Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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Trouble was that after impressing Dogwalker with all the stuff I could find out about Jesse H., I didn’t know that much more than before. Oh, I could guess at some P-words, but that was all it was—guessing. I couldn’t even pick a P most likely to succeed. Jesse was one ordinary dull rat. Regulation good grades in school, regulation good evaluations on the job, probably gave his wife regulation lube jobs on a weekly schedule.

“You don’t really think your girl’s going to get his finger,” says I with sickening scorn.

“You don’t know the girl,” says he. “If we needed his flipper she’d get molds in five sizes.”

“You don’t know this guy,” says I. “This is the straightest opie in Mayberry. I don’t see him cheating on his wife.”

“Trust me,” says Dogwalker. “She’ll get his finger so smooth he won’t even know she took the mold.”

I didn’t believe him. I got a knack for knowing things about people, and Jesse H. wasn’t faking. Unless he started faking when he was five, which is pretty unpopulated. He wasn’t going to bounce the first pretty girl who made his zipper tight. Besides which he was smart. His career path showed that he was always in the right place. The right people always seemed to know his name. Which is to say he isn’t the kind whose brain can’t run if his jeans get hot. I said so.

“You’re really a marching band,” says Dogwalker. “You can’t tell me his P-word, but you’re obliquely sure that he’s a limp or a wimp.”

“Neither one,” says I. “He’s hard and straight. But a girl starts rubbing up to him, he isn’t going to think it’s because she heard that his crotch is cantilevered. He’s going to figure she wants something, and he’ll give her string till he finds out what.”

He just grinned at me. “I got me the best Password Man in the Triass, didn’t I? I got me a miracle worker named Goo-Boy, didn’t I? The ice-brain they call Crystal Kid. I got him, didn’t I?”

“Maybe,” says I.

“I got him or I kill him,” he says, showing more teeth than a primate’s supposed to have.

“You got me,” says I. “But don’t go thinking you can kill me.”

He just laughs. “I got you and you’re so good, you can bet I got me a girl who’s at least as good at what she does.”

“No such,” says I.

“Tell me his P-word and then I’ll be impressed.”

“You want quick results? Then go ask him to give you his password himself.”

Dogwalker isn’t one of those guys who can hide it when he’s mad. “I want quick results,” he says. “And if I start thinking you can’t deliver, I’ll pull your tongue out of your head. Through your nose.”

“Oh, that’s good,” says I. “I always do my best thinking when I’m being physically threatened by a client. You really know how to bring out the best in me.”

“I don’t want to bring out the best,” he says. “I just want to bring out his password.”

“I got to meet him first,” says I.

He leans over me so I can smell his musk, which is to say I’m very olfactory and so I can tell you he reeked of testosterone, by which I mean ladies could fill up with babies just from sniffing his sweat. “Meet him?” he asks me. “Why don’t we just ask him to fill out a job application?”

“I’ve read all his job applications,” says I.

“How’s a glass-head like you going to meet Mr. Fed?” says he. “I bet you’re always getting invitations to the same parties as guys like him.”

“I don’t get invited to grown-up parties,” says I. “But on the other hand, grownups don’t pay much attention to sweet little kids like me.”

He sighed. “You really have to meet him?”

“Unless fifty-fifty on a P-word is good enough odds for you.”

All of a sudden he goes nova. Slaps a glass off the table and it breaks against the wall, and then he kicks the table over, and all the time I’m thinking about ways to get out of there unkilled. But it’s me he’s doing the show for, so there’s no way I’m leaving, and he leans in close to me and screams in my face. “That’s the last of your fifty-fifty and sixty-forty and three times in ten I want to hear about, Goo Boy, you hear me?”

And I’m talking real meek and sweet, cause this boy’s twice my size and three times my weight and I don’t exactly have no leverage. So I says to him, “I can’t help talking in odds and percentages, Dogwalker, I’m vertical, remember? I’ve got glass channels in here, they spit out percentages as easy as other people sweat.”

He slapped his hand against his own head. “This ain’t exactly a sausage biscuit, either, but you know and I know that when you give me all them exact numbers it’s all guesswork anyhow. You don’t know the odds on this beakrat anymore than I do.”

“I don’t know the odds on him, Walker, but I know the odds on me. I’m sorry you don’t like the way I sound so precise, but my crystal memory has every P-word I ever plumbed, which is to say I can give you exact to the third decimal percentages on when I hit it right on the first try after meeting the subject, and how many times I hit it right on the first try just from his curriculum vitae, and right now if I don’t meet him and I go on just what I’ve got here you have a 48.838 percent chance I’ll be right on my P-word first time and a 66.667 chance I’ll be right with one out of three.”

Well that took him down, which was fine I must say because he loosened up my sphincters with that glass-smashing table-tossing hot-breath-in-my-face routine he did. He stepped back and put his hands in his pockets and leaned against the wall. “Well I chose the right P-man, then, didn’t I,” he says, but he doesn’t smile, no, he says the back-down words but his eyes don’t back down, his eyes say don’t try to flash my face because I see through you, I got most excellent inward shades all polarized to keep out your glitz and see you straight and clear. I never saw eyes like that before. Like he knew me. Nobody ever knew me, and I didn’t think he really knew me either, but I didn’t like him looking at me as if he thought he knew me cause the fact is I didn’t know me all that well and it worried me to think he might know me better than I did, if you catch my drift.

“All I have to do is be a little lost boy in a store,” I says.

“What if he isn’t the kind who helps little lost boys?”

“Is he the kind who lets them cry?”

“I don’t know. What if he is? What then? Think you can get away with meeting him a second time?”

“So the lost boy in the store won’t work. I can crash my bicycle on his front lawn. I can try to sell him cable magazines.”

But he was ahead of me already. “For the cable magazines he slams the door in your face, if he even comes to the door at all. For the bicycle crash, you’re out of your little glass brain. I got my inside girl working on him right now, very complicated, because he’s not the playing around kind, so she has to make this a real emotional come-on, like she’s breaking up with a boyfriend and he’s the only shoulder she can cry on, and his wife is so lucky to have a man like him. This much he can believe. But then suddenly he has this little boy crashing in his yard, and because he’s paranoid, he begins to wonder if some weird rain isn’t falling, right? I know he’s paranoid because you don’t get to his level in the fed without you know how to watch behind you and kill the enemy even before they know they’re out to get you. So he even suspects, for one instant, that somebody’s setting him up for something, and what does he do?”

I knew what Dogwalker was getting at now, and he was right, and so I let him have his victory and I let the words he wanted march out all in a row. “He changes all his passwords, all his habits, and watches over his shoulder all the time.”

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