Daniel Suarez - Daemon

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Daemon: краткое содержание, описание и аннотация

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Daemon The storyline portrays one possible world consequent to the development of the technological innovations that we currently live with and the reality that the author, Suarez, imagines will evolve, and it is chilling and tense (on www.thedaemon.com the reader can find evidence that the seemingly incredible advances Suarez proposes could in fact become real).
is filled with multiple scenes involving power displays by the Daemon's allies resulting in complete loss of control by its enemies, violence with new and innovative weaponry, explosions, car crashes, blood, guts, and limbs-cut-off galore.
As far as computer complexity,
will satisfy any computer geek's thirst. I was thankful for Pete Sebeck, the detective in the book whose average-person understanding of computers necessitates an occasional explanation about what is going on. I came away from the novel with a new understanding, respect, and fear of computer capability.
In the end, Suarez invites the reader to enter the "second age of reason," to think about where recent and imminent advances in computer technology are taking us and whether we want to go there. For me, it is this "thinking" aspect of the novel which makes it a particularly fun, satisfying, and significant read.

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He heard the clinking of the handcuffs coming up behind him, and he swept one hand back, grabbing her elbow. He shot the other arm up and grabbed her beautiful hair. It was a cheap shot, but effective. He made sure to grab enough of her hair to use as a rope. He twisted it tighter and finally yanked her head down toward his. He felt her struggling, and her open, pouting lips brushed against his.

He twisted her arm and pulled her around in front of him. Now she was really struggling, but he used all his prodigious strength to dominate her. All her skill had not been enough. He had mastered her. He heard her moan softly as he wrenched the handcuffs from her hand. In a moment he had forced her to her knees and slapped the cuffs over one wrist. She struggled mightily one last time, but he forced her head back down using her hair as a leash. The cuffs went over the second wrist, and he felt her sigh and settle back onto her knees.

He came up behind her and smelled her perfumed hair. Her lips brushed against his cheek.

“Is there a problem, officer?”

* * *

Across Wilshire Boulevard, directly opposite the building, a camera lens in a darkened room reflected the streetlights. The camera clicked and whirred as Sebeck and the woman passionately kissed.

Anji Anderson raised her eye from the camera lens. She let an aroused breath escape as though she had been holding it for a while. She had no idea why The Voice felt this was news, but it had already been worth the trip.

Chapter 18:// Abyss

Wrecked county and federal police vehicles came under the glare of a mercury vapor searchlight. The bomb disposal robot’s arm panned to reveal more carnage. A thousand feet away, a spectator in the control trailer whistled softly at the video image. A murmur went through the assembled agents. Special Agent Ellis Garvey released his hold on the joystick and awaited instructions.

The FBI’s Critical Incidence Response Group (or CIRG) had taken over operations for the siege of Sobol’s estate, but Steven Trear still had nominal control of strategy. He knew that he had to get this situation under control quickly, or it would be taken from him just as he had taken it from Decker.

Trear put a hand on Garvey’s shoulder. “Bring us up to the mansion’s front door.”

The lawn mower–sized robot turned in place on rubberized treads and started moving across a blood-streaked debris field of plastic car bumpers and shattered glass, toward the mansion’s front steps. Along the way the robot passed a crushed and twisted version of itself. It was the robot brought in by Guerner’s team the day before. Garvey’s camera lingered on the image. Ominously symbolic. Trear cleared his throat, and Garvey nudged the joystick again, sending the robot forward.

He halted the robot at the base of the mansion’s front steps and raised its camera arms—shining the bright lights into the yawning, black maw of the doorway. The door was still wedged open.

A score of federal agents in the command trailer craned their necks to see the monitors.

Trear nodded to Garvey, who took a breath and eased the left joystick forward. The little robot’s motors whined as it inched up the stone steps.

Before long it moved warily through the front door and into the foyer, where some type of fearsome technology had assaulted Guerner and his team. Washington wanted more information. The robot’s camera arm panned the room. Glass from a shattered vase littered the tiled floor—along with vomit and specks of blood.

Someone in the back muttered, “Jesus.”

One of the bomb squad guys leaned in. “Look for transceivers or sensors on the walls.”

Garvey started panning the walls with the camera lights.

It looked like a classic Mediterranean, but there was a lot more than paintings and sculpture alcoves along the winding stairs. Near the ceiling an array of mysterious, white plastic sensors lined the walls.

Trear called out. “Guys, what are we looking at?”

A deafening silence filled the darkened trailer. In the glow of the camera monitors Trear looked for Allen Wyckoff, an FBI senior systems analyst who always seemed to know what he was talking about. Although there were bomb squad agents and a couple of computer forensics experts on hand, this wasn’t a bomb and it wasn’t software. It looked like a system. “Wyckoff. What am I looking at here?”

Wyckoff was just a silhouette in the darkness, except for the lenses of his round glasses, which reflected the monitor images. “Those are standard motion detectors…also what looks to be infrared sensors…I have no idea what that is…. The round pod might be a transmitter of some sort.” He turned toward Trear, and the monitor reflections disappeared from his glasses. “Sir, we’re going to need to analyze this video. There’s a lot of technology there I’m not familiar with.”

Trear looked around at the assembled experts, who were silently nodding in the dark. “So no one can tell me how the bomb disposal team was incapacitated? No guesses?”

The agents exchanged glances in the shadows.

Garvey ventured, “Should I keep going?”

Trear nodded. “Get us into the server room.”

Garvey took another breath and eased the joystick forward again.

The robot moved easily across the floor toward the center doorway at the back of the foyer. The mercury light revealed a long hall with stone tile flooring and embroidered rugs. Mission-style furniture braced the walls here and there along the length of the hall.

One of Garvey’s team spoke from the console nearby while examining blueprints. “We want to take the next hall on the right. Then it’s the second door on the right.”

“Got it. Turning.” Garvey turned the robot in place and shined the camera lights down a short side hall. It led into the recreation room toward the back of the house. Garvey panned the hallway, examining the walls and ceilings. More of the mysterious sensors lined the walls. It was dark except for the lights on the robot.

“Cellar door, second on the right. It should lead down to the server room.”

Garvey brought the robot forward, then moved to a second set of controls to activate the robot’s arm. The mechanical hand slid into camera view and swiveled once to align with the lever door handle on the cellar door. The arm moved forward, grabbed the door handle, then depressed it.

Suddenly the camera image jolted wildly and shouts of alarm filled the trailer. In a moment all the screens were filled with snow.

Trear pushed forward. “What just happened?”

Garvey’s hands hovered over the useless controls, his mouth open in shock. He turned. “I don’t know. I…”

“Do we have any signal from the robot?”

Garvey and his assistant checked the console and shook their heads. Everyone was talking again.

Trear shouted, “Quiet down! Everyone shut up.” He turned back to Garvey. “Play back the video—in slow motion.”

Garvey nodded, then rewound the video. All the monitors flickered, then a still image came up again: the mansion side hall.

“Roll it forward slowly.”

On-screen, frame by frame, the robotic arm grabbed the door handle and pushed down.

“There.”

Garvey stopped the image.

There was an unmistakable gap in the floor toward the bottom of the frame. The floor looked like it was opening up.

“Okay, advance it slowly.”

Garvey hit a button.

The gap expanded. In a quick succession of frames, the door handle pulled from the robot’s grip, and the entire machine slid down a chute that opened beneath it. Its mercury lights illuminated the dark hole, revealing a cinderblock-lined pit—the bottom of which was filled with water. Successive video images showed the water washing up onto its cameras and the robot shorting out. The entire process took about one and a half seconds.

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