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Kurt Vonnegut: Jailbird

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Jailbird: краткое содержание, описание и аннотация

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No one can make America into childlike myth like Vonnegut can. Here he takes capitalism, labor history, Sacco-Vanzetti, McCarthyism, and Watergate, and puts them all into the slender memoirs of Walter F. Starbuck - a chauffeur's son who was mentored by the scion of a great and ruthless corporation, was sent to Harvard, but was abandoned when he was caught dabbling in the 1930s left-wing; which meant that Walter had to make his own way as a WW II soldier, Washington civil servant, unintentional stoolie in a Hiss/Chambers-type case, unemployed husband (his concentration-camp-survivor wife supported them with interior decorating), and finally Nixon's token "advisor for youth affairs" and a very minor Watergate convict. So now old Walter is getting out of minimum-security prison (where he has met Vonnegut's Kilgore Trout), without a friend in the world - his wife is dead and his son is "a very unpleasant person. . . a book reviewer for The New York Times" - and with hopes of becoming a bartender somewhere in Manhattan. All this is told in Vonnegut's customary fatless, detail-rich, musical prose (with the usual ironic asides: "And on and on," "Peace," "Strong stuff"), and it's strangely touching, occasionally boldly funny. But as good as he is at building a haunted, hilariously compressed myth out of our shared past, Vonnegut can't keep it from collapsing into silliness when he tries to propel it into the future; Walter's post-prison adventures are so fairy-tale-ish and theme-heavy that they lose that precariously balanced aura of truer-than-true. Once in Manhattan, he meets the major people from his past in one coincidence after another, including his old flame and fellow left-winger Mary Kathleen O'Looney, who is now a N.Y. shopping-bag lady living beneath Grand Central Station - but is she really a bag lady? No! She's really "the legendary Mrs. Jack Graham," neverseen majority stockholder in the all-powerful RAMJAC Corporation. So Walter is suddenly made a corporate bigwig, and, when Mary Kathleen secretly dies, he illegally (but well-meaningly) keeps the company going. . . and winds up a jailbird again. Rich/poor, honest/criminal, management/labor - Vonnegut is playfully exploring the ease with which an American Everyman can alternate between these ostensible extremes. But he has covered much of that ground before - principally in God Bless You, Mr. Rosewater - and he himself seems to become bored and mechanical halfway through. Not top-drawer Vonnegut, then, but guilty/innocent Walter is a fine creation, and there's enough of the author's narrative zip to keep fans happy even while the novel fizzles into foolishness. (Kirkus Reviews)

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I myself had chosen to be forty-four — respectable, but still quite sexy, too. My dismay with Father turned to embarrassment and anger. He was lemurlike as a nine-year-old, all eyes and hands. He had an endless supply of pencils and pads, and was forever tagging after me, drawing pictures of simply everything and insisting that I admire them when they were done. New acquaintances would sometimes ask me who that strange little boy was, and I would have to reply truthfully, since it was impossible to lie in heaven, "It's my father."

Bullies liked to torment him, since he was not like other children. He did not enjoy children's talk and children's games. Bullies would chase him and catch him and take off his pants and underpants and throw them down the mouth of hell. The mouth of hell looked like a sort of wishing well, but without a bucket and windlass. You could lean over its rim and hear ever so faintly the screams of Hitler and Nero and Salome and Judas and people like that far, far below. I could imagine Hitler, already experiencing maximum agony, periodically finding his head draped with my father's underpants.

Whenever Father had his pants stolen, he would come running to me, purple with rage. As like as not, I had just made some new friends and was impressing them with my urbanity — and there my father would be, bawling bloody murder and with his little pecker waving in the breeze.

I complained to my mother about him, but she said she knew nothing about him, or about me, either, since she was only sixteen. So I was stuck with him, and all I could do was yell at him from time to time, "For the love of God, Father, won't you please grow up!"

And so on. It insisted on being a very unfriendly story, so I quit writing it.

* * *

And now, in July of 1945, Father came into Stegemeier's Restaurant, still very much alive. He was about the age that I am now, a widower with no interest in ever being married again and with no evident wish for a lover of any kind. He had a mustache like the one I have today. I was clean-shaven then.

A terrible ordeal was ending — a planetary economic collapse followed by a planetary war. Fighting men were starting to come home everywhere. You might think that Father would comment on that, however fleetingly, and on the new era that was being born. He did not.

