Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Maps in a Mirror: The Short Fiction of Orson Scott Card»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

Maps in a Mirror: The Short Fiction of Orson Scott Card — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Maps in a Mirror: The Short Fiction of Orson Scott Card», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

He never spoke of his past, though the Abadapnur knew well enough what the tin ring on his finger meant and why he had only eight toes. And they, with the perfect courtesy of the incurious, asked him nothing.

He learned their ways. He learned that starving on the desert was foolish, that dying of thirst was unnecessary. He learned how to trick the desert into yielding up life. “For,” said the tribemaster, “the desert is never willing that anything should live.”

Cer remembered that. The desert wanted nothing to live. And he wondered if that was a key to desertmagic. Or was it merely a locked door that he could never open? How can you serve and be served by the sand that wants only your death? How could he get vengeance if he was dead? “Though I would gladly die if my dying could kill my father’s killers,” he said to his horse one day. The horse hung her head, and would only walk for the rest of the day, though Cer kicked her to try to make her run.

Finally one day, impatient that he was doing nothing to achieve his revenge, Cer went to the tribemaster and asked him how one learned the magic of the sand.

“Sandmagic? You’re mad,” said the tribemaster. For days the tribemaster refused to look at him, let alone answer his questions, and Cer realized that here on the desert the sandmagic was hated as badly as the treemage hated it. Why? Wouldn’t such power make the Abadapnur great?

Or did the tribemaster refuse to speak because the Abadapnur did not know the sandmagic?

But they knew it.

And one day the tribemaster came to Cer and told him to mount and follow.

They rode in the early morning before the sun was high, then slept in a cave in a rocky hill during the heat of the day. In the dusk they rode again, and at night they came to the city.

“Ettuie,” whispered the tribemaster, and then they rode their horses to the edge of the ruins.

The sand had buried the buildings up to half their height, inside and out, and even now the breezes of evening stirred the sand and built little dunes against the walls. The buildings were made of stone, rising not to domes like the great cities of the Greetmen but to spires, tall towers that seemed to pierce the sky.

“Ikikietar,” whispered the tribemaster, “Ikikiaiai re dapii. O ikikiai etetur o abadapnur, ikikiai re dapii.”

“What are the ‘knives’?” asked Cer. “And how could the sand kill them?”

“The knives are these towers, but they are also the stars of power.”

“What power?” asked Cer eagerly.

“No power for you. Only power for the Etetur, for they were wise. They had the manmagic.”

Manmagic. Was that the darkest magic spoken of by the treemage?

“Is there a magic more powerful than manmagic?” Cer asked.

“In the mountains, no,” said the tribemaster. “On the well-watered plain, in the forest, on the sea, no.”

“But in the desert?”

“A huu par eiti ununura,” muttered the tribemaster, making the sign against death. “Only the desert power. Only the magic of the sand.”

“I want to know,” said Cer.

“Once,” the tribemaster said, “once there was a mighty empire here. Once a great river flowed here, and rain fell, and the soil was rich and red like the soil of Greet, and a million people lived under the rule of the King of Ettue Dappa. But not all, for far to the west there lived a few who hated Ettue and the manmagic of the kings, and they forged the tool that undid this city.

“They made the wind blow from the desert. They made the rains run off the earth. By their power the river sank into the desert sand, and the fields bore no fruit, and at last the King of Ettue surrendered, and half his kingdom was given to the sandmages. To the dapinur. That western kingdom became Dapnu Dap.”

“A kingdom?” said Cer, surprised. “But now the great desert bears that name.”

“And once the great desert was no desert, but a land of grasses and grains like your homeland to the north. The sandmages weren’t content with half a kingdom, and they used their sandmagic to make a desert of Ettue, and they covered the lands of rebels with sand, until at last the victory of the desert was complete, and Ettue fell to the armies of Greet and Nefyryd—they were allies then—and we of Dapnu Dap became nomads, living off that tiny bit of life that even the harshest desert cannot help but yield.”

“And what of the sandmages?” asked Cer.

“We killed them.”

“All?”

“All,” said the tribemaster. “And if any man will practice sandmagic, today, we will kill him. For what happened to us we will let happen to no other people.”

Cer saw the knife in the tribemaster’s hand.

“I will have your vow,” said the tribemaster. “Swear before these stars and this sand and the ghosts of all who lived in this city that you will seek no sandmagic.”

“I swear,” said Cer, and the tribemaster put his knife away.

The next day Cer took his horse and a bow and arrows and all the food he could steal and in the heat of the day when everyone slept he went out into the desert. They followed him, but he slew two with arrows and the survivors lost his trail.

Word spread through the tribes of the Abadapnur that a would-be sandmage was loose in the desert, and all were ready to kill him if he came. But he did not come.

For he knew now how to serve the desert, and how to make the desert serve him. For the desert loved death, and hated grasses and trees and water and the things of life.

So in service of the sand Cer went to the edge of the land of the Nefyrre, east of the desert. There he fouled wells with the bodies of diseased animals. He burned fields when the wind was blowing off the desert, a dry wind that pushed the flames into the cities. He cut down trees. He killed sheep and cattle. And when the Nefyrre patrols chased him he fled onto the desert where they could not follow.

His destruction was annoying, and impoverished many a farmer, but alone it would have done little to hurt the Nefyrre. Except that Cer felt his power over the desert growing. For he was feeding the desert the only thing it hungered for: death and dryness.

He began to speak to the sand again, not kindly, but of land to the east that the sand could cover. And the wind followed his words, whipping the sand, moving the dunes. Where he stood the wind did not touch him, but all around him the dunes moved like waves of the sea.

Moving eastward.

Moving onto the lands of the Nefyrre.

And now the hungry desert could do in a night a hundred times more than Cer could do alone with a torch or a knife. It ate olive groves in an hour. The sand borne on the wind filled houses in a night, buried cities in a week, and in only three months had driven the Nefyrre across the Greebeck and the Nefyr River, where they thought the terrible sandstorms could not follow.

But the storms followed. Cer taught the desert almost to fill the river, so that the water spread out a foot deep and miles wide, flooding some lands that had been dry, but also leaving more water surface for the sun to drink from; and before the river reached the sea it was dry, and the desert swept across into the heart of Nefyryd.

The Nefyrre had always fought with the force of arms, and cruelty was their companion in war. But against the desert they were helpless. They could not fight the sand. If Cer could have known it, he would have gloried in the fact that, untaught, he was the most powerful sandmage who had ever lived. For hate was a greater teacher than any of the books of dark lore, and Cer lived on hate.

And on hate alone, for now he ate and drank nothing, sustaining his body through the power of the wind and the heat of the sun. He was utterly dry, and the blood no longer coursed through his veins. He lived on the energy of the storms he unleashed. And the desert eagerly fed him, because he was feeding the desert.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Представляем Вашему вниманию похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Обсуждение, отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x