Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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“O body swayed to music, O brightening glance,

“How can we know the dancer from the dance?”

The audience applauded in his mind while he slipped into sleep, and he thought it remarkable that they sounded genuine. He pictured them smiling and nodding at the show. Smiling at the girl with her hand raised so; nodding at the man who paused forever, then came on stage.

DOGWALKER

I was an innocent pedestrian. Only reason I got in this in the first place was I got a vertical way of thinking and Dogwalker thought I might be useful, which was true, and also he said I might enjoy myself, which was a prefabrication, since people done a lot more enjoying on me than I done on them.

When I say I think vertical, I mean to say I’m metaphysical, that is, simular, which is to say, I’m dead but my brain don’t know it yet and my feet still move. I got popped at age nine just lying in my own bed when the goat next door shot at his lady and it went through the wall and into my head. Everybody went to look at them cause they made all the noise, so I was a quart low before anybody noticed I been poked.

They packed my head with supergoo and light pipe, but they didn’t know which neutron was supposed to butt into the next so my alchemical brain got turned from rust to diamond. Goo Boy. The Crystal Kid.

From that bright electrical day I never grew another inch, anywhere. Bullet went nowhere near my gonadicals. Just turned off the puberty switch in my head. Saint Paul said he was a eunuch for Jesus, but who am I a eunuch for?

Worst thing about it is here I am near thirty and I still have to take barkeepers to court before they’ll sell me beer. And it ain’t hardly worth it even though the judge prints out in my favor and the barkeep has to pay costs, because my corpse is so little I get toxed on six ounces and pass out pissing after twelve. I’m a lousy drinking buddy. Besides, anybody hangs out with me looks like a pederast.

No, I’m not trying to make you drippy-drop for me—I’m used to it, OK? Maybe the homecoming queen never showed me True Love in a four-point spread, but I got this knack that certain people find real handy and so I always made out. I dress good and I ride the worm and I don’t pay much income tax. Because I am the Password Man. Give me five minutes with anybody’s curriculum vitae, which is to say their autopsychoscopy, and nine times out of ten I’ll spit out their password and get you into their most nasty sticky sweet secret files. Actually it’s usually more like three times out of ten, but that’s still a lot better odds than having a computer spend a year trying to push out fifteen characters to make just the right P-word, specially since after the third wrong try they string your phone number, freeze the target files, and call the dongs.

Oh, do I make you sick? A cute little boy like me, engaged in critical unspecified dispopulative behaviors? I may be half glass and four feet high, but I can simulate you better than your own mama, and the better I know you, the deeper my hooks. I not only know your password now, I can write a word on a paper, seal it up, and then you go home and change your password and then open up what I wrote and there it’ll be, your new password, three times out of ten. I am vertical, and Dogwalker knowed it. Ten percent more supergoo and I wouldn’t even be legally human, but I’m still under the line, which is more than I can say for a lot of people who are a hundred percent zoo inside their head.

Dogwalker comes to me one day at Carolina Circle, where I’m playing pinball standing on a stool. He didn’t say nothing, just gave me a shove, so naturally he got my elbow in his balls. I get a lot of twelve-year-olds trying to shove me around at the arcades, so I’m used to teaching them lessons. Jack the Giant Killer. Hero of the fourth graders. I usually go for the stomach, only Dogwalker wasn’t a twelve-year-old, so my elbow hit low.

I knew the second I hit him that this wasn’t no kid. I didn’t know Dogwalker from God, but he gots the look, you know, like he been hungry before, and he don’t care what he eats these days.

Only he got no ice and he got no slice, just sits there on the floor with his back up against the Eat Shi’ite game, holding his boodle and looking at me like I was a baby he had to diaper. “I hope you’re Goo Boy,” he says, “cause if you ain’t, I’m gonna give you back to your mama in three little tupperware bowls.” He doesn’t sound like he’s making a threat, though. He sounds like he’s chief weeper at his own funeral.

“You want to do business, use your mouth, not your hands,” I says. Only I say it real apoplectic, which is the same as apologetic except you are also still pissed.

“Come with me,” he says. “I got to go buy me a truss. You pay the tax out of your allowance.”

So we went to Ivey’s and stood around in children’s wear while he made his pitch. “One P-word,” he says, “only there can’t be no mistake. If there’s a mistake, a guy loses his job and maybe goes to jail.”

So I told him no. Three chances in ten, that’s the best I can do. No guarantees. My record speaks for itself, but nobody’s perfect, and I ain’t even close.

“Come on,” he says, “you got to have ways to make sure, right? If you can do three times out of ten, what if you find out more about the guy? What if you meet him?”

“OK, maybe fifty-fifty.”

“Look, we can’t go back for seconds. So maybe you can’t get it. But do you know when you ain’t got it?”

“Maybe half the time when I’m wrong, I know I’m wrong.”

“So we got three out of four that you’ll know whether you got it?”

“No,” says I. “Cause half the time when I’m right, I don’t know I’m right.”

“Shee-it,” he says. “This is like doing business with my baby brother.”

“You can’t afford me anyway,” I says. “I pull two dimes minimum, and you barely got breakfast on your gold card.”

“I’m offering a cut.”

“I don’t want a cut. I want cash.”

“Sure thing,” he says. He looks around, real careful. As if they wired the sign that said Boys Briefs Sizes 10-12. “I got an inside man at Federal Coding,” he says.

“That’s nothing,” I says. “I got a bug up the First Lady’s ass, and forty hours on tape of her breaking wind.”

I got a mouth. I know I got a mouth. I especially know it when he jams my face into a pile of shorts and says, “Suck on this, Goo Boy.”

I hate it when people push me around. And I know ways to make them stop. This time all I had to do was cry. Real loud, like he was hurting me. Everybody looks when a kid starts crying. “I’ll be good.” I kept saying it. “Don’t hurt me no more! I’ll be good.”

“Shut up,” he says. “Everybody’s looking.”

“Don’t you ever shove me around again,” I says. “I’m at least ten years older than you, and a hell of a lot more than ten years smarter. Now I’m leaving this store, and if I see you coming after me, I’ll start screaming about how you zipped down and showed me the pope, and you’ll get yourself a child-molesting tag so they pick you up every time some kid gets jollied within a hundred miles of Greensboro.” I’ve done it before, and it works, and Dogwalker was no dummy. Last thing he needed was extra reasons for the dongs to bring him in for questioning. So I figured he’d tell me to get poked and that’d be the last of it.

Instead he says, “Goo Boy, I’m sorry, I’m too quick with my hands.”

Even the goat who shot me never said he was sorry. My first thought was, what kind of sister is he, abjectifying right out like that. Then I reckoned I’d stick around and see what kind of man it is who emulsifies himself in front of a nine-year-old-looking kid. Not that I figured him to be purely sorrowful. He still just wanted me to get the P-word for him, and he knew there wasn’t nobody else to do it. But most street pugs aren’t smart enough to tell the right lie under pressure. Right away I knew he wasn’t your ordinary street hook or low arm, pugging cause they don’t have the sense to stick with any kind of job. He had a deep face, which is to say his head was more than a hairball, by which I mean he had brains enough to put his hands in his pockets without seeking an audience with the pope. Right then was when I decided he was my kind of no-good lying son-of-a-bitch.

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