He told instead, and perfectly charmingly, about an adventure he had had that morning. While driving into the city, he had seen an old house being torn down. He had stopped and taken a closer look at its skeleton. He noticed that the sill under the front door was an unusual wood, which he finally decided was poplar. I gathered that it was about eight inches square and four feet long. He admired it so much that the wreckers gave it to him. He borrowed a hammer from one of them and pulled out all the nails he could see.

Then he took it to a sawmill — to have it ripped into boards. He would decide later what to do with the boards. Mostly, he wanted to see the grain in this unusual wood. He had to promise the mill that there were no nails left in the timber. This he did. But there was still a nail in there. It had lost its head, and so was invisible. There was an earsplitting shriek from the circular saw when it hit the nail. Smoke came from the belt that was trying to spin the stalled saw.

Now Father had to pay for a new sawblade and a new belt, too, and had been told never to come there with used lumber again. He was delighted somehow. The story was a sort of fairy tale, with a moral in it for everyone.

Uncle Alex and I had no very vivid response to the story. Like all of Father's stories, it was as neatly packaged and self-contained as an egg.

* * *

So we ordered more beers. Uncle Alex would later become a cofounder of the Indianapolis chapter of Alcohalics Anonymous, although his wife would say often and pointedly that he himself had never been an alcoholic. He began to talk now about The Columbia Conserve Company, a cannery that Powers Hapgood's father, William, also a Harvard man, had founded in Indianapolis in 1903. It was a famous experiment in industrial democracy, but I had never heard of it before. There was a lot that I had never heard of before.

The Columbia Conserve Company made tomato soup and chili and catsup, and some other things. It was massively dependent on tomatoes. The company did not make a profit until 1916. As soon as it made one, though, Powers Hapgood's father began to give his employees some of the benefits he thought workers everywhere in the world were naturally entitled to. The other principal stockholders were his two brothers, also Harvard men — and they agreed with him.

So he set up a council of seven workers, who were to recommend to the board of directors what the wages and working conditions should be. The board, without any prodding from anybody, had already declared that there would no longer be any seasonal layoffs, even in such a seasonal industry, and that there would be vacations with pay, and that medical care for workers and their dependents would be free, and that there would be sick pay and a retirement plan, and that the ultimate goal of the company was that, through a stock-bonus plan, it become the property of the workers.

"It went bust," said Uncle Alex, with a certain grim, Darwinian satisfaction.

My father said nothing. He may not have been listening.

* * *

I now have at hand a copy of The Hapgoods, Three Earnest Brothers, by Michael D. Marcaccio (The University Press of Virginia, Charlottesville, 1977). The three brothers in the subtitle were William, the founder of Columbia Conserve, and Norman and Hutchins, also Harvard men, who were both socialistically inclined journalists and editors and book writers in and around New York According to Mr. Marcaccio, Columbia Conserve was a quite tidy success until 1931, when the Great Depression hit it murderously. Many workers were let go, and those who were kept on had their pay cut by 50 percent. A great deal of money was owed to Continental Can, which insisted that the company behave more conventionally toward its employees — even if they were stockholders, which most of them were. The experiment was over. There wasn't any money to pay for it anymore. Those who had received stock through profit sharing now owned bits of a company that was nearly dead.

It did not go completely bust for a while. In fact it still existed when Uncle Alex and Father and Powers Hapgood and I had lunch. But it was just another cannery, paying not one penny more than any other cannery paid. What was left of it was finally sold off to a stronger company in 1953.

* * *

Now Powers Hapgood came into the restaurant, an ordinary-looking Middle Western Anglo-Saxon in a cheap business suit. He wore a union badge in his lapel. He was cheerful. He knew my father slightly. He knew Uncle Alex quite well. He apologized for being late. He had been in court that morning, testifying about violence on a picket line some months before. He personally had had nothing to do with the violence. His days of derring-do were behind him. Never again would he fight anybody, or be clubbed to his knees, or be locked up in jail.

He was a talker, with far more wonderful stories than Father or Uncle Alex had ever told. He was thrown into a lunatic asylum after he led the pickets at the execution of Sacco and Vanzetti. He was in fights with organizers for John L. Lewis's United Mine Workers, which he considered too right wing. In 1936 he was a CIO organizer at a strike against RCA in Camden, New Jersey. He was put in jail. When several thousand strikers surrounded the jail, as a sort of reverse lynch mob, the sheriff thought it best to turn him loose again. And on and on. I have put my recollections of some of the stories he told into the mouth of, as I say, a fictitious character in this book.

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