George Martin: Aces Abroad

Stephen Leigh

THURSDAY, NOVEMBER 27, 1986, WASHINGTON, DC:

The Sony threw flickering light over Sara's Thanksgiving feast: a Swanson turkey dinner steaming in foil on the coffee table. On the television screen a mob of misshapen jokers marched through a sweltering New York summer afternoon, their mouths moving in silent screams and curses. The grainy scene had the jerky look of an old newsreel, and suddenly the picture swung about to show a handsome man in his mid-thirties, his sleeves rolled up, his suit coat slung over a shoulder and his tie loose on his neck-Senator Gregg Hartmann, as he had been in 1976. Hartmann strode through the police lines blockading the jokers, shrugging away the security men who tried to hold him, shouting at the police himself. Alone, he stood between the authorities and the oncoming crowd of jokers, motioning them back.

Then the camera panned toward a disturbance within the ranks of jokers. The images were jumbled and out of focus: at the center was the ace/prostitute known as Succubus, her body seemingly made of quicksilver flesh, her appearance constantly shifting. The wild card had cursed her with sexual empathy. Succubus could take on whatever shape and form most pleased her clients, but that ability was now out of control. Around her, people responded to her power, grasping out for her with a strange lust on their faces. Her mouth was open in an imploring scream as the pursuing crowd, police and jokers both, bore her down. Her arms were stretched out in supplication, and as the camera panned back, there was Hartmann again, his jaw open in surprise as he gaped at Succubus. Her arms were reaching for him, her plea was for him. Then she was gone under the mob. For several seconds she was buried, lost. But then the crowd drew back in horror. The camera followed Hartmann closer: he shoved through those around Succubus, angrily pushed them away.

Sara reached for the VCR's remote switch. She touched the pause button, freezing the scene, a moment of time that had shaped her life. She could feel the hot tears streaking her face.

Succubus lay twisted in a pool of blood, her body mangled, her face turned upward as Hartmann stared at her, mirroring Sara's horror.

Sara knew the face that Succubus, whoever she might have really been, had found just before death. Those young features had haunted Sara since childhood-Succubus had taken on Andrea Whitman's face.

Sara's older sister's face. Andrea who, at thirteen, had been brutally murdered in 1950.

Sara knew who had kept that pubescent image of Andrea locked away in his mind for so many years. She knew who had placed Andrea's features on the infinitely malleable body of Succubus. She could imagine that face on Succubus as he lay with her, and that thought hurt Sara most of all.

"You bastard," Sara whispered to Senator Hartmann, her voice choking. "You goddamn bastard. You killed my sister and you couldn't even let her stay dead."

NOVEMBER 30/JOKERTOWN:

My name is Xavier Desmond, and I am a joker.

Jokers are always strangers, even on the street where they were born, and this one is about to visit a number of strange lands. In the next five months I will see veldts and mountains, Rio and Cairo, the Khvber Pass and the Straits of Gibraltar, the Outback and the Champs-Elysees-all very far from home for a man who has often been called the mayor of Jokertown. Jokertown, of course, has no mayor. It is a neighborhood, a ghetto neighborhood at that, and not a city. Jokertown is more than a place though. It is a condition, a state of mind. Perhaps in that sense my title is not undeserved.

I have been a joker since the beginning. Forty years ago, when Jetboy died in the skies over Manhattan and loosed the wild card upon the world, I was twenty-nine years of age, an investment banker with a lovely wife, a two-year-old daughter, and a bright future ahead of me. A month later, when I was finally released from the hospital, I was a monstrosity with a pink elephantine trunk growing from the center of my face where my nose had been. There are seven perfectly functional fingers at the end of my trunk, and over the years I have become quite adept with this "third hand." Were I suddenly restored to so-called normal humanity, I believe it would be as traumatic as if one of my limbs were amputated. With my trunk I am ironically somewhat more than human… and infinitely less.

My lovely wife left me within two weeks of my release from the hospital, at approximately the same time that Chase Manhattan informed me that my services would no longer be required. I moved to Jokertown nine months later, following my eviction from my Riverside Drive apartment for "health reasons." I last saw my daughter in 1948. She was married in June of 1964, divorced in 1969, remarried in June of

She has a fondness for June weddings, it seems. I was invited to neither of them. The private detective I hired informs me that she and her husband now live in Salem, Oregon, and that I have two grandchildren, a boy and a girl, one from each marriage. I sincerely doubt that either knows that their grandfather is the mayor of Jokertown.

I am the founder and president emeritus of the jokers' Anti-Defamation League, or JADL, the oldest and largest organization dedicated to the preservation of civil rights for the victims of the wild card virus. The JADL has had its failures, but overall it has accomplished great good. I am also a moderately successful businessman. I own one of New York's most storied and elegant nightclubs, the Funhouse, where jokers and nats and aces have enjoyed all the top joker cabaret acts for more than two decades. The Funhouse has been losing money steadily for the last five years, but no one knows that except me and my accountant. I keep it open because it is, after all, the Funhouse, and were it to close, Jokertown would seem a poorer place.

Next month I will be seventy years of age.

My doctor tells me that I will not live to be seventy-one. The cancer had already metastasized before it was diagnosed. Even jokers cling stubbornly to life, and I have been doing the chemotherapy and the radiation treatments for half a year now, but the cancer shows no sign of remission.

My doctor tells me the trip I am about to embark on will probably take months off my life. I have my prescriptions and will dutifully continue to take the pills, but when one is globe-hopping, radiation therapy must be forgone. I have accepted this.

Mary and I often talked of a trip around the world, in those days before the wild card when we were young and in love. I could never have dreamt that I would finally take that trip without her, in the twilight of my life, and at government expense, as a delegate on a fact-finding mission organized and funded by the Senate Committee on Ace Resources and Endeavors, under the official sponsorship of the United Nations and the World Health Organization. We will visit every continent but Antarctica and call upon thirty-nine different countries (some only for a few hours), and our official charge is to investigate the treatment of wild card victims in cultures around the world.

There are twenty-one delegates, only five of whom are jokers. I suppose my selection is a great honor, recognition of my achievements and my status as a community leader. I believe I have my good friend Dr. Tachyon to thank for it.

But then, I have my good friend Dr. Tachyon to thank for a great many things.

Part One

MONDAY, DECEMBER 1, 1986, SYRIA:

A chill, arid wind blew from the mountains of the Jabal Alawite across the lava rock and gravel desert of Badiyat Ash-sham. The wind snapped the canvas peaks of the tents huddled around the village. The gale made those in the market pull the sashes of their robes tighter against the cold. Under the beehive roof of the largest of the mud-brick buildings, a stray gust caused the flame to gutter against the bottom of an enameled teapot.