Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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I said as much to Da, who only smiled grimly and said, “Easier, at least, than reaching it alive.” And I remembered the Golyny, and the fact that somewhere ahead of us they would be waiting. The canyon we had climbed was easy enough—why hadn’t they harassed us on the way up?

“If it rains tonight, you will see,” Stone answered.

And it did rain that night, and I did see. Or rather I heard, since the night was dark. We camped in the lee of the hill, but the rain drenched us despite the rocky outcropping we huddled under. And then I realized that the rain was falling so heavily that respectable streams were flowing down the hill we camped against—and it was no more than forty meters from crown to base. The rain was heavier than I had ever seen before, and now I heard the distant roaring that told me why the Golyny had not bothered to harm us. The huge river was now flowing down the canyon, fed by a thousand streams like those flowing by our camp.

“What if it had rained while we were climbing?” I asked.

“The Sky would not hinder us on our errand,” Da answered, and I found little comfort in that. Who would have guessed that a simple three-day expedition into the mountains would leave me trapped with such superstition, depending on them for my survival even as they were depending on some unintelligible and certainly nonexistent god.

In the morning I woke at first light to find that the others were already awake and armed to the teeth, ready for battle. I hurried to stretch my sore muscles and get ready for the trip. Then I realized what their armaments might mean.

“Are they here?”

But no one answered me, and as soon as it was clear I was ready, they moved forward, keeping to the shelter of the hills, spying out what lay ahead before rounding a bend. There were no trees here, only the quick-living grass that died in a day and was replaced by its seed in the morning. There was no shelter but the rock; and no shade, either, but at this elevation, shade was not necessary. It was not easy to breathe with the oxygen low, but at least at this elevation the day was not hot, despite the fact that Ylymyn Island was regularly one of the hottest places on this forsaken little planet.

For two days we made our way toward the Sky, and seemed to make no progress—it was still distant, on the horizon. Worse, however, than the length of our journey was the fact that we had to be unrelentingly on the alert, though we saw no sign of the Golyny. I once asked (in a whisper) whether they might have given up pursuit. Stone only sneered, and Da shook his head. It was Pan who whispered to me that night that the Golyny hated nothing so much as the righteousness of the Ylymyny, knowing as they did that it was only the gods that had made the Ylymyny the greatest people on earth, and that only their piety had won the gods so thoroughly to their side. “There are some,” Pan said, “who, when righteousness defeats them, squat before the gods and properly offer their souls, and join us. But there are others who can only hate the good, and attack mindlessly against the righteous. The Golyny are that kind. All decent people would kill Golyny to preserve the peace of the righteous.”

And then he glanced pointedly at my splinters and at my needle. And I as pointedly glanced at the bag of excrement around Da’s neck. “What the law requires of good men, good men do,” I said, sounding platitudinous to myself, but apparently making the right impression on Pan. His eyes widened, and he nodded in respect. Perhaps I overdid it, but it gratified me to see that he understood that just as certain rites must be performed in his society, certain acts are taboo in mine, and among those acts is involvement in the small wars of nations on primitive planets. That his compulsions were based on mindless superstition while mine were based on long years of experience in xenocontact was a distinction I hardly expected him to grasp, and so I said nothing about it. The result was that he treated me with more respect; with awe, in fact. And noticing that, Stone asked me quietly as we walked the next day, “What have you done to the young soldier?”

“Put the fear of god into him.”

I had meant to be funny. Odd, how a man can be careful in all his pronouncements, and then forget everything he knows as a joke comes to mind and he impulsively tells it. Stone was furious; it took Da’s strength and Pan’s, too, to keep him from attacking me, which would surely have been fatal to him—rope-climbing I didn’t know, but the ways of murder are not strange to me, though I don’t pursue them for pleasure. At last I was able to explain that I hadn’t understood the implications of my statement in their language, that I was transliterating and certain words had different meanings and so on and so on. We were still discussing this when a flight of arrows ended the conversation and drove all of us to cover except Pan, who had an arrow in him and died there in the open while we watched.

It was difficult to avoid feeling that his death had been somehow my fault; and as Da and Stone discussed the matter and confessed that they had no choice this time but to leave the body, committing a sin to allow the greater good of fulfilling the vow to Crofe, I realized that omitting the rites of death for Pan grieved me almost as much as his death. I have no particular belief in immortality; the notion that the dead linger to watch what happens to their remains is silly to me. Nevertheless, there is, I believe, a difference between knowing that a person is dead and emotionally unconstructing the system of relationships that had included the person. Pan, obscure as the young man was, ugly and brutal as his face had been, was nevertheless the man I liked best of my surviving companions.

And thinking of that, it occurred to me that of the ten that had set out only a week before, only three of us remained; I, who could not use a weapon while in the company of the others, and they, who had to travel more slowly and so risk their lives even more because of me.

“Leave me behind,” I said. “Once I’m alone, I can defend myself as I will, and you can move faster.”

Stone’s eyes leaped at the suggestion, but Da firmly shook his head. “Never. Crofe charged us all that we would keep you with us.”

“He didn’t know the situation we’d be in.”

“Crofe knew,” Da whispered. “A man dies in two days here without wisdom. And you have no wisdom.”

If he meant knowledge of what might be edible in this particular environment, he was right enough; and when I saw that Da had no intention of leaving me, I decided to continue with them. Better to move on than do nothing. But before we left our temporary shelter (with Pan’s corpse slowly desiccating behind us) I taught Stone and Da how to use the splinters and the needle, in case I was killed. Then no law would be broken, as long as they returned the weapons to the corporation. For once Stone seemed to approve of something I had done.

Now we moved even more slowly, more stealthily, and yet the Sky seemed to loom closer now, at last; we were in the foothills. Each hill we approached hid the Sky behind its crest sooner. And the sense of waiting death became overpowering.

At night I took my turn watching, with Pan gone. Technically it was a violation I was aiding them in their war effort. But it was also survival, since the Golyny had little use for offworlders—SCM Corporation had already made four attempts to get a foothold with them, and they would not hear of it. It was maddening to have the ability to save lives and for the sake of larger purposes have to refrain from using that ability.

My watch ended, and I woke Da. But instead of letting me sleep, he silently woke Stone as well, and in the darkness we moved as silently as possible away from our camp. This time we were not heading for the mountain—instead, we were paralleling it, traveling by starlight (which is almost no light at all), and I guessed that Da intended us to pass by our would-be killers and perhaps ascend the mountain by another route.

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