Lester del Rey - The Best of Lester del Rey

The unquestioned king of the nighttime air in New York radio is a skinny and sardonic fellow named Long John Nebel. Long John’s marathon talk show runs from midnight till dawn every night of the week, and what it covers is everything. I don’t just mean “everything.” I mean everything. Politics. Religion. Sex. Hying saucers. Bermuda triangles. War. Science fiction. Science. Art. Music. You name it, it has been the subject of a Long John talkfest. And over the years, among his chosen nuclear guest family who join him after midnight to chew over the topic of the day, one voice has stood out. Whatever the subject, he has an opinion, and insights and facts to back it up. He has done the show 400 times at least, not counting reruns on tape, and he is so well known to the insomniacs of New York (and most other states) that he is usually introduced only as The Magnificent. He doesn’t need to be given a name, because the listeners know him so well. But he has one. It is Lester del Rey.

Of course, there are countless thousands of people who have known Lester del Rey very well for a long time who have never heard him on Long John’s show. They are people like you and me: science-fiction readers. We’ve known Lester for forty years, or even longer if we remember those polemical letters in Astounding’s “Brass Tacks” department in the ’30s.

Like most sf writers, Lester came to the field as a reader. He liked what he read. After some thought, he concluded that he would like writing it, too. He had never written a science-fiction story at the time. That didn’t seem to matter. He reasoned that if he thought of an idea no one else had thought of before, and told it concisely and literately, with some attention to interesting characters and colorful backgrounds, John Campbell would buy it. So he did. And so John did; it was called “The Faithful.” That was the first story Lester sold John Campbell. It certainly wasn’t the last. The Golden Age of Astounding was all the more lustrous for “Nerves,” “Helen O’Loy,” and all those others from his hard-driven typewriter.

Once he had formed the habit, Lester did not stop with Astounding. He wrote for all the other magazines, too, and when a few years later a couple of publishers took all their courage in their hands and began to experiment with science-fiction books, Lester was one of the first to get his sf nicely packaged in hard covers. He wrote a couple, then a flood, of novels especially for the book publishers. There are grown men (and grown women, too) all over the country who cut their literary wisdom teeth on sf juveniles by Philip St. John, Erik Van Lhin, and Kenneth Wright—all of whom were, in fact, Lester del Rey. Scott Meredith, then a young (but obviously canny) literary agent, grabbed Lester as a client, and shortly thereafter as an employee, and as Meredith’s Number One assistant, Lester guided the careers of scores of other writers. When the science-fiction magazine market mushroomed in the early 1950s Lester became the editor of one of the most interesting—strike that; of four of the most interesting—magazines around. He did most of that pseudony-mously, too. On Tuesdays and Thursdays, he was Philip St. John, editor of Science Fiction Adventures. On Mondays, Wednesdays, and Fridays he was Wade Kaempf ert, editing Rocket Stories; and then he had the whole weekend to himself, under his own name, to edit Space Science Fiction and Fantasy Fiction Magazine.

I first met Lester del Rey when both of us were impossibly apple-cheeked youngsters. I was editing two cut-rate science-fiction magazines for Popular Publications, and Lester, on one of his rare visits to New York, brought to my office a couple of stories that John Campbell had had the unwisdom to turn down. In my youthful foolishness, I did the same. Well, you can excuse Campbell, because he had everybody in the field clamoring to get into his magazines. Maybe you can forgive me, too, because I was inexperienced. But how can you excuse Lester for what he did then? Since two editors had declined the stories, he figured there was something wrong with them. He put them aside—and now, four decades later, they’re still aside, in fact lost irretrievably.

A war came along, scattering us all for a while. And then, in 1947, there was a world science-fiction convention in Philadelphia. We all saw each other again, met new friends, had a fine time. All in all it was a fine weekend; and Lester and I liked it so well that we conceived the idea of making it permanent.

Lester was living in New York City by then, and so was I, and we got ourselves and a coterie of friends together and created The Hydra Club, New York’s longest-lived sf writers’ chowder-and-marching society. Long after both Lester and I had left the city and stopped attending, the club carried on of its own momentum. One of the leading lights of Hydra was the late Fletcher Pratt, a marvelous, lovable, feisty man who had once been a bantamweight prize fighter and converted himself into the writer who produced the best one-volume history of the Civil War ever in print (among very much else that is noteworthy). Fletcher and Inga Pratt owned a great old monster of a house on the New Jersey shore. Lester and I (and our wives) were frequent weekend guests, and grew fond of the Monmouth County area. In 1951 I moved to Red Bank. In 1954 the del Reys came out to visit the Pohls for a weekend. They stayed seventeen years.

Oh, it wasn’t roses, roses all the way! Science-fiction writers are thorny people, given to obstinacy and adrenalin, and Lester is an archetypal science-fiction writer. He has sometimes been described as fulminate of mercury with a beard. I am not at all like that, of course, but nevertheless we had some rousers. We fought like wombats over astrophysics, horticulture, and whether the Bruch violin concerto deserves to be mentioned in the same breath with the Mendelssohn. (Lester was wrong about that, though I must admit the Bruch is still very good.) In the days before baseball teams treacherously deserted their God-given home turfs to dally in California, Lester was misguidedly a partisan of the New York Giants, while I, of course, loyally supported the best team in the history of baseball, the Brooklyn Dodgers. That caused a lot of trouble. Perhaps you remember hearing about Bobby Thomson’s home run that cost Brooklyn a pennant? That was the closest I ever came to punching Lester out. He chortled.

But when the chips were down, when there was trouble—and there was grave trouble now and then for both of us—what Lester was was a friend. In 1970 Evelyn del Rey was killed hi a car crash. After that, Lester did not want to live in their house any more. He moved to New York, and so in a short time Carol and I had lost not only Ewie, but Lester as well. It was a somber time.

But time passed; and then, when we now and then saw Lester on a visit, it was clear that somehow he was finding joy again. By and by it became clear that the joy had a name, and her name was Judy-Lynn Benjamin. I wholly approved. For one thing, I would not have dared not to; I had introduced them, when Lester was editing one of the magazines at the Galaxy complex and Judy-Lynn was the brand-new, fresh-out-of-college junior editor who saw that everything got done for us. They were married a few months later; and that, my children, is the story of how Del Rey Books got its name.

So I am not very objective about Lester del Rey, either as a writer or as a friend. As a writer, his awards speak for his standing in his field, but they don’t have to. The stories speak for themselves, and what I can tell you in this short note cannot say as much for his writing as any of the works that follow. So let me talk about him in other ways. As the person who dyed his beard green in silent protest when his wife changed the color of her hair. As the tinkerer who redesigned the keyboard of his typewriter to economize on finger movements. As the man who taught me so wickedly addictive a form of solitaire that I have never since been able to play any other. As the coach, mentor, and advocate of a hundred newer writers, some of them now in the top rank of science fiction.