Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

The village was still in the distance when the Shepherd began to pass the people. He remembered the time, back when the king had first made his tastes known, when there had been many attempts to evade the villagers’ duties to the king. Now they only watched, perhaps hiding the unblemished members of the flock, sometimes thrusting them forward to end the suspense; but mostly the Shepherd saw the old legless, eyeless, or armless men and women who hobbled about their duties with those limbs that were still intact.

Those with fingers thatched or wove; those with eyes led those whose hands were their only contact with the world; those with arms rode the backs of those with legs; and all of them took their only solace in sad and sagging beds, producing, after a suitable interval, children whose miraculous wholeness made them gods to a surprised and wondering mother, made them hated reminders to a father whose tongue had fallen from his mouth, or whose toes had somehow been mislaid, or whose buttocks were a scar, his legs a useless reminder of hams long since dropped off.

“Ah, such beauty,” a woman murmured, pumping the bellows at the bread-oven fire. There was a sour grunt from the legless hag who shoveled in the loaves and turned them with a wooden shovel. It was true, of course, for the Shepherd was never touched, no indeed. (No indeed, came the echo from the midnight fires of Unholy Night, when dark tales frightened children half out of their wits, dark tales that the shrunken grownups knew were true, were inevitable, were tomorrow.) The Shepherd had long dark hair, and his mouth was firm but kind, and his eyes flashed sunlight even in the dark, it seemed, while his hands were soft from bathing, large and strong and dark and smooth and fearful.

And the Shepherd walked into the village to a house he had noted the last time he came. He went to the door and immediately heard a sigh from every other house, and silence from the one that he had picked.

He raised his hand before the door and it opened, as it had been built to do: for all things that opened served the Shepherd’s will, or at least served the bright metal ball the king had implanted in his hand. Inside the house it was dark, but not too dark to see the white eyes of an old man who lay in a hammock, legs dangling bonelessly. The man could see his future in the Shepherd’s eyes—or so he thought, at least, until the Shepherd walked past him into the kitchen.

There a young woman, no older than fifteen, stood in front of a cupboard, her hands clenched to do violence. But the Shepherd only shook his head and raised his hand, and the cupboard answered him and opened however much she pushed against it, revealing a murmuring baby wrapped in sound-smothering blankets. The Shepherd only smiled and shook his head. His smile was kind and beautiful, and the woman wanted to die.

He stroked her cheek and she sighed softly, moaned softly, and then he reached into his bag and pulled out his shepherd’s crook and leaned the little disc against her temple and she smiled. Her eyes were dead but her lips were alive and her teeth showed. He laid her on the floor, carefully opened her blouse, and then took his ax from his bag.

He ran his finger around the long, narrow cylinder and a tiny light shone at one end. Then he touched the ax’s glowing tip to the underside of her breast and drew a wide circle. Behind the ax a tiny red line followed, and the Shepherd took hold of the breast and it came away in his hand. Laying it aside, he stroked the ax lengthwise and the light changed to a dull blue. He passed the ax over the red wound, and the blood gelled and dried and the wound began to heal.

He placed the breast into his bag and repeated the process on the other side. Through it the woman watched in disinterested amusement, the smile still playing at her lips. She would smile like that for days before the peace wore off.

When the second breast was in his bag, the Shepherd put away the ax and the crook and carefully buttoned the woman’s blouse. He helped her to her feet, and again passed his deft and gentle hand across her cheek. Like a baby rooting she turned her lips toward his fingers, but he withdrew his hand.

As he left, the woman took the baby from the cupboard and embraced it, cooing softly. The baby nuzzled against the strangely harsh bosom and the woman smiled and The Shepherd walked through the streets, the bag at his belt jostling with his steps. The people watched the bag, wondering what it held. But before the Shepherd was out of the village the word had spread, and the looks were no longer at the bag but rather at the Shepherd’s face. He looked neither to the left nor to the right, but he felt their gazes and his eyes grew soft and sad.

And then he was back at the moat, across the narrow bridge, through the gate, and into the high dark corridors of the castle.

He took the bag to the cook, who looked at him sourly. The Shepherd only smiled at him and took his crook from the bag. In a moment the cook was docile, and calmly he began to cut the red flesh into thin slices, which he lightly floured and then placed in a pan of simmering butter. The smell was strong and sweet, and the flecks of milk sizzled in the pan.

The Shepherd stayed in the kitchen, watching, as the cook prepared the king’s meal. Then he followed to the door of the dining hall as the steward entered the king’s presence with the steaming slices on a tray. The king and queen ate silently, with severe but gracious rituals of shared servings and gifts of finest morsels.

And at the end of the meal the king murmured a word to the steward, who beckoned both the cook and the Shepherd into the hall.

The cook, the steward, and the Shepherd knelt before the king, who reached out three arms to touch their heads. Through long practice they accepted his touch without recoiling, without even blinking, for they knew such things displeased him. After all, it was a great gift that they could serve the king: their services kept them from giving kingsmeat from their own flesh, or from decorating with their skin the tapestried walls of the castle or the long train of a hunting-cape.

The king’s armpits still touched the heads of the three servants when a shudder ran through the castle and a low warning tone began to drone.

The king and queen left the table and with deliberate dignity moved to the consoles and sat. There they pressed buttons, setting in motion all the unseeable defenses of the castle.

After an hour of exhausting concentration they recognized defeat and pulled their arms back from the now-useless tasks they had been doing. The fields of force that had long held the thin walls of the castle to their delicate height now lapsed, the walls fell, and a shining metal ship settled silently in the middle of the ruins.

The side of the skyship opened and out of it came four men, weapons in their hands and anger in their eyes. Seeing them, the king and queen looked sadly at each other and then pulled the ritual knives from their resting place behind their heads and simultaneously plunged them between one another’s eyes. They died instantly, and the twenty-two-year conquest of Abbey Colony was at an end.

Dead, the king and queen looked like sad squids lying flat and empty on a fisherman’s deck, not at all like conquerors of planets and eaters of men. The men from the skyship walked to the corpses and made certain they were dead. Then they looked around and realized for the first time that they were not alone.

For the Shepherd, the steward, and the cook stood in the ruins of the palace, their eyes wide with unbelief.

One of the men from the ship reached out a hand.

“How can you be alive?” he asked.

They did not answer, not knowing really what the question meant.

“How have you survived here, when—”