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Alastair Reynolds: On the Steel Breeze

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Alastair Reynolds On the Steel Breeze

On the Steel Breeze: краткое содержание, описание и аннотация

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It is a thousand years in the future. Mankind is making its way out into the universe on massive generation ships. On the Steel Breeze Blue Remembered Earth The central character, Chiku, is totally new, although she is closely related to characters in the first book. The action involves a 220-year expedition to an extrasolar planet aboard a caravan of huge iceteroid ‘holoships’, the tension between human and artificial intelligence… and, of course, elephants. Lots of elephants.

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‘You really don’t like them, do you?’

‘They took my son. That’s reason enough, isn’t it?’

They had hardly ever spoken of her life before the day they met in Belém. It was what they had both agreed on, a relationship built on a solid foundation of mutual ignorance. Pedro knew of her siblings and that Chiku had a son, and that the son had joined the seasteaders – become, in effect, a member of a new species. Chiku, in turn, knew that Pedro had travelled widely before settling in Lisbon and that he had not always been a luthier. He had money she could not quite square with the modest income from his business – the studio rental alone should have been beyond his means. But she had no desire to dig for the details.

‘Perhaps you need to get over it.’

‘Get over it?’ Feeling a flush of irritation Chiku leaned on the table, making it rock on its uneven metal legs. ‘You don’t get over something like that. Plus that’s just the start of it – they’ve been messing with my family’s business for far too long.’

‘But if they can make the ghost go away—’

‘He said “help me with that”. That might mean being able to answer the ghost. To find out what Chiku Green wants.’

‘Would you want that?’

‘I’d like the option. I think maybe…’ But Chiku chose not to finish her sentence. She drank some wine. A woman bellowed the same three lines of Fado from the open doorway of one of the bars in the street below, rehearsing for an evening performance. ‘I don’t know if I can trust them. But Mecufi gave me this.’

She placed the little marble on the table between them.

Pedro reached out and pinched it between thumb and forefinger with a faint sneer of distaste. He did not approve, Chiku knew. He thought motes somehow short-circuited an essential element of human discourse.

‘These aren’t foolproof.’

She took back the amber marble. It would not work for Pedro anyway. Motes were always keyed to a specific recipient.

‘I know. But I’m willing to try it.’

Chiku crushed the mote. The glassy orb shattered into harmless self-dissolving shards as the mote’s payload – its cargo of emotions – unfolded inside her head like a flower. The mote spoke of caution and hopefulness and a singular desire to be trusted. There were no dark notes in the chorus.

I was right about Mecufi being a he,’ Chiku decided. ‘That came through clearly.’

‘What else?’

‘He wants me to go to the seasteads very badly. They need me at least as much as I need them. And it’s not just about the ghost. There’s something else.’

The woman singing Fado ran through the same three phrases again and her voice cracked on the last syllable. The woman laughed.

CHAPTER TWO

Belém was where she had met Pedro. It had not been long after her arrival in Lisbon. Both of them buying ice creams from the same stand and laughing as wickedly determined seagulls dived and skimmed to scoop away their purchases.

She went up onto the roof of the Monument to the Discoveries, with its sea-gazing ranks of carved navigators. It was the only place to get a decent view of the Wind Rose. It was a map of the ancient world, laid out across a wide terrace in slabs of red and blue marble. Galleons and seamonsters patrolled its fathomless seas and oceans. A kraken was hauling a ship to the depths in its tentacles. Beyond the map, arrows delineated the cardinal compass points.

‘It’s good that you came.’

She turned around sharply. When she had arrived there had been no merfolk on the Monument’s viewing level, or at least none that she had recognised as such. It was a whisker after ten and she assumed her lateness had caused the agreement to be nullified. And yet here was Mecufi, stuffed now into an upright mobility exo.

‘You mentioned the ghost. I’ve seen it once already this morning, on the tram.’

‘Yes, it’s getting worse, isn’t it? But we’ll talk about that later. There are a couple of other things on the agenda before that. Shall we fly?’

‘Fly?’

Mecufi looked up. Chiku followed his gaze, squinting against the haze. A shape detached itself from a bright wheel of gulls and grew larger as it descended. It was a flier, about as wide across as the top of the monument.

‘We have special dispensation,’ Mecufi said. ‘They love us in Lisbon, after we installed the tsunami baffles. They’ve got long memories here – 1755 was yesterday.’ From the flier’s broad green belly came a warm downdraught. A ramp tongued down and Mecufi directed Chiku to step aboard. ‘Why do you hesitate? There’s no need not to trust us. I gave you the mote, didn’t I?’

‘Motes can be faked.’

‘Everything can be faked. You’ll just have to trust that it wasn’t.’

‘Then we’re back to square one, aren’t we? I have to trust that you’re trustworthy?’

‘Trust is a fine and paradoxical thing. I promised I’d have you home before evening – will you take me at my word?’

‘We’re just going to the seasteads?’

‘And no further. It’s a beautiful day for it. The quality of light on water, as restless as the sea itself! What better time to be alive?’

Chiku acquiesced. They escalated aboard, taking lounge seats in a generously proportioned cabin. The cabin sealed itself and the flier gathered speed as it rose. In a few breaths they were banking away from the coast. The waters were a gorgeous mingling of hues, lakes of indigo and ultramarine ink spilt into the ocean.

‘Earth’s quite nice, isn’t it?’ Mecufi’s exo had deposited him in his seat like a large stuffed toy, then folded itself away for the duration of the flight.

‘It was working out for me.’

‘The perfect backwater to study your family history? Crumbly old Lisbon, of all places?’

‘I thought I’d find some peace and quiet there. Evidently I was wrong about that.’

The flier kept low. Occasionally they passed a cyberclipper, pleasure yacht or small wooden fishing boat with a gaily painted hull. Chiku barely glimpsed the fishermen busy on deck as the flier sped past, fussing with nets and winches. They never looked up. The aircraft was tidying up after itself, dissipating its own Mach cone so that there was no sonic boom.

Its hull would have tuned itself to the colour of sky.

‘Let me ask you about your counterparts,’ Mecufi said.

‘I’d rather you didn’t.’

‘And yet I must. Let’s begin with the basics. Your mother and father were Sunday Akinya and Jitendra Gupta, both still living. You were born in what used to be the Descrutinised Zone, on the Moon, about two hundred years ago. Do you dispute these facts?’

‘Why would I?’

Mecufi paused to smear some lavender-smelling oil onto himself from a small dispenser. ‘You had a carefree and prosperous childhood. You grew up in a time of tremendous peace and beneficial social and technological change. A time free of wars and poverty and nearly all illnesses. You were extraordinarily fortunate – billions of dead souls would have traded places with you in a heartbeat. And yet as you entered adulthood you detected an emptiness inside yourself. A lack of direction, an absence of moral purpose. It was hard, growing up with that name. Your parents and grandparents and great-grandparents moved mountains. Eunice opened up the solar system for deep-space settlement and exploitation. Sunday and your other relatives opened up the stars! What could you possibly do that would compare with any of that?’

Chiku folded her arms. ‘Are you done?’

‘Not remotely. That’s the trouble with being very long-lived: there’s an awful lot of life to catch up with.’

‘So perhaps you should think about cutting to the chase.’

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