Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

Здесь есть возможность читать онлайн «Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Город: New York, Год выпуска: 2004, ISBN: 2004, Издательство: Tom Doherty Associates, Жанр: Фантастика и фэнтези, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Maps in a Mirror: The Short Fiction of Orson Scott Card: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Maps in a Mirror: The Short Fiction of Orson Scott Card»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

Maps in a Mirror: The Short Fiction of Orson Scott Card — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Maps in a Mirror: The Short Fiction of Orson Scott Card», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

I am a Sebastit, too, Amasa thought. I have taken my life from an unwilling desert; I give it back to the sand when I am through.

Come, said the butterflies alighting on his face. Come, they said, fanning him and fluttering off toward the Hierusalem road.

Don’t get pushy, Amasa answered, feeling stubborn. But all the same he surrendered, and followed them out into the land of the dead.

The only breeze was the wind on his face as he walked, and the heat drew water from him as if from a copious well. He took water from his bottle only a mouthful at a time, but it was going too quickly even at that rate.

Worse, though: his guides were leaving him. Now that he was on the road to Hierusalem, they apparently had other errands to run. He first noticed their numbers diminishing about noon, and by three there were only a few hundred butterflies left. As long as he watched a particular butterfly, it stayed; but when he looked away for a moment, it was gone. At last he set his gaze on one butterfly and did not look away at all, just watched and watched. Soon it was the last one left, and he knew that it, too, wanted to leave. But Amasa would have none of that. If I can come at your bidding, he said silently, you can stay at mine. And so he walked until the sun was ruddy in the west. He did not drink; he did not study his road; and the butterfly stayed. It was a little victory. I rule you with my eyes.

“You might as well stop here, friend.”

Startled to hear a human voice on this desolate road, Amasa looked up, knowing in that moment that his last butterfly was lost. He was ready to hate the man who spoke.

“I say, friend, since you’re going nowhere anyway, you might as well stop.”

It was an old-looking man, black from sunlight and naked. He sat in the lee of a large stone, where the sun’s northern tilt would keep him in shadow all day.

“If I wanted conversation,” Amasa said, “I would have brought a friend.”

“If you think those butterflies are your friends, you’re an ass.”

Amasa was surprised that the man knew about the butterflies.

“Oh, I know more than you think,” said the man. “I lived at Hierusalem, you know. And now I’m the sentinel of the Hierusalem Road.”

“No one leaves Hierusalem,” said Amasa.

“I did,” the old man said. “And now I sit on the road and teach travelers the keys that will let them in. Few of them pay me much attention, but if you don’t do as I say, you’ll never reach Hierusalem, and your bones will join a very large collection that the sun and wind gradually turn back into sand.”

“I’ll follow the road where it leads,” Amasa said. “I don’t need any directions.”

“Oh, yes, you’d rather follow the dead guidance of the makers of the road than trust a living man.”

Amasa regarded him for a moment. “Tell me, then.”

“Give me all your water.”

Amasa laughed—a feeble enough sound, coming through splitting lips that he dared not move more than necessary.

“It’s the first key to entering Hierusalem.” The old man shrugged. “I see that you don’t believe me. But it’s true. A man with water or food can’t get into the city. You see, the city is hidden. If you had miraculous eyes, stranger, you could see the city even now. It’s not far off. But the city is forever hidden from a man who is not desperate. The city can only be found by those who are very near to death. Unfortunately, if you once pass the entrance to the city without seeing it because you had water with you, then you can wander on as long as you like, you can run out of water and cry out in a whisper for the city to unveil itself to you, but it will avail you nothing. The entrance, once passed, can never be found again. You see, you have to know the taste of death in your mouth before Hierusalem will open to you.”

“It sounds,” Amasa said, “like religion. I’ve done religion.”

“Religion? What is religion in a world with a dragon at its heart?”

Amasa hesitated. A part of him, the rational part, told him to ignore the man and pass on. But the rational part of him had long since become weak. In his definition of man, “featherless biped” held more truth than “rational animal.” Besides, his head ached, his feet throbbed, his lips stung. He handed his bottle of water to the old man, and then for good measure gave him his scrip as well.

“Nothing in there you want to keep?” asked the old man, surprised.

“I’ll spend the night.”

The old man nodded.

They slept in the darkness until the moon rose in the east, bright with its thin promise of a sunrise only a few hours away. It was Amasa who awoke. His stirring roused the old man.

“Already?” he asked. “In such a hurry?”

“Tell me about Hierusalem.”

“What do you want, friend? History? Myth? Current events? The price of public transportation?”

“Why is the city hidden?”

“So it can’t be found.”

“Then why is there a key for some to enter?”

“So it can be found. Must you ask such puerile questions?”

“Who built the city?”

“Men.”

“Why did they build it?”

“To keep man alive on this world.”

Amasa nodded at the first answer that hinted at significance. “And what enemy is it, then, that Hierusalem means to keep out?”

“Oh, my friend, you don’t understand. Hierusalem was built to keep the enemy in. The old Hierusalem, the new Hierusalem, built to contain the dragon at the heart of the world.”

A story-telling voice was on the old man now, and Amasa lay back on the sand and listened as the moon rose higher at his left hand.

“Men came here in ships across the void of the night,” the old man said.

Amasa sighed.

“Oh, you know all that?”

“Don’t be an ass. Tell me about Hierusalem.”

“Did your books or your teachers tell you that this world was not unpopulated when our forefathers came?”

“Tell me your story, old man, but tell it plain. No myth, no magic. The truth.”

“What a simple faith you have,” the old man said. “The truth. Here’s the truth, much good may it do you. This world was filled with forest, and in the forest were beings who mated with the trees, and drew their strength from the trees. They became very treelike.”

“One would suppose.”

“Our forefathers came, and the beings who dwelt among the trees smelt death in the fires of the ships. They did things—things that looked like magic to our ancestors, things that looked like miracles. These beings, these dragons who hid among the leaves of the trees, they had science we know little of. But one science we had that they had never learned, for they had no use for it. We knew how to defoliate a forest.”

“So the trees were killed.”

“All the forests of the world now have grown up since that time. Some places, where the forest had not been lush, were able to recover, and we live in those lands now. But here, in the Desert of Machaera—this was climax forest, trees so tall and dense that no underbrush could grow at all. When the leaves died, there was nothing to hold the soil, and it was washed onto the plain of Esdraelon. Which is why that plain is so fertile, and why nothing but sand survives here.”

“Hierusalem.”

“At first Hierusalem was built as an outpost for students to learn about the dragons, pathetic little brown woody creatures who knew death when they saw it, and died of despair by the thousands. Only a few survived among the rocks, where we couldn’t reach them. Then Hierusalem became a city of pleasure, far from any other place, where sins could be committed that God could not see.”

“I said truth.”

“I say listen. One day the few remaining students of the science of the dragons wandered among the rocks, and there found that the dragons were not all dead. One was left, a tough little creature that lived among the gray rocks. But it had changed. It was not woody brown now. It was gray as stone, with stony outcroppings. They brought it back to study it. And in only a few hours it escaped. They never recaptured it. But the murders began, every night a murder. And every murder was of a couple who were coupling, neatly vivisected in the act. Within a year the pleasure seekers were gone, and Hierusalem had changed again.”

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Представляем Вашему вниманию похожие книги на «Maps in a Mirror: The Short Fiction of Orson Scott Card» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card»

Обсуждение, отзывы о книге «Maps in a Mirror: The Short Fiction of Orson Scott Card» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x