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Sebastian Junger: War

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Sebastian Junger War

War: краткое содержание, описание и аннотация

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In , Sebastian Junger ( ) turns his brilliant and empathetic eye to the reality of combat—the fear, the honor, and the trust among men in an extreme situation whose survival depends on their absolute commitment to one another. His on-the-ground account follows a single platoon through a 15-month tour of duty in the most dangerous outpost in Afghanistan’s Korengal Valley. Through the experiences of these young men at war, he shows what it means to fight, to serve, and to face down mortal danger on a daily basis.

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The Army has a lot of regulations about how soldiers are required to dress, but the farther you get from the generals the less those rules are followed, and Second Platoon was about as far from the generals as you could get. As the deployment wore on and they got pushed farther into enemy territory it was sometimes hard to tell you were even looking at American soldiers. They wore their trousers unbloused from their boots and tied amulets around their necks and shuffled around the outpost in flip-flops jury-rigged from the packing foam used in missile crates. Toward the end of their tour they’d go through entire firefights in nothing but gym shorts and unlaced boots, cigarettes hanging out of their lips. When the weather got too hot they chopped their shirts off below the armpit and then put on body armor so they’d sweat less but still look like they were in uniform. They carried long knives and for a while one guy went on operations with a small samurai sword in his belt. The rocks ripped their pants to shreds and they occasionally found themselves more or less exposed on patrol. A few had “INFIDEL” tattooed in huge letters across their chests. (“That’s what the enemy calls us on their radios,” one man explained, “so why not?”) Others had tattoos of angel wings sprouting from bullets or bombs. The men were mostly in their early twenties, and many of them have known nothing but life at home with their parents and war.

The men who were killed or wounded were replaced with cherries, and if the older men got bored enough they sometimes made the cherries fight each other. They’d been trained in hand-to-hand combat, so they all knew how to choke someone out; if you do it right, with the forearm against the carotid artery, the person loses consciousness in seconds. (They die in a couple of minutes if you don’t release the pressure.) Choking guys out was considered fine sport, so soldiers tended to keep their backs to something so no one could sneak up from behind. Jumping someone was risky because everyone was bound