Connie Willis - The Best of Connie Willis

September 24 —Langby took me on rounds. Into the choir, where I had to learn the stirrup pump all over again, assigned rubber boots and a tin helmet. Langby says Commander Allen is getting us asbestos firemen’s coats, but hasn’t yet, so it’s my own wool coat and muffler and very cold on the roofs even in September. It feels like November and looks it, too, bleak and cheerless with no sun. Up to the dome and onto the roofs, which should be flat but in fact are littered with towers, pinnacles, gutters, statues, all designed expressly to catch and hold incendiaries out of reach. Shown how to smother an incendiary with sand before it burns through the roof and sets the church on fire. Shown the ropes (literally) lying in a heap at the base of the dome in case somebody has to go up one of the west towers or over the top of the dome. Back inside and down to the Whispering Gallery.

Langby kept up a running commentary through the whole tour, part practical instruction, part church history. Before we went up into the Gallery he dragged me over to the south door to tell me how Christopher Wren stood in the smoking rubble of Old St. Paul’s and asked a workman to bring him a stone from the graveyard to mark the cornerstone. On the stone was written in Latin, “I shall rise again,” and Wren was so impressed by the irony that he had the word inscribed above the door. Langby looked as smug as if he had not told me a story every first-year history student knows, but I suppose without the impact of the fire watch stone, the other is just a nice story.

Langby raced me up the steps and onto the narrow balcony circling the Whispering Gallery. He was already halfway round to the other side, shouting dimensions and acoustics at me. He stopped facing the wall opposite and said softly, “You can hear me whispering because of the shape of the dome. The sound waves are reinforced around the perimeter of the dome. It sounds like the very crack of doom up here during a raid. The dome is one hundred and seven feet across. It is eighty feet above the nave.”

I looked down. The railing went out from under me and the black and white marble floor came up with dizzying speed. I hung on to something in front of me and dropped to my knees, staggered and sick at heart. The sun had come out, and all of St. Paul’s seemed drenched in gold. Even the carved wood of the choir, the white stone pillars, the leaden pipes of the organ, all of it golden, golden.

Langby was beside me, trying to pull me free. “Bartholomew,” he shouted, “what’s wrong? For God’s sake, man.”

I knew I must tell him that if I let go, St. Paul’s and all the past would fall in on me, and that I must not let that happen because I was an historian. I said something, but it was not what I intended because Langby merely tightened his grip. He hauled me violently free of the railing and back onto the stairway, then let me collapse limply on the steps and stood back from me, not speaking.

“I don’t know what happened in there,” I said. “I’ve never been afraid of heights before.”

“You’re shaking,” he said sharply. “You’d better lie down.” He led me back to the crypt.

September 25 —Memory retrieval: ARP manual. Symptoms of bombing victims. Stage one—shock; stupefaction; unawareness of injuries; words may not make sense except to victim. Stage two—shivering; nausea; injuries, losses felt; return to reality. Stage three—talkativeness that cannot be controlled; desire to explain shock behavior to rescuers.

Langby must surely recognize the symptoms, but how does he account for the fact there was no bomb? I can hardly explain my shock behavior to him, and it isn’t just the sacred silence of the historian that stops me.

He has not said anything, in fact assigned me my first watches for tomorrow night as if nothing had happened, and he seems no more preoccupied than anyone else. Everyone I’ve met so far is jittery (one thing I had in short-term was how calm everyone was during the raids) and the raids have not come near us since I got here. They’ve been mostly over the East End and the docks.

There was a reference tonight to a UXB, and I have been thinking about the Dean’s manner and the church being closed, when I’m almost sure I remember reading it was open through the entire Blitz. As soon as I get a chance, I’ll try to retrieve the events of September. As to retrieving anything else, I don’t see how I can hope to remember the right information until I know what it is I am supposed to do here, if anything.

There are no guidelines for historians, and no restrictions, either. I could tell everyone I’m from the future if I thought they would believe me. I could murder Hitler if I could get to Germany. Or could I? Time paradox talk abounds in the history department, and the graduate students back from their practica don’t say a word one way or the other. Is there a tough, immutable past? Or is there a new past every day and do we, the historians, make it? And what are the consequences of what we do, if there are consequences? And how do we dare do anything without knowing them? Must we interfere boldly, hoping we do not bring about all our downfalls? Or must we do nothing at all, not interfere, stand by and watch St. Paul’s burn to the ground if need be so that we don’t change the future?

All those are fine questions for a late-night study session. They do not matter here. I could no more let St. Paul’s burn down than I could kill Hitler. No, that is not true. I found that out yesterday in the Whispering Gallery. I could kill Hitler if I caught him setting fire to St. Paul’s.

September 26— I met a young woman today. Dean Matthews has opened the church, so the watch have been doing duties as chars and people have started coming in again. The young woman reminded me of Kivrin, though Kivrin is a good deal taller and would never frizz her hair like that. She looked as if she had been crying. Kivrin has looked like that since she got back from her practicum. The Middle Ages were too much for her. I wonder how she would have coped with this. By pouring out her fears to the local priest, no doubt, as I sincerely hoped her look-alike was not going to do to me.

“May I help you?” I said, not wanting in the least to help. “I’m a volunteer.”

She looked distressed. “You’re not paid?” she said, and wiped at her reddened nose with a handkerchief. “I read about St. Paul’s and the fire watch and all and I thought, perhaps there’s a position there for me. In the canteen, like, or something. A paying position.” There were tears in her red-rimmed eyes.

“I’m afraid we haven’t a canteen,” I said as kindly as I could, considering how impatient Kivrin always makes me, “and it’s not actually a real shelter. Some of the watch sleep in the crypt. I’m afraid we’re all volunteers, though.”

“That won’t do, then,” she said. She dabbed at her eyes with the handkerchief. “I love St. Paul’s, but I can’t take on volunteer work, not with my little brother Tom back from the country.”

I was not reading this situation properly. For all the outward signs of distress she sounded quite cheerful and no closer to tears than when she had come in.

“I’ve got to get us a proper place to stay. With Tom back, we can’t go on sleeping in the Tube.”

A sudden feeling of dread, the kind of sharp pain you get sometimes from involuntary retrieval, went over me. “The Tube?” I said, trying to get at the memory.

“Marble Arch, usually,” she went on. “My brother Tom saves us a place early and I go…” She stopped, held the handkerchief close to her nose, and exploded into it. “I’m sorry,” she said, “this awful cold!”

Red nose, watering eyes, sneezing. Respiratory infection. It was a wonder I hadn’t told her not to cry. It’s only by luck that I haven’t made some unforgivable mistake so far, and this is not because I can’t get at the long-term memory. I don’t have half the information I need even stored: cats and colds and the way St. Paul’s looks in full sun. It’s only a matter of time before I am stopped cold by something I do not know. Nevertheless, I am going to try for retrieval tonight after I come off watch. At least I can find out whether and when something is going to fall on me.