Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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I wasn’t clinical, however, when a Golyny soldier leaped from the rocks into the circle. He was armed with two long knives, and he was already springing into action. I noticed that he headed directly for Crofe. I also noticed that none of the Ylymyny made the slightest move to defend him.

What could I do? It was forbidden for me to kill; yet Crofe was the most influential of the warlords of the Ylymyny. I couldn’t let him die. His friendship was our best toehold in trading with the people of the islands. And besides, I don’t like watching a person being murdered while his eyes are covered in a religious rite, however asinine the rite might be. Which is why I certainly bent the law, if I didn’t break it: my toe found the Golyny’s groin just as the knife began its downward slash toward Crofe’s neck.

The Golyny groaned; the knife forgotten, he clutched at himself, then reached out to attack me. To my surprise, the others continued their chanting, as if unaware that I was protecting them, at not inconsiderable risk to myself.

I could have killed the Golyny in a moment, but I didn’t dare. Instead, for an endless three or four minutes I battled with him, disarming him quickly but unable to strike him a blow that would knock him unconscious without running the risk of accidentally killing him. I broke his arm; he ignored the pain, it seemed, and continued to attack—continued, in fact, to use the broken arm. What kind of people are these? I wondered as I blocked a vicious kick with an equally vicious blow from my heavy boot. Don’t they feel pain?

And at last the chanting ended, and in a moment Fole had broken the Golyny soldier’s neck with one blow. “Jass!” he hissed, nursing his hand from the pain, “what a neck!”

“Why the hell didn’t somebody help me before?” I demanded. I was ignored. Obviously an offworlder wouldn’t understand. Now the four that had gone off to bring back Gokoke returned, their hands red with already drying blood. They held out their hands; Crofe, Fole, Stone, and Da licked the blood just slightly, swallowing with expressions of grief on their faces. Then Crofe clicked twice in his throat, and again Fole was pulling me out of the circle of stones. This time, however, all were coming. Crofe was in the lead, tumbling madly along a path that a mountain goat would have rejected as being too dangerous. I tried to tell Fole that it would be easier for me if he’d let go of my arm; at the first sound, Stone whirled around ahead of us, slapped my face with all his force, and I silently swallowed my own blood as we continued down the path.

Suddenly the path ended on the crown of a rocky outcrop that seemed to be at the end of the world. Far below the lip of the smooth rock, the vast plain of Ylymyn Island spread to every horizon. The blue at the edges hinted at ocean, but I knew the sea was too far away to be seen. Clouds drifted here and there between us and the plain; patches of jungle many kilometers across seemed like threads and blots on the farmland and dazzling white cities. And all of it gave us a view that reminded me too much of what I had seen looking from the spacecraft while we orbited this planet not that many months ago.

We paused only a moment on the dome; immediately they scrambled over the edge, seeming to plunge from our vantage point into midair. I, too, leaped over the edge—I had no choice, with Fole’s unrelenting grip. As I slid down the ever-steeper slope of rock, I could see nothing below me to break my fall. I almost screamed; held the scream back because if by some faint chance we were not committing mass suicide, a scream would surely bring the Golyny.

And then the rock dropped away under me and I did fall, for one endless meter until I stopped, trembling, on a ledge scarcely a meter wide. The others were already there—Fole had taken me more slowly, I supposed, because of my inexperience. Forcing myself to glance over the edge, I could see that this peak did not continue as a smooth, endless wall right down to the flat plain. There were other peaks that seemed like foothills to us, but I knew they were mountains in their own right. It was little comfort to know that if I fell it would be only a few hundred meters, and not five or six kilometers after all.

Crofe started off at a run, and we followed. Soon the ledge that had seemed narrow at a meter in width narrowed to less than a third of that; yet they scarcely seemed to slow down as Fole dragged me crabwise along the front of the cliff.

Abruptly we came to a large, level area, which gave way to a narrow saddle between our peak and another much lower one that stood scarcely forty meters away. The top of it was rocky and irregular—perhaps, once we crossed the saddle, we could hide there and elude pursuit.

Crofe did not lead this time. Instead, Da ran lightly across the saddle, making it quickly to the other side. He immediately turned and scanned the rocks above us, then waved. Fole followed, dragging me. I would never have crossed the saddle alone. With Fole pulling me, I had scarcely the time to think about the drop off to either side of the slender path.

And then I watched from the rocks as the others came across. Crofe was last, and just as he stepped out onto the saddle, the rocks above came alive with Golyny.

They were silent (I had battle-trained with loud weapons; my only war had been filled with screams and explosions; this silent warfare was, therefore, all the more terrifying), and the men around me quickly drew bows to fire; Golyny dropped, but so did Crofe, an arrow neatly piercing his head from behind.

Was he dead? He had to be. But he fell straddling the narrow ridge, so that he did not plummet down to the rocks below. Another arrow entered his back near his spine. And then, before the enemy could fire again, Fole was out on the ridge, had hoisted Crofe on his shoulders, and brought him back. Even at that, the only shots the enemy got off seemed aimed not at Fole but at Crofe.

We retreated into the rocks, except for two bowmen who stayed to guard the saddle. We were safe enough—it would take hours for the Golyny to find another way up to this peak. And so our attention was focused on Crofe.

His eyes were open, and he still breathed. But he stared straight ahead, making no effort to talk. Stone held his shoulders as Da pushed the arrow deeper into his head. The point emerged, bloody, from Crofe’s forehead.

Da leaned over and took the arrowhead in his teeth. He pulled, and the flint came loose. He spat it out and then withdrew the shaft of the arrow backward through the wound. Through all this, Crofe made no sound. And when the operation had finished, Crofe died.

This time there was no ritual of closed eyes and chanting. Instead, the men around me openly wept—openly, but silently. Sobs wracked their bodies; tears leaped from their eyes; their faces contorted in an agony of grief. But there was no sound, not even heavy breathing.

The grief was not something to be ignored. And though I did not know them at all well, Crofe was the one I had known best. Not intimately, certainly not as a friend, because the barriers were too great. But I had seen him dealing with his people, and whatever culture you come from, there’s no hiding a man of power. Crofe had that power. In the assemblies when we had first petitioned for the right to trade, Crofe had forced (arguing, it seemed, alone, though later I realized that he had many powerful allies that he preferred to marshal silently) the men and women there to make no restrictions, to leave no prohibitions, and to see instead what the corporation had to sell. It was a foot in the door. But Crofe had taken me aside alone and informed me that nothing was to be brought to the Ylymyny without his knowledge or approval. And now he was dead on a routine scouting mission, and I could not help but be amazed that the Ylymyny, in other ways an incredibly shrewd people, should allow their wisest leaders to waste themselves on meaningless forays in the borderlands and high mountains.

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