George Martin - Aces Abroad

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FROM THE JOURNAL OF XAVIER DESMOND

MARCH 21/EN ROUTE TO SEOUL:

A face out of my past confronted me in Tokyo and has preyed on my mind ever since. Two days ago I decided that I would ignore him and the issues raised by his presence, that I would make no mention of him in this journal.

I've made plans to have this volume to be offered for publication after my death. I do not expect a best-seller, but I would think the number of celebrities aboard the Stacked Deck and the various newsworthy events we've generated will stir up at least a little interest in the great American public, so my volume may find its own audience. Whatever modest royalties it earns will be welcomed by the JADL, to which I've willed my entire estate.

Yet, even though I will be safely dead and buried before anyone reads these words, and therefore in no position to be harmed by any personal admissions I might make, I find myself reluctant to write of Fortunato. Call it cowardice, if you will. Jokers are notorious cowards, if one listens to the jests, the cruel sort that they do not allow on television. I can easily justify my decision to say nothing of Fortunato. My dealings with him over the years have been private matters, having little to do with politics or world affairs or the issues that I've tried to address in this journal, and nothing at all to do with this tour.

Yet I have felt free, in these pages, to repeat the gossip that has inevitably swirled about the airplane, to report on the various foibles and indiscretions of Dr. Tachyon and Peregrine and Jack Braun and Digger Downs and all the rest. Can I truly pretend that their weaknesses are of public interest and my own are not? Perhaps I could

… the public has always been fascinated by aces and repelled by jokers… but I will not. I want this journal to be an honest one, a true one. And I want the readers to understand a little of what it has been like to live forty years a joker. And to do that I must talk of Fortunato, no matter how deeply it may shame me. Fortunato now lives in Japan. He helped Hiram in some obscure way after Hiram had suddenly and quite mysteriously left the tour in Tokyo. I don't pretend to know the details of that; it was all carefully hushed up. Hiram seemed almost himself when he returned to us in Calcutta, but he has deteriorated rapidly again, and he looks worse every day. He has become volatile and unpleasant, and secretive. But this is not about Hiram, of whose woes I know nothing. The point is, Fortunato was embroiled in the business somehow and came to our hotel, where I spoke to him briefly in the corridor. That was all there was to it… now. But in years past Fortunato and I have had other dealings.

Forgive me. This is hard. I am an old man and a joker, and age and deformity alike have made me sensitive. My dignity is all I have left, and I am about to surrender it.

I was writing about self-loathing.

This is a time for hard truths, and the first of those is that many nats are disgusted by jokers. Some of these are bigots, always ready to hate anything different. In that regard we jokers are no different from any other oppressed minority; we are all hated with the same honest venom by those predisposed to hate.

There are other normals, however, who are more predisposed to tolerance, who try to see beyond the surface to the human being beneath. People of good will, not haters, well-meaning generous people like… well, like Dr. Tachyon and Hiram Worchester to choose two examples close to hand. Both of these gentlemen have proven over the years that they care deeply about jokers in the abstract, Hiram through his anonymous charities, Tachyon through his work at the clinic. And yet both of them, I am convinced, are just as sickened by the simple physical deformity of most jokers as the Nur al-Allah or Leo Barnett. You can see it in their eyes, no matter how nonchalant and cosmopolitan they strive to be. Some of their best friends are jokers, but they wouldn't want their sister to marry one.

This is the first unspeakable truth of jokerhood.

How easy it would be to rail against this, to condemn men like Tach and Hiram for hypocrisy and "formism" (a hideous word coined by a particularly moronic joker activist and taken up by Tom Miller's jokers for a just Society in their heyday). Easy, and wrong. They are decent men, but still only men, and cannot be thought less because they have normal human feelings.

Because, you see, the second unspeakable. truth of jokerhood is that no matter how much jokers offend nats, we offend ourselves even more.

Self-loathing is the particular psychological pestilence of Jokertown, a disease that is often fatal. The leading cause of death among jokers under the age of fifty is, and always has been, suicide. This despite the fact that virtually every disease known to man is more serious when contracted by a joker, because our body chemistries and very shapes vary so widely and unpredictably that no course of treatment is truly safe.

In Jokertown you'll search long and hard before you'll find a place to buy a mirror, but there are mask shops on every block.

If that was not proof enough, consider the issue of names. Nicknames, they call them. They are more than that. They are spotlights on the true depths of joker self-loathing.

If this journal is to be published, I intend to insist that it be titled The Journal of Xavier Desmond, not A Joker's journal or any such variant. I am a man, a particular man, not just a generic joker. Names are important; they are more than just words, they shape and color the things they name. The feminists realized this long ago, but jokers still have not grasped it.

I have made it a point over the years to answer to no name but my own, yet I know a joker dentist who calls himself Fishface, an accomplished ragtime pianist who answers to Catbox, and a brilliant joker mathematician who signs his papers "Slimer." Even on this tour I find myself accompanied by three people named Chrysalis, Troll, and Father Squid.

We are, of course, not the first minority to experience this particular form of oppression. Certainly black people have been there; entire generations were raised with the belief that the "prettiest" black girls were the ones with the lightest skins whose features most closely approximated the Caucasian ideal. Finally some of them saw through that lie and proclaimed that black was beautiful.

From time to time various well-meaning but foolish jokers have attempted to do the same thing. Freakers, one of the more debauched institutions of Jokertown, has what it calls a "Twisted Miss" contest every year on Valentine's Day. However sincere or cynical these efforts are, they are surely misguided. Our friends the Takisians took care of that by putting a clever little twist on the prank they played on us. The problem is, every joker is unique.

Even before my transformation I was never a handsome man. Even after the change I am by no means hideous. My "nose" is a trunk, about two feet long, with fingers at its end. My experience has been that most people get used to the way I look if they are around me for a few days. I like to tell myself that after a week or so you scarcely notice that I'm any different, and maybe there's even a grain of truth in that.

If the virus had only been so kind as to give all jokers trunks where their noses had been, the adjustment might have been a good deal easier, and a "Trunks Are Beautiful" campaign might have done some real good.

But to the best of my knowledge I am the only joker with a trunk. I might work very hard to disregard the aesthetics of the nat culture I live in, to convince myself that I am one handsome devil and that the rest of them are the funny-looking ones, but none of that will help the next time I find that pathetic creature they call Snotman sleeping in the dumpster behind the Funhouse. The horrible reality is, my stomach is as thoroughly turned by the more extreme cases of joker deformity as I imagine Dr. Tachyon's must be-but if anything, I am even more guilty about it.

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