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Joe Haldeman: Worlds Enough and Time

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Joe Haldeman Worlds Enough and Time

Worlds Enough and Time: краткое содержание, описание и аннотация

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In the last volume of the parable of Earth’s destruction and humanity’s doomed flight from it, Mariane O’Hara frantically records the lives of her family and contemporaries when most of the earth’s history and literature is wiped out from computer banks. Written in the form of a diary, these are the reflections of a remarkable woman on the circumstances of her life aboard “New Home,” a traveling space station that represents the last remnants of humanity bound for an uncertain destination. This conclusion to the “Worlds” trilogy ( , LJ 3/15/81; , LJ 9/15/83) demonstrates Haldeman at his peak, an accomplished envisioner of the distant future. Unlike many technologically oriented sf adventures, this one features memorable characters and a well-integrated plot. Purchase where the author has a following or where hard sf is popular. [Contained a table. Best viewed with CoolReader.] Publisher’s Weekly Library Journal Nebula Award-winner Haldeman ( ) concludes his Worlds trilogy with this smooth, sophisticated novel of interstellar travel. With the earth a war-blasted ruin, civilization’s last outposts are the orbital habitats known as Worlds. From one of these, New New York, the starship New home sets out for an earth-like planet in the Epsilon Eridani system. It carries thousands of colonists, including Marianne O’Hara (the resilient heroine of the previous volumes) and her extended marriage unit (or “line”) of John, Daniel and Evelyn. When Newhome is a year out, a rogue radio transmission scrambles their computer data, ranging from history and literature to physics and engineering, and communication from New New York ceases; perhaps this World has been annihilated. The colonists must press on for Epsilon, recovering whatever data they can and coping with further challenges, among them a crop blight and a persuasive new shipboard religion. Meanwhile O’Hara and her spouses endure more private tragedies. Haldeman shows his strengths here: the workings of Newhome are believably complex, the novel’s scientific background is neither strained nor especially complicated, and the reader’s attention is focused on O’Hara’s character, her inner life and her interpersonal relationships. Although the plot takes a sudden and unfortunate turn at the very end, Haldeman offers an appealing, humanistic finish to this acclaimed series. (May)

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“It’s an impediment.” He leaned back, professorial. “Go ahead. Give me an example.”

“Jefferson.” I thought of him because I’d just seen his picture; one of the paintings reproduced in the hall outside of the meeting room.

“Thomas Jefferson. I don’t know American history that well.” He brightened. “But I know American economics. Jefferson owned slaves, didn’t he? Doesn’t sound too enlightened, even for that period.”

“He freed them.”

“He bought them first. Sounds like political expedience.”

“Mahatma Gandhi.”

“Religious leaders don’t count. Without at least the appearance of idealism, they would have no following.” He waved a hand to keep me from trying Adolf Hitler or someone. “It’s not that you can’t have ideals. Even I have one or two left. But I don’t let them dictate policy. I’d wind up with a few dedicated partisans on my side and a guaranteed majority trying to impede me, on general principles.”

“I understand what you’re saying. I would have to be subtle—”

“That’s not in your repertoire. Might as well say ‘I would have to be a giraffe.’ Unless you’ve changed profoundly in the last few months.”

“But it’s not as if I’m a bomb-throwing radical. Most of the people in ’Home have about the same notions of right and wrong—”

“You would say ‘right and wrong.’ That’s not what I’m talking about. What I’m saying is that you’re inflexible. You wouldn’t act against principle, even when it was clearly necessary.”

“You seem to know a lot about me.”

“I do.” He unzipped a front pocket and handed me a holo slide. “This is a message to you from Sandra Berrigan.”

“What did you have to do with Sandra?”

“We were strange bedfellows together.” For a weird moment I thought he meant sex, and tried to picture it. “I was supposed to wait until we were a lot farther out to give that to you. You are to play it once, alone, and then destroy it, and never discuss it with anyone but me.”

“Not even Sandra?”

“Especially not her. She has her own problems.”

I put the slide in my breast pocket, next to the button bug that was recording our conversation. It was confusing. Sandra had been my political mentor; she knew exactly how I felt about Purcell.

“Sandra entrusted that to me for reasons that will become apparent. I couldn’t pass on that trust. And I wanted you to read it while I was still… able to discuss it with you.”

“I’ll look at it tonight.”

“It’s about principle, ideals. About complexity.”

