Nicola Griffith - Slow River

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Slow River: краткое содержание, описание и аннотация

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The Nebula Award Winner–1996 She awoke in an alley to the splash of rain. She was naked, a foot-long gash in her back was still bleeding, and her identity implant was gone. Lore Van Oesterling had been the daughter of one of the world’s most powerful families… and now she was nobody, and she had to hide.
Then out of the rain walked Spanner, predator and thief, who took her in, cared for her wound, and taught her how to reinvent herself again and again. No one could find Lore now: not the police, not her family, and not the kidnappers who had left her in that alley to die. She had escaped… but the cost of her newfound freedom was crime and deception, and she paid it over and over again, until she had become someone she loathed.
Lore had a choice: She could stay in the shadows, stay with Spanner… and risk losing herself forever. Or she could leave Spanner and find herself again by becoming someone else: stealing the identity implant of a dead woman, taking over her life, and creating a new future.
But to start again, Lore required Spanner’s talents—Spanner, who needed her and hated her, and who always had a price. And even as Lore agreed to play Spanner’s game one final time, she found that there was still the price of being a Van Oesterling to be paid. Only by confronting her family, her past, and her own demons could Lore meld together who she had once been, who she had become, and the person she intended to be…

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Lore dreamed that night of being rolled, dead-eyed, into a plasthene sheet and tipped into a grave. On the lip of the grave, throwing shovelfuls of wet mud, were cherubs called Billy, laughing, and Spanner holding something out of reach, saying, When you’re all grown up, and Lore, who could not close her eyes because she was dead, saw that what Spanner held were manacles.

She woke up gasping and clutching her throat, remembering her lungs fighting the plasthene for air, a cupful, a spoonful, a thimbleful. It was morning. Spanner was gone, but the screen was lit to a sunburst of color and a cartoon of a rabbit with a thought balloon saying, Call who you want. It’s open to your voice. Lore stared at the screen a long, long time. She would not call the police. She wondered how Spanner had known that. She did not feel too good about it.

Spanner was still out when the medic returned in the early evening. He pronounced Lore’s back to be healing well and left her a tape-on plaskin sheath to wear when she was in the bath or shower. “The rest of the time, let the wound breathe. You won’t need any more injectable painkillers. These distalgesics should do,” He handed her a bottle of brightly colored caplets. “You need anything else?”

He seemed in a hurry, and Lore wondered what mayhem or despair he was rushing to.

“Do you ever wonder where your patients get their injuries?”

She thought of a three-year-old, and what injury an adult might do her or him in the name of need.

He looked at her with sad eyes. “There’s no point. I just do my best to heal what I find.”

When he had gone, she went into the bathroom to look at her back. It hurt to twist and turn, but she looked at the scar in the flyblown mirror as best she could. It stretched diagonally from her right shoulder blade to the lower ribs on her left side. At the top, it was nearly an inch wide. She could not bear to look at it. She stared out of the window into the backyard instead. It looked as forlorn and closed in as she felt: a fifteen-by-forty patch of rubble and weeds and what might be scrap metal, surrounded by a six-foot-high brick wall; barren and broken and played out. The walls were topped with broken glass set in cement.

The door banged open. Lore pulled on Spanner’s robe, tied the slippery silk belt, and went into the living room. Spanner was snapping on switches, humming. She looked up at Lore and smiled. “I’ve got something for you. Be ready in just a minute.” She punched a couple of buttons, read the bright figures that came up on her screen, then, satisfied with whatever the machine was doing, she popped something small out of one of her decks.

“There.” She held out her hand. On her palm was a round black metallic button. A PIDA. “It’s for you. Just a temporary, of course.”

Lore pulled her robe tighter with her right hand and looked at the slick black button. Her new identity. She was not sure if she wanted it. “Where did you get it?”

“Friend of mine works for the city morgue. Once they’ve been through official identification, and embalmed, corpses aren’t too particular about their PIDAs. Don’t worry. Ruth’s a stickler for hygiene. It’s probably cleaner than you are and, anyway, this one won’t be going under the skin. Well? Don’t just stand there, hold out your hand and I’ll put it on for you.”

