman" for the time being. Then he answered Smith, choosing his words most carefully as he had in mind a dangerous experiment and did not want disaster to follow from semantic mishap.

"Mike� if you reach a - 'cusp' - where you must do something in order to protect Jill, you do it."

"Yes, Jubal. I will."

"Don't worry about wasting food. Don't worry about anything else. Protect Jill."

"Always I will protect Jill."

"Good. But suppose a man pointed a gun at someone - or simply had it in his hand. Suppose you did not want or need to kill him� but you needed to make the gun go away. Could you do it?"

Mike paused only briefly. "I think I grok it. A gun is a wrong thing. But it might be needful for the man to remain corporate." He thought. "I can do if."

"Good. Mike, I am going to show you a gun. A gun is a wrong thing."

"A gun is a very wrong thing. I will make it go away."

"Don't make it go away as soon as you see it."

"Not?"

"Not. I will lift the gun and start to point it at you. Like this. Before I can get it pointed at you, make it go away. But don't stop me, don't hurt me, don't kill me, don't do anything to me. Just the gun. Don't waste me as food, either."

"Oh, I never would," Mike said earnestly. "When you discorporate, my brother Jubal, I hope to be allowed to eat of you myself, praising and cherishing you with every bite� until I grok you in fullness."

Harshaw controlled a seasick reflex he had not felt in decades and answered gravely, "Thank you, Mike."

"It is I who must thank you, my brother - and if it should come to be that I am selected before you, I hope that you will find me worthy of grokking. Sharing me with Jill. You would share me with Jill? Please?"

Harshaw glanced at Jill, saw that she had kept her face serene - reflected that she probably was a rock-steady scrub nurse. "I will share you with Jill," he said solemnly. "But, Mike, no one of us will be food today, nor any time soon. Right now I am going to show you this gun - and you wait until I say� and then you be very careful, because I have, many things to do before I am ready to discorporate."

"I will be careful, my brother."

"All right." Harshaw leaned over, grunting slightly, and opened a lower drawer of his desk. "Look in here, Mike. See the gun? I'm going to pick it up. But don't do anything until I tell you to. Girls - get up and move away to the left; I don't want it pointed at you. Okay. Mike, not yet." Harshaw reached for the gun, a very elderly police special, took it out of the drawer. "Get ready, Mike. Now!"-and Harshaw did his very best to get the weapon aimed at the Man from Mars.

His hand was suddenly empty. No shock, no jar, no twisting - the gun was gone and that was all.

Jubal found that he was shaking, so he stopped it. "Perfect," he said to Mike. "You got it before I had it aimed at you. That's utterly perfect."

"I am happy."

"So am I. Duke, did that get in the camera?"

"Yup. I put in fresh film cartridges. You didn't say."

"Good." Harshaw sighed and found that he was very tired. "That's all today, kids. Run along. Go swimming. You, too, Anne."

Anne said, "Boss? You'll tell me what the films show?"

"Want to stay and see them?"

"Oh, no! I couldn't, not the parts I Witnessed. But I would like to know - later - whether or not they show that I've slipped my clutches."

"All right."

XIII

WHEN THEY HAD GONE, Harshaw started to give instructions to Duke - then instead said grumpily, "What are you looking sour about?"

"Boss, when are we going to get rid of that ghoul?"

"'Ghoul'? Why, you provincial lout!"

"Okay, so I come from Kansas. You won't find any cases of cannibalism in Kansas - they were all farther west. I've got my own opinions about who is a lout and who isn't� but I'm eating in the kitchen until we get rid of him."

Harshaw said icily, "So? Don't put yourself out. Anne can have your closing check ready in five minutes� and it ought not to take you more than ten minutes to pack up your comic books and your other shirt."

Duke had been setting up a projector. He stopped and straightened up. "Oh, I didn't mean that I was quitting."

"It means exactly that to me, son."

"But - I mean, what the hell? I've eaten in the kitchen lots of times."

"So you have. For your own convenience, or to keep from making extra work for the girls. Or some such. You can have breakfast in bed, for all of me, if you can bribe the girls to serve it to you. But nobody who sleeps under my roof refuses to eat at my table because he doesn't want to eat with others who eat there. I happen to be of an almost extinct breed, an old-fashioned gentleman - which means I can be a real revolving son of bitch when it suits me. And it suits me right now� which is to say that no ignorant, superstitious, prejudiced bumpkin is permitted to tell me who is, or is not, fit to eat at my table. If I choose to dine with publicans and sinners, that is my business. But I do not choose to break bread with Pharisees."

Duke turned red and said slowly, "I ought to pop you one - and I would, if you were my age."

"Don't let that stop you, Duke. I may be tougher than you think and if I'm not, the commotion will probably bring the others in. Do you think you can handle the Man from Mars?"

"Him? I could break him in two with one hand!" "Probably� if you could lay a hand on him." "Huh?"

"You saw me try to point a pistol at him. Duke - where's that pistol? Before you go flexing your biceps, stop and think - or whatever it is you do in place of thinking. Find that pistol. Then tell me whether or not you still think you can break Mike in two. But find the pistol first."

Duke wrinkled his forehead, then went ahead setting up the projector. "Some sort of sleight-of-hand. The films will show it."

Harshaw said, "Duke. Stop fiddling with that projector. Sit down. I'll take care of it after you've left and run off the films myself. But I want to talk to you a few moments first."

"Huh? Jubal, I don't want you touching this projector. Every time you do, you get it out of whack. It's a delicate piece of machinery."

"Sit down, I said."

"But-"

"It's my projector, Duke. I'll bust the damned thing if it suits me. Or: I'll get Larry to run it for me. But I do not accept service from a man alter he has resigned from my employ."

"Hell, I didn't resign! You got nasty and sounded off and fired me - for no reason."

"Sit down, Duke," Harshaw said quietly. "Either sit down� and let me try to save your life - or get off this place as fast as you can and let me send your clothes and wages after you. Don't stop to pack; it's too risky. You might not live that long."

"What the hell do you mean?"

"Exactly what I say. Duke, it's irrelevant whether you resigned or were fired; you terminated your employment here when you announced that you would no longer eat at my table. Nevertheless I would find it distasteful for you to be killed on my premises. So sit down and I will do my best to avoid it."

Duke looked startled, opened his mouth - closed it and sat down. Harshaw went on, "Are you Mike's water brother?"

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