Connie Willis - Passage

“But he does talk a lot about Zeroes and people being killed,” Joanna said.

“I found them in Amelia’s most recent NDE, too. I have no idea what’s going on.”

Joanna didn’t either. Amelia’s session yesterday had been her most euphoric so far. When Joanna’d asked her to describe her feelings, she’d beamed at Richard, and said happily, “Warm, safe, wonderful!”

None of the others had showed any signs of anxiety either. Joanna had finally managed to get in touch with Ann Collins, the nurse who’d attended the session at which Mr. Wojakowski had murmured something while coming out. “He said, ‘Battle stations!’ ” Ann reported, which somehow wasn’t a surprise and, when Joanna asked how he had sounded when he said it, had said, “Excited, jubilant.”

So cortisol didn’t explain Amelia’s saying, “Oh, no.” Or Greg Menotti’s “fifty-eight,” the meaning of which still nagged at her. After her second visit to see Mrs. Woollam (a very short one because she had been scheduled for a chest X ray), Joanna had even gone to the hospital chapel, gotten a Bible, and looked up Psalm 58, but it was about the sins of the wicked, who were going to be melted away “as waters which run continually.”

Joanna had spent a few guilty minutes flipping through the rest of the Bible and discovered that most chapters didn’t have a verse 58, and the ones that did tended to say something like, “The gates of Babylon shall be burned with fire, and the people shall labor in vain, and the folk in the fire,” which wasn’t exactly helpful. Especially the part about laboring in vain.

But even though the answer wasn’t in the Bible, it was somewhere. The feeling that she knew what it meant persisted, and sometimes, listening to Mr. Sage’s interminable pauses or ducking into an elevator to get away from Mr. Mandrake, she felt she almost had it. That if she just had an uninterrupted half-hour to concentrate, she could get it.

But there were no half-hours. Mrs. Haighton called to say Thursday wouldn’t work, and Vielle, and Maisie, to tell Joanna she was back in the hospital. “I went into A-fib again,” she said matter-of-factly. “I’ve been here a whole day. Don’t you ever answer your pages?”

No, Joanna thought. They were always from Mr. Mandrake, trying to find out from her who their subjects were and what they’d experienced.

“I need to see you right away,” Maisie said. “I’m in the same room as before.”

Joanna promised she’d be down right after Mr. Sage’s session. He saw a tunnel (dark), a light (bright), and some people (maybe), which it took an hour and a half to get out of him. It was a positive pleasure to talk to Maisie.

“You never told me why you wanted to know what a Victory garden was,” Joanna said, trying not to look appalled at Maisie’s badly puffed face. Fluid retention, Joanna thought. A bad sign.

“Oh,” Maisie said, “because Emmett Kelly, he’s this clown who has a really sad face and raggedy clothes, I’ve got a picture—it’s the big red book with the volcano,” she said. “It’s in my Barbie bag.”

“I see Ms. Sutterly brought your books,” Joanna said, looking through the bag. 100 Worst Disasters Ever, with the Hindenburg crashing in flames on the cover, Disasters of the World, with a world map dotted with red flags, Great Disasters, with a black-and-white photo of the San Francisco earthquake. Here it was. Disasters of the Twentieth Century, with a garish red-and-black painting of a volcano.

“What’s this?” Joanna asked, bringing it over to the bed. “Pompeii?”

“Pompeii’s the city,” Maisie corrected her. “Mount Vesuvius is the volcano. But this is Mount Pelee. It killed thirty thousand people in like two minutes.” She opened the book and began turning pages filled with photos and maps and newspaper headlines. The Triangle Shirtwaist Factory fire, the sinking of the Morro Castle, the Galveston hurricane.

“Here it is,” Maisie said, wheezing a little. With the mere effort of turning pages? Maisie showed Joanna a double-page spread of photos. The one at the top was of Emmett Kelly, with his white-painted downturned mouth, his battered hat and enormous flopping shoes, running toward the circus tent with a bucket of water. There was a look of horror and desperation on his face, visible even under the clown makeup, but Maisie seemed blissfully unaware of it.

“Emmett Kelly helped get all of these little kids out of the fire,” she said, “and there was this one little girl, he saved her, and after he got her out of the tent, he said, ‘Go over there in the Victory garden and wait for your mother.’ So she’d be out of the way.”

“Oh,” Joanna said, “and you thought that was some sort of special place they had at circuses back then?”

“No,” Maisie said. “I thought a victory was a kind of vegetable.” She pushed the book around so the other half of the double page was facing Joanna and pointed at a man in a tall bandleader’s hat, waving a baton. “That’s the bandleader. When the fire started, he made the band play ‘The Stars and Stripes Forever.’ Do you know how that goes?”

“Yes.” Joanna hummed a few bars for her.

“Oh, I know that song,” Maisie said. “That’s the duck song, ‘Be kind to your web-footed friends.’ If you’re at a circus and you hear that song, you need to get out of there fast. It means there’s a fire or a lion loose or something.”

“I didn’t know that.”

Maisie nodded wisely. “It’s like a signal. Whenever the band plays it, all the circus people know to come ’cause there’s an emergency. Like when somebody codes. How come Emmett Kelly’s clothes are all raggedy?”

Joanna explained he was supposed to look like a tramp and then, because her humming “The Stars and Stripes Forever” had reminded her of Coma Carl’s humming, went up to see him for a few minutes.

His wife said he was having a good day, which meant he hadn’t yanked out his IV in his flailings and hadn’t been ambushed by the Vietcong, but Joanna thought he looked much thinner. When she went out to the nurses’ station, Guadalupe gave her an index card of his murmurings, saying, “He hasn’t said much lately.”

“Does he still row on the lake?” Joanna asked.

“No,” Guadalupe said.

Joanna looked at the card. “No,” he had said. “…have to… male… patches…,” and underneath, scrawled in a different hand, “red.”

Joanna transcribed the words, entering them onto Carl’s computer file along with “water” and “oh, grand” and Guadalupe’s comments about his movements. Looking through it, she realized she hadn’t transcribed his humming. It must be on one of the dozens of tapes piled in a shoe box she hadn’t gotten to yet and wouldn’t any time soon. The project tapes took precedence, and conducting interviews, and scheduling. And rescheduling.

Mrs. Haighton couldn’t come on Friday—this time it was the Art Museum Gala—and Amelia needed to reschedule, too. She had another big exam coming up, and her professor had scheduled a review session she couldn’t miss, and no, she couldn’t do it Thursday either. She had a test in statistics that day.

“How many exams do they have in college these days?” Richard exploded when Joanna told him. “I thought midterms were over. What’s going on? Has she gotten a new boyfriend?”

It’s more likely she’s given up on you ever noticing her, Joanna thought, because although Amelia was increasingly perky and smiling, Richard was totally preoccupied with his failure to get Mrs. Troudtheim under. “I don’t know what else to try,” he told Joanna, exasperated.

The worst part of Mrs. Troudtheim was that if they’d had a full slate of volunteers he’d simply have declared her nonviable and gone on to other subjects. But there were no other subjects to go on to. Joanna was obviously never going to get Mrs. Haighton in for an interview, let alone a session, and Mr. Pearsall had called to say that his father, the one who had never been sick a day in his life, had had a stroke, and that he was flying out to Ohio and didn’t know when he would be back. Which left Mr. Sage the Silent, the increasingly hard-to-get Amelia Tanaka, and Mr. Wojakowski. At least he was available. And more than eager to talk.