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Joe Haldeman: Worlds Enough and Time

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Joe Haldeman Worlds Enough and Time

Worlds Enough and Time: краткое содержание, описание и аннотация

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In the last volume of the parable of Earth’s destruction and humanity’s doomed flight from it, Mariane O’Hara frantically records the lives of her family and contemporaries when most of the earth’s history and literature is wiped out from computer banks. Written in the form of a diary, these are the reflections of a remarkable woman on the circumstances of her life aboard “New Home,” a traveling space station that represents the last remnants of humanity bound for an uncertain destination. This conclusion to the “Worlds” trilogy ( , LJ 3/15/81; , LJ 9/15/83) demonstrates Haldeman at his peak, an accomplished envisioner of the distant future. Unlike many technologically oriented sf adventures, this one features memorable characters and a well-integrated plot. Purchase where the author has a following or where hard sf is popular. [Contained a table. Best viewed with CoolReader.] Publisher’s Weekly Library Journal Nebula Award-winner Haldeman ( ) concludes his Worlds trilogy with this smooth, sophisticated novel of interstellar travel. With the earth a war-blasted ruin, civilization’s last outposts are the orbital habitats known as Worlds. From one of these, New New York, the starship New home sets out for an earth-like planet in the Epsilon Eridani system. It carries thousands of colonists, including Marianne O’Hara (the resilient heroine of the previous volumes) and her extended marriage unit (or “line”) of John, Daniel and Evelyn. When Newhome is a year out, a rogue radio transmission scrambles their computer data, ranging from history and literature to physics and engineering, and communication from New New York ceases; perhaps this World has been annihilated. The colonists must press on for Epsilon, recovering whatever data they can and coping with further challenges, among them a crop blight and a persuasive new shipboard religion. Meanwhile O’Hara and her spouses endure more private tragedies. Haldeman shows his strengths here: the workings of Newhome are believably complex, the novel’s scientific background is neither strained nor especially complicated, and the reader’s attention is focused on O’Hara’s character, her inner life and her interpersonal relationships. Although the plot takes a sudden and unfortunate turn at the very end, Haldeman offers an appealing, humanistic finish to this acclaimed series. (May)

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We watched the sun set on Los Angeles and rise over London. Then on to midmorning in New York, one of the few places with a large number of people. You could see them on the sidewalks. Some of the slidewalks were actually rolling again.

Evy has never been to Earth, of course. Of the ten thousand people aboard this crate, only a few hundred have.

I guess writing that down is a tacit admission that I’m writing this for other people to read. But not for a long time. Hello, reader, up there in the future. I’m dead now. And will feel worse in the morning.

I think it’s a good thing this starship is automated. Many key personnel are functioning at a low level of efficiency, if functioning at all. Including yours truly, Entertainment Director. The entertainment program for tomorrow, this morning rather, will be quiet music and contemplation of the sequelae of overindulgence.

If I’d drunk less or more I would be sleepy. At this level I’m edgy, and too stimulated to read or rest and too stupid to stop writing. At least by typing it out on the machine, I can erase the evidence tomorrow. Unless Prime makes a copy. She’s everywhere.

Are you listening, Prime? No answer. So you’re a liar as well as a soulless machine.

Since this is indeed the first entry in the Diary of the Rest of My Life, which is of course true every time one makes any entry in a diary, I will include some background data for you generations yet unborn. Perhaps you are mumbling these words around a guttering fire in a cave on Epsilon, this starship a legend a million years gone to dust. Perhaps you are one of my husbands reading it tomorrow. You think I don’t know I don’t have any secrets. Hah. Marry computer experts and give up any hope of privacy. I saw John break Tulip Seven’s thumbprint code the day after she died. (He didn’t do it for any trivial reason; the tribunal wanted him to have her files scanned for evidence. She drank poison but it might have been murder. Nothing conclusive.)

As I was saying. Two days ago we left the planet Earth forever. Actually what we left was the satellite world New New York, which has been orbiting the Earth since before my grandmother was born. The Earth itself has been a mess since 2085, as you must know or can read about somewhere else. Almost everybody killed in a war. I started to write “senseless” war. Do you have sensible ones, up there in the future? That’s something we never worked out, not to everyone’s satisfaction.

One reason the ten thousand of us are embarked on this one-way fling into the darkness is that Earth does seem to be recovering, and the next time they decide to Kill Everybody they might be more successful.