Lore held out her left hand.

“You’ll need to hold it in place for me.”

“Let me sit down.” She had to let go of the robe to keep the PIDA in place on the scar that was fading to pink. Spanner used a pair of scissors to cut a square of plaskin to shape.

“Not as fancy as the medic’s spray, but this kind has one advantage.” She pulled off the backing, carefully laid it over the PIDA. “It says your name is Kim Yeau. I’ve added the middle initial L., but just the initial. Less is better. The PIDAs will change, but as you get to know people, you’ll have to have a stable name, one we can call you by. You have forty-three credits. You’re eighteen.” She looked up at Lore. “That’s right, isn’t it?”

Spanner knew damn well how old she was; this was just her way of reminding Lore how much she knew, that knowledge equals power. Lore didn’t say anything, but the muscles in her forearm tightened.

“Hold still.”

Lore stared at the top of the head bent over her hand. Spanner’s scalp was creamy white, untouched by UV. Lore wondered how long she had been living a nocturnal existence, how long she had been rifling corpses and blackmailing and stealing. What did that do to a person? And yet Spanner did not seem bad. Just interested in looking out for herself. Maybe because no one else had ever been there to do it.

“You’ll have to be careful how you use this. It’s just a superficial job—it’ll get you on and off the slides, pay for groceries or a download from a newstank, but that’s it. Avoid the police. Don’t try to get any licenses or whatever.” Spanner squeezed the skin around the PIDA and the webbing, and straightened. “There. Should hold for a couple of weeks. The plaskin will match your natural skin color in an hour or so.” She held Lore’s arm up to the light, admiring her handiwork.

Lore could feel Spanner’s breath on her skin, the robe slipping open, revealing her breasts.

“Beautiful,” Spanner said.

Lore looked at herself in the bathroom mirror. Her hair was wholly gray now, and grown past her ears.

“Can you cut hair?” she called, but Spanner was working and did not hear. She opened the medicine cabinet, looking for scissors. There was a tube of dye on the top shelf. Brown. She tapped it thoughtfully against her palm. The sooner she could change the way she looked, the sooner she could get outside the flat, feel less… dependent. Brown would do to start with.

“Can I use this?”

“Um?”

She stepped into the living room. “This dye. Can I use it?”

Spanner did not look up from the screen. “If you like.”

“I can’t imagine you with brown hair.”

“It’s not mine.”

The dye around the top of the tube was not crusted and dry. It had been used fairly recently. Lore stared at it for a while.

In the bathroom, she read the instructions. Wet hair. Apply generously with comb. Wipe off any excess from skin. Leave for ten minutes. It seemed simple enough, though not as easy as the way she was used to, when all she had to do was run a bath, pour in the nanomechs, and submerge herself for thirty seconds. With nano dyes and antinano lube, one could layer diferent colors on body hair, like silkscreening, and the results were clear, clean, and crisp. But nano dyes were for the rich.

This dye was a sticky paste. It was not brown, as she had expected, but a curious greenish yellow. It smelled like rotting leaves and had the texture of mud. She massaged it into her scalp, remembering to do her eyebrows and eyelashes.

When she had rinsed and dried, the mirror showed a strong chestnut. It suited her, suited her eyes, her mouth. She liked it. She turned this way and that, letting the cool northern light that seeped into the bathroom and reflected from the tiles play over the hair. It looked so good it was probably pretty close to her natural color. She smiled at her reflection: disguising herself by making her hair her real color had a certain ironic appeal.

She walked into the living room. “What do you think?”

Spanner turned after a moment. Said nothing.

“What’s the matter?”

“I’m not sure brown is the right color.”

Lore flushed. “I don’t understand.”

“Come into the bathroom with me.” Spanner positioned Lore in front of the mirror, hands on her shoulders. Lore did not like the possessive feel of those hands, but it was Spanner’s bathroom, Spanner’s mirror. “Now, take a look at yourself, a really good look. Then look at me.”

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