“Okay.” Sandra and Purcell? I put it out of my mind for a while. “Number one, I’m an idealist. I’ll accept that. Is there a number two?”

He nodded but didn’t answer immediately. Then he said, “Have you ever wondered why you were appointed to the least significant Cabinet post?”

“I’ve wondered.” He waited. “All right. To be completely honest, if less than humble, I’ve always believed the position was created for me. That Sandra pushed it through so that I could have some Cabinet-level experience without too much visibility. It does seem odd to have Entertainment at the Cabinet rather than the committee level.”

“You’re ninetenths right. But it was my idea, not Sandra’s.”

That was reasonably shocking. “That’s… interesting.”

“Or unbelievable?” He scratched his head and grimaced. “I had planned to have this conversation with you when you were rather more experienced.”

“More experienced,” I said. “I have four degrees, two husbands, and a wife—not counting the hundred or so lovers before I was married. I’ve been to Earth three times. I was there for the end of the world. I can juggle three objects of different sizes and play the clarinet, though not at the same time. I even have some political experience. Not enough, I take it.”

“Are you through?”

“No. You’ve condescended to me for a good sixteen years. Now I’m supposed to believe you have enough respect for my abilities to create a position that sets me up to take over your job. You’re right; it’s unbelievable. It’s fantastic. I could use some explanation.”

“That’s number three.”

“Does the order matter?”

“Perhaps not.” He levered himself up to perch on the edge of the table, a slow balletic move in low gravity. “I will give you half of my reason. The irrational half.”

“Go on.”

“I had a daughter born about two years before you were born. She was very much like you. We argued for many years, but argument to me is a sport. I challenged her in the spirit that another man might play ball with his daughter, or chess, or go to movies.”

“I can understand that.”

“She never did. When she was eighteen she stopped speaking to me. When she was nineteen she emigrated to Tsiolkovski, of all places. Ostensibly because I was so contemptuous of their politics and economics. She left a note.”

“And she died there during the war?”

“She never got there. The ’81 shuttle disaster.”

That was the year I was in his class. He’d never mentioned it. “My God. That’s terrible.”

“I’m not sure that I loved her. I suspect that I’ve never loved anybody. Of course I feel partially responsible for her death.”

I had to say the obvious. “You didn’t have anything to do with the airlock blowing out, Harry. She was killed by metal fatigue. By poor maintenance.”

He nodded. “Partially responsible.” I hoisted myself up next to him on the edge of the table. He was a big man; my shoulder touched his bicep. I resisted the temptation to put my arm around him. We both stared at the opposite wall.

“My doctor, who was an old friend, gave me pills for grief and advised me to continue business as usual. That was when you were in my economic theory seminar. Every time you opened your mouth, you reminded me of her. It became very hard to go to class.”

“I’m sorry. You could have—”

“Maybe you knew her? She called herself Margaret Haskel.”

“Yes. We had a swimming class together the year before she… I didn’t know she was your daughter.”

“She didn’t broadcast it.” In fact, we hardly ever spoke. We did look similar in face and freckles and red hair, but nobody in a nude swimming class would have mistaken us for one another. She had a perfect voluptuous figure. I could have held a frankfurter in front of me and passed for a boy. We didn’t seem to have much in common.

I remembered the strange feeling when I saw her name on the list of casualties. It wasn’t sadness; I hadn’t known her that well. But I’d never known anyone before who had died. It made me feel oddly important.

“So yes, I’ve been following your career since then. For twelve years your successes have been a constant small irritant. I always have to think of Margaret and what she might have done. Not rational.” He put his hand on mine, unexpectedly, cold. “That’s how they make pearls, though.” He squeezed. “Put an irritant into an ugly old bivalve.”

He started pacing. “Number two. You have accumulated far too much influence and visibility for a woman your age. Not just the demographic selection work you did on Start-up, though that certainly made you ubiquitous. That book you wrote made you a kind of celebrity in New New, and celebrity has its negative side.”

“I wasn’t exactly lusting for fame. I wanted the book to be published anonymously.”

“I know. A pretty gesture, but pointless. Anybody who didn’t know who you were by then would have to have been asleep all the years following the war.” The book, Three Earths , was about my rather eventful school “year” on Earth, cut short by the war, and the two disaster-ridden return missions I participated in. It was just my diary with some of the stupidities and libels edited out.

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