Another reason is that there doesn’t seem to be anyplace else to go. We could inhabit settlements on the Moon or Mars, or wherever, but they would just be extensions of New New; suburbs. This is the real thing. ‘Bye, Mom. No turning back.

As a matter of fact, my mother isn’t aboard. Nor my sister. Just as glad Mother stayed back but wish she had let Joyce come along. Old enough to be a good companion and still young enough to renew things for you as she discovers them.

I guess two husbands and a wife comprise enough family for anyone. God knows how many cousins I have scattered around. When the Nabors line kicked my mother out it was a mutual see-you-inhell parting, and as I was only five days old, I had not yet formed any lasting relationships. There are a few Scanlans aboard, my formal line family, but I feel more kinship with some of the food animals.

Oh yes, you generations yet unborn. You do know what a starship is, don’t you, mumbling around the guttering campfire? It is like a great bird with ten thousand people in its gullet and a matter/antimatter engine stuck up its huge birdy ass.

Up in the front, instead of a beak, there is a doughnut-shaped structure, with three spokes and a hub, which used to be Uchūden, a small world that also escaped destruction during the war, originally designed to be home for several hundred Japanese engineers. (Japan was an island nation on Earth, the most wealthy.) Now it functions as the control center for all of ’Home, the civil government as well as the thrilling engineering stuff.

Behind Uchūden, or “sternward,” as they want us to say, are all the living quarters, offices, farms, factories, laboratories—you name it, even a market where you can spend all of your hard-earned fake money.

A simplified diagram of the ship would be six concentric cylinders, shells; the acreage per shell and apparent gravity increasing as the number goes down. Most people live and work on Shells 1, 2, and 3; the inner ones reserved for processes that require lower gravity, such as metallurgy and free-fall sex. There are also some living quarters up there for the elderly and infirm, such as my husband John Ogelby, who has an uncorrectable curvature of the spine that makes even three-quarters gee painful. He also has a lot of political pull (“friends in high places” has a strong literal meaning here) and so rates a rather large bedroom/office/galley combination on Shell 6. The family tends to gather there.

I’m writing this in my small office cubicle in Uchūden, which is by definition Shell 1. As perquisites of rank I do have a cot that folds down from the wall and an actual window to the outside—on the floor, of course. I can either watch the stars wheel by once each thirty-three seconds or flip on a revolving mirror that keeps the stars stationary for fifteen seconds at a time. I like to watch them roll.

That concentric-cylinder model is just a theoretical idealization. You’d go crazy, living in a metal hive like that. So the walls and ceilings are knocked down and conjoined in various ways to give a variety of volumes and lines of sight. Most people still spend a certain amount of time hopelessly lost, since only a few hundred of us lived here while it was being built, and have had time to get used to it. New New was laid out logically, the corridors a simple grid on each level, and it was impossible to get lost. ‘Home is deliberately chaotic, even whimsical, and is supposed to be constantly changing. Only time will tell whether this will keep us sane or drive us mad.

Still, the longest line of sight is only a couple of hundred meters, looking across the park. It’s a good thing that almost all of us grew up in satellite Worlds. Someone used to the wide open spaces of Earth would probably feel trapped by ’Home’s claustrophobic architecture. In most corridors, for obvious instance, the floor curves up in two directions, cut off by the low ceiling in twenty meters or less—a lot less, up in 5 and 6. Of course you can look out for zillions of light-years if you have a window like mine, but for some reason some people don’t find that relaxing.

Both of my husbands were born on Earth, but spent enough years in New New to have lost the need for long lines of sight; distant horizons.

I do miss horizons, vistas, from my three visits to Earth. The first couple of weeks I spent there I had a hard time adjusting to the long lines of sight, even though I was in New York City, which most groundhogs would consider crowded. I would look up from the sidewalk and see a building impossibly far away and lose my balance.

I remember flying over kilometer after kilometer of forest, ocean, farmland, city. The Pyramids and the Rockies and Angkor Wat and even Las Vegas. We live inside one of the largest structures ever built, surely the largest vehicle—but we’ll never see anything big for the rest of our lives.

At least Dan and John and I have memories. Evy and nine thousand others just moved from one hollow rock into a newer one. Maybe they’re the lucky ones, I have to say, conventionally. I wouldn’t trade places.

Well, the rigors of composition seem to have sobered and tired me enough for sleep. Fold up the keyboard and unfold the cot. If the gravity gives me trouble I can always rejoin the hamster pile upstairs.

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