Mark Anson - Below Mercury

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Below Mercury: краткое содержание, описание и аннотация

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In the permanent darkness of an ice-filled crater on the South Pole of Mercury lies Erebus Mine, abandoned after a devastating accident that claimed the lives of 257 people. After an eight-year legal battle, an investigation team is finally on its way to Mercury to find out what really happened. But powerful forces want to make sure that what lies beneath Chao Meng-fu crater is never uncovered…
Featuring line drawings and maps, realistic technical detail, and magnificently-imagined visions of the Sun’s innermost planet, BELOW MERCURY sets new standards for the hard SF novel.

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The cage had stopped with barely half a metre of the opening showing above the cage floor. Matt and Bergman pushed the cage door up, and squirmed onto the floor of the cage to see out into the shaft station.

The light from their flashlights reflected off the rippling surface of an underground pool; the passage leading off from the shaft station was completely underwater. The air was heavy and close, and smelled of foul water far off in the workings. Around them, the water streaming down the shaft sides flowed almost silently into the pool, and ran in rivulets from the roof opening.

‘Shit.’ Bergman spat into the water, and turned sideways to look at Matt. ‘That’s why the air’s so bad; the water’s blocked off the ventilation.’

‘Yeah.’ Matt lowered his head, looking down into the flooded sump below the cage.

‘Well, we’ll never know what happened to the personnel now,’ Bergman said, standing up again. ‘There’s nobody alive down here.’

Matt didn’t reply. He was looking down at the water that filled the sump. The surface was broken with fading ripples, scattering and reflecting his flashlight beam, but the water seemed clear. He leaned out, and pushed his flashlight lens below the surface, and he found he could see clearly, all the way to the bottom of the sump.

He stayed like that for several moments.

‘Rick,’ he said quietly.

‘Yeah?’

‘I think you need to take a look at this.’

Something in Matt’s voice sent a chill down Bergman’s spine. He knelt down by Matt and looked into the water. His movements had disturbed the surface again, and for a few moments he couldn’t see anything. The ripples faded slowly away until he could see what was at the bottom of the shaft.

‘Oh, fucking, fucking, hell,’ he breathed.

In the unsteady beam from Matt’s flashlight, the sump of the shaft lay revealed below them. The balance rope ran from the bottom of the cage, round in a loop beneath them, before returning up the other side of the shaft.

Below the bottom of the loop, the sump was completely filled with sprawling human skeletons. Their empty eye sockets stared back at Matt and Bergman. Bony fingers rose out of the pile, as if reaching up to them.

Many were still clad in the clothes they had died in, and all were in advanced stages of decomposition; immersion in water had reduced their flesh to a foul ooze covering the floor of the sump. It rose in faint eddies where the water had been disturbed.

The two men stared at the scene for long moments. Their eyes, flickering over the scene, picked out more details. Many of the bodies had been dismembered; their bony arms and legs ended in shattered bone, and here and there whole torsos had been cut in half. Ribcages ended in severed spines. Skulls, looking up at the cage with empty eye sockets, had gaping fissures, as if a huge axe had cut through them.

Not all the remains were human; here and there, the large forms of mining robots were piled with the dead. The robots’ steel bodies were riddled with small dents and holes, and the unmistakeable black peppering of shotgun rounds fired at close range.

‘Oh, no,’ Matt whispered.

In a sliding rush of dread that was colder than the deep water that lay below him, he realised what had killed the people in the mine. He remained rooted to the spot, staring into the water, unable to tear his eyes off the scene, as the reality of what had happened washed over him.

When the depressurisation failed to kill everyone in the mine, when the survivors had taken refuge behind secure pressure doors, another terror had been unleashed in the mine. An enemy that could tear its way through steel doors, that could rip and crush, that would walk unblinking into the hail of small arms fire that were the mine personnel’s only defence.

How they had done it, Matt couldn’t begin to guess; it was supposed to be impossible, the protocols were burned in at the hardware level and couldn’t be subverted by software. But PMI had done it somehow; the evidence was staring back at him, the cloven, empty skulls and accusing fingers.

They had been reprogrammed to attack and kill, to break open the sealed doors, and turn on their masters.

It had been the robots.

CHAPTER THIRTY-THREE

The cage carrying Dr Elliott and Peter Abrams came to a stop at the top of the raise, and the brakes locked on. Below them, the service raise bored straight down into the mountain, and into the darkness of the mine.

The cage door slid up and the safety gate moved aside, and they stepped out into the upper shaft station. The robot lumbered out after them, carrying its load of air cylinders, and they stood there, uncertain what to do next.

Abrams looked around them. The shaft station looked identical to the one they had left behind, but there were no passages opening onto it. A single pressure door stood in the centre of the opposite wall.

‘Crawford said there was an airlock,’ Elliott said, looking at the door.

‘Yes, and maybe there’s air still in it, but let’s not take any chances. I say we get our helmets on here before we open that door, yes?’

Elliott nodded, and they lifted four air cylinders off the robot’s arms and took turns to load each other’s suit backpack. Both of them had received a thorough course in using a surface spacesuit as part of their training for the mission, and they cross-checked each other’s equipment, taking their time, making sure that their helmets were sealed, the air flow was correct and that the temperature regulation and radios were working.

The rucksacks containing the radio equipment went on top of the two remaining air cylinders that Bob Five carried. Finally, Abrams was satisfied that they were ready to move out.

‘Okay, let’s open the inner door.’ His voice sounded strange inside his helmet. ‘Bob Five, can you hear me?’

‘YES, MASTER,’ the robot’s deep voice sounded in Abrams’s headset.

‘Okay, follow us.’

Abrams punched the door open button with his gloved hand. The heavy door moved aside a few centimetres before jerking to a halt. For a moment, they thought it had become stuck, but then it slid open, its mechanism making a grating noise.

‘Doesn’t sound too healthy,’ Abrams commented, but stepped through, and Elliott and the robot followed, carrying the air cylinders and radio equipment in its arms. It bent over to pass under the door frame. Its sliding, overlapping joints made it surprisingly flexible for such a large and heavy machine.

Elliott closed the door once the robot was through, and the door moved shut with the same uncertain, scraping motion, and sealed.

The airlock chamber was a white-painted space, about four metres square, cut into the rock, with air ducts and cables in the walls and roof. The outer door was red, with a prominent sign in large white letters:

DANGER
OPEN TO VACUUM

‘Air okay? Right, here we go.’ Abrams pressed and held the two buttons to start the airlock depressurisation sequence. As the air in the chamber vented out into space, the suits stiffened slightly round their bodies, and the airlock status display changed colour, going from a solid green, to blinking green, to blinking red, and finally the solid red of vacuum.

Abrams pressed the button to open the outer door, and it slid aside silently. A faint swirl of dust stirred outside.

They paused at the airlock door, taking in the scene outside.

The opening led out onto the base of a narrow ramp set in a deep cutting. On either side of the exit, the rock walls of the cutting stood three metres above their heads, and the ramp sloped up between the high walls until it emerged into the intense, arc-like glare of sunlight at the end of the cutting.

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