John Shirley - Watch Dogs - Dark Clouds

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Further explore the world of Watch Dogs with a new story, an entirely digital novel project created inside Ubisoft in collaboration with John Shirley, prolific author and pioneer of the cyberpunk movement
John Shirley naturally transcribed Watch Dogs’ atmosphere, the world of hacking and of a not that fictional Chicago, into a thriller combining high-tech crimes and a bunch of known and new characters.
The novel introduces Mick Wolfe, a veteran, who get caught in a dangerous game in Chicago’s hyper connected and violent underground.
https://www.youtube.com/watch?v=tzY-ZvzIwQg

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Wolfe worked his way across the roof, circling old brick chimneys and vents, stepping over puddles formed where the black tar roofing sagged.

A cigarette lighter flared on the next roof over—the roof of the former Elks’’ auditorium. Wolfe ducked down behind an air conditioning duct, then slowly lifted up till he could see the guard’s face illuminated by the momentary red glow. The mercenary snapped the Zippo shut and darkness closed down around him except for the orange coal of his cigarette.

The cigarette’s coal blotted out as the man turned away. Wolfe smiled and advanced again, hunched down, placing his steps to make as little noise as possible.

He got to the edge of the roof abutted against the next building, stepped over, then ducked behind a chimney as the mercenary turned around and exhaled smoke, the red eye of his cigarette winking.

Wolfe wondered if he should take down the guy the hard way, or the easy way. He didn’t know anything about this guy. Some of the Graywater mercenaries had been Special Forces, in their times; at least the mercs who knew what they were doing. This guy could be Special Forces. He could be someone Wolfe had known. He could even have been Delta Force once. Be a shame to kill him unnecessarily. If any of these mercenaries tried to kill Wolfe, then Wolfe would defend himself with lethal force. But until then…

Besides, Wolfe didn’t have a sound suppressor on his gun. If he shot the guy he would alert the other Graywaters on the sidewalk below.

Unless he wanted to break the guy’s neck, he’d have to take a chance on trying to knock him out.

Wolfe sighed. Would’ve been so much easier to shoot him.

Watching around the edge of the brick chimney, Wolfe waited till that cigarette glow blotted again, then he crept around the chimney, pulled the .45 out, rushed up and buffaloed the sentry Wyatt Earp-style, cracking him hard behind the right ear with the barrel of the gun.

The sentry’s knees buckled, and he went down. He seemed out cold. Wolfe reached down, disarmed the man, and took the small flashlight off the mercenary’s belt.

Wolfe regretted not bringing along something to tie and gag the guard with. No time for that. They’d have a check-in on the ear comm. In a few minutes the sentry would be asked to report in, and when he didn’t reply…

Better get this scouting trip over pronto.

Wolfe took out the PearcePhone, and set it up to pick up the comm frequency. It took a little less than a minute to locate the channel they were using.

“Five, this is one, how you doing out front?”

“We’re cold and bored down here, One, what you think? But I got eyes on Two and Three. Everything quiet.”

“Copy that. Four, everything quiet on the roof?”

Wolfe tapped “hack into conversation” and, making his voice hoarse, said, “All clear up here.” He coughed. “But cold as a witch’s tit. Gettin’ laryngitis or some damn thing.”

“I can hear that in your voice, Four! We’ll send you relief in an hour…”

An hour. That should be enough time…

Flashlight, phone and .45 tucked away, silenced Mack 10 in his hand, Wolfe moved to the outbuilding on the roof that housed the entrance to the stairs. It was unlocked. He went inside, into a rising column of warm air and the musty smells of an old building.

He came to the door that led onto the top floor, pressed it open—and got lucky. There was a Graywater sentry walking down the hallway to Wolfe’s right, but he had his back turned.

Wolfe eased the door almost shut and peered through the crack, watching—till he saw the sentry turn the corner into an adjoining hall.

Opening the door as quietly as he could, Wolfe slipped through, closed the door, and moved off to the left. He turned the corner, hurried to the end of a short corridor, and opened the only door. It was dark in there.

Wolfe stepped through, closed the door behind him. He took out the flashlight, shone it around the room. Much of it was stacked with old theater seats; a big plaster Elks Lodge seal was leaning against the wall wrapped in cobwebs. To the right, a wooden ladder was built into the wall, rising to a padlocked trapdoor.

Wolfe slung the Mack 10 on its strap over one shoulder, put the small flashlight in his mouth, and climbed the ladder. It took three sharp karate punches, using the heel of his hand—with Wolfe wincing at the noise from each blow—to break the padlock bracket.

He pushed the trapdoor back and, flashlight bobbing in his mouth, climbed up to the attic. It was mostly rafters and dust here, he discovered, as he flashed the light through the low, narrow space. But on the right were pulleys with ropes looped tautly over them, probably relating to the curtains for the auditorium down below.

Wolfe closed the trapdoor and, hunched over, worked his way down a wooden walkway, two boards wide, laid over the rafters. He could hear an amplified speaker now, from below; points of light from the stage winked in the dust, here and there. Applause came periodically from the unseen audience.

On the right side, about the center of the attic, a shaft of attenuated light rose up. Wolfe made his way to the beam of light and lay on the boards, looking down at the stage to find he was staring directly at the top of the speaker’s head. He had a bald spot. The man was speechifying at a podium, reading from notes. No telling who he was, from here. Maybe that Marlon Winters character?

In the attic, the speaker’s voice was distorted and muddied by echoes, but Wolfe could hear most of what he said. “…the second and tenth amendments are under attack… There are forces in this country that have worked toward undermining the civilization that the founders of our Western European heritage have worked so hard to build!” Build, ild, ild…

“We are threatened from every side!” the speaker boomed. “Socialism pops its ugly head up any time you don’t flush its holes out with poison—like the holes of rabid gophers!” Gophers, ers, ers…

Western European heritage, Wolfe knew, was speech code for the White Race. But “rabid gophers”? That summoned up some interesting images…

Purity is not just about saving our culture, our right to bear guns, and our right to a free market without regulations. We have created Purity to defend civilization itself against the forces who would erect a New World Order in its place, an order controlled by a dictatorship that will enslave us to decadent cultures and mud races!” Races, aces, aces…

The crowd roared and clapped with approval at that one.

“And now, I’d like to introduce General Van Ness, who will talk about strategy on the ground… and the development of militias that will take control of our streets following the coming chaos…” Chaos, os, os…

Applause. The Elks Club, Wolfe thought, would not be happy at all if they found out who it was who’d bought their old theater. Racist insurrectionist scumbags.

The microphone started feeding back and Van Ness had a mumbling way of expressing himself so Wolfe could only make out occasional phrases. “…while we cannot discuss the means of setting the stage for…” Something, something. “And hence all we’re asking you is to be ready for the call to…” Something something. “…I have stood up for the values of Western European…” Something something. “…but in North Africa we saw again and again that whenever the locals were… And thus… and so you see… but again, we cannot… Yet the time will soon come to…”

Wolfe gave up. He had another agenda to follow up on. He had to see if he could find Stan Grampus here—Grampus, the assassin who’d tried to kill Aiden Pearce.

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