Orson Card - Maps in a Mirror - The Short Fiction of Orson Scott Card

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Maps in a Mirror For the hundreds of thousands who are newly come to Card, here is chance to experience the wonder of a writer so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by the Ender books is not a once-in-a-lifetime experience.
In this enormous volume are forty-six stories, plus ten long, intensely personal essays, unique to this volume. In them the author reveals some of his reasons and motivations for writing, with a good deal of autobiography into the bargain.
THE SHORT FICTION OF ORSON SCOTT CARD brings together nearly all of Card’s stories, from his first publications in 1977 to work as recent as last year. For those readers who have followed this remarkable talent since the beginning, here are all those amazing stories gathered together in one place, with some extra surprises as well. For the hundreds of thousands who are newly come to Card, here is a chance to experience the wonder of a writer so talented, so versatile that he can handle everything from traditional narrative poetry to modern experimental fiction with equal ease and grace. The brilliant story-telling of the Alvin Maker books is no accident; the breathless excitement evoked by ENDER’S GAME is riot a once-in-a-lifetime experience.
In this enormous volume are 46 stories, broken into five books: Ten fables and fantasies, fairy tales that sometimes tell us truths about ourselves; eleven tales of dread—and commentary that explains why dread is a much scarier emotion than horror; seven tales of human futures—science fiction from a master of extrapolation and character; six tales of death, hope, and holiness, where Card explores the spiritual side of human nature; and twelve lost songs.
The Lost Songs are a special treat for readers of this hardcover volume, for here are gathered tales which will not see print again. Here are Card’s stories written for Mormon children, a pair that were published in small literary magazines, a thoughtful essay on the writing of fiction, and three major works which have, since their original publication, been superseded by novel-, or more than novel-length works. First, there is the original novella-length version of Card’s Hugo and Nebula Award-winning novel, ENDER’S GAME. Then there is “Mikal’s Songbird”, which was the seed of the novel SONGMASTER; “Mikal’s Songbird” will never be published again. And finally, the narrative poem “Prentice Alvin and the No-Good Plow”—here is the original inspiration for the Alvin Maker series, an idea so powerful that it could not be contained in a single story, or a hundred lines of verse, but is growing to become the most original American fantasy ever written.
MAPS IN A MIRROR is not just a collection of stories, however complete. This comprehensive collection also contains nearly a whole book’s worth of
material. Each section begins and ends with long, intensely personal introductions and afterwords; here the author reveals some of his reasons and motivations for writing what he writes—and a good deal of autobiography into the bargain.
ORSON SCOTT CARD grew up in Utah and attended Brigham Young University, where he studied drama. Card’s early writing career was devoted to plays; he had his own theater company, which was successful for a number of years. Card spent his missionary years in Brazil, learning to speak fluent Portuguese. He now lives in Greensboro, North Carolina, with his wife and three children. From book flaps:

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But the queen called the priest and her children and married the Bear on his deathbed, and her son who had learned kingship from him called him father, and then they remembered the bear who had come to play with them in their childhood and the queen’s daughters called him father; and the queen called him husband, and the Bear laughed and allowed as how he wasn’t an orphan any more. Then he died.

And that’s why there’s a statue of a bear over the gate of the city.

SANDMAGIC

The great domes of the city of Gyree dazzled blue and red when the sun shone through a break in the clouds, and for a moment Cer Cemreet thought he saw some of the glory the uncles talked about in the late night tales of the old days of Greet. But the capital did not look dazzling up close, Cer remembered bitterly. Now dogs ran in the streets and rats lived in the wreckage of the palace, and the King of Greet lived in New Gyree in the hills far to the north, where the armies of the enemy could not go. Yet.

The sun went back behind a cloud and the city looked dark again. A Nefyr patrol was riding briskly on the Hetterwee Road far to the north. Cer turned his gaze to the lush grass on the hill where he sat. The clouds meant rain, but probably not here, he thought. He always thought of something else when he saw a Nefyr patrol. Yes, it was too early in Hrickan for rains to fall here. This rain would fall in the north, perhaps in the land of the King of the High Mountains, or on the vast plain of Westwold where they said horses ran free but were tame for any man to ride at need. But no rain would fall in Greet until Doonse, three weeks from now. By then the wheat would all be stored and the hay would be piled in vast ricks as tall as the hill Cer sat on.

In the old days, they said, all during Doonse the great wagons from Westwold would come and carry off the hay to last them through the snow season. But not now, Cer remembered. This year and last year and the year before the wagons had come from the south and east, two-wheeled wagons with drivers who spoke, not High Westil, but the barbarian Fyrd language. Fyrd or firt, thought Cer, and laughed, for firt was a word he could not say in front of his parents. They spoke firt.

Cer looked out over the plain again. The Nefyr patrol had turned from the highway and were on the road to the hills.

The road to the hills. Cer leaped to his feet and raced down the track leading home. A patrol heading for the hills could only mean trouble.

He stopped to rest only once, when the pain in his side was too bad to bear. But the patrol had horses, and he arrived home only to see the horses of the Nefyrre gathered at his father’s gate.

Where are the uncles? Cer thought. The uncles must come.

But the uncles were not there, and Cer heard a terrible scream from inside the garden walls. He had never heard his mother scream before, but somehow he knew it was his mother, and he ran to the gate. A Nefyr soldier seized him and called out, “Here’s the boy!” in a thick accent of High Westil, so that Cer’s parents could understand. Cer’s mother screamed again, and now Cer saw why.

His father had been stripped naked, his arms and legs held by two tall Nefyrre. The Nefyr captain held his viciously curved short-sword, point up, pressing against Cer’s father’s hard-muscled stomach. As Cer and his mother watched, the sword drew blood, and the captain pushed it in to the hilt, then pulled it up to the ribs. Blood gushed. The captain had been careful not to touch the heart, and now they thrust a spear into the huge wound, and lifted it high, Cer’s father dangling from the end. They lashed the spear to the gatepost, and the blood and bowels stained the gates and the walls.

For five minutes more Cer’s father lived, his chest heaving in the agony of breath. He may have died of pain, but Cer did not think so, for his father was not the kind to give in to pain. He may have died of suffocation, for one lung was gone and every breath was excruciating, but Cer did not think so, for his father kept breathing to the end. It was loss of blood, Cer decided, weeks later. It was when his body was dry, when the veins collapsed, that Cer’s father died.

He never uttered a sound. Cer’s father would never let the Nefyrre hear him so much as sigh in pain.

Cer’s mother screamed and screamed until blood came from her mouth and she fainted.

Cer stood in silence until his father died. Then when the captain, a smirk on his face, walked near Cer and looked in his face, Cer kicked him in the groin.

They cut off Cer’s great toes, but like his father, Cer made no sound.

Then the Nefyrre left and the uncles came.

Uncle Forwin vomited. Uncle Erwin wept. Uncle Crune put his arm around Cer’s shoulder as the servants bound his maimed feet and said, “Your father was a great, a brave man. He killed many Nefyrre, and burned many wagons. But the Nefyrre are strong.”

Uncle Crune squeezed Cer’s shoulder. “Your father was stronger. But he was one, and they were many.”

Cer looked away.

“Will you not look at your uncle?” Uncle Crune asked.

“My father,” Cer said, “did not think that he was alone.”

Uncle Crune got up and walked away. Cer never saw the uncles again.

He and his mother had to leave the house and the fields, for a Nefyr farmer had been given the land to farm for the King of Nefyryd. With no money, they had to move south, across the River Greebeck into the drylands near the desert, where no rivers flowed and so only the hardiest plants lived. They lived the winter on the charity of the desperately poor. In the summer, when the heat came, so did the Poor Plague which swept the drylands. The cure was fresh fruits, but fresh fruits came from Yffyrd and Suffyrd and only the rich could buy them, and the poor died by the thousands. Cer’s mother was one of them.

They took her out on the sand to burn her body and free her spirit. As they painted her with tar (tar, at least, cost nothing, if a man had a bucket), five horsemen came to the brow of a dune to watch. At first Cer thought they were Nefyrre, but no. The poor people looked up and saluted the strangers, which Greetmen never do the enemy. These, then, were desert men, the Abadapnur nomads, who raided the rich farms of Greet during dry years, but who never harmed the poor.

We hated them, Cer thought, when we were rich. But now we are poor, and they are our friends.

His mother burned as the sun set.

Cer watched until the flames went out. The moon was high for the second time that night. Cer said a prayer to the moonlady over his mother’s bones and ashes and then he turned and left.

He stopped at their hut and gathered the little food they had, and put on his father’s tin ring, which the Nefyrre had thought was valueless, but which Cer knew was the sign of the Cemreet family’s authority since forever ago.

Then Cer walked north.

He lived by killing rats in barns and cooking them. He lived by begging at poor farmer’s doors, for the rich farmers had servants to turn away beggars. That, at least, Cer remembered, his father had never done. Beggars always had a meal at his father’s house.

Cer also lived by stealing when he could hunt or beg no food. He stole handfuls of raw wheat. He stole carrots from gardens. He stole water from wells, for which he could have lost his life in this rainless season. He stole, one time, a fruit from a rich man’s food wagon.

It burned his mouth, it was so cold and the acid so strong. It dribbled down his chin. As a poor man and a thief, Cer thought, I now eat a thing so dear that even my father, who was called wealthy, could never buy it.

And at last he saw the mountains in the north. He walked on, and in a week the mountains were great cliffs and steep slopes of shale. The Mitherkame, where the king of the High Mountains reigned, and Cer began to climb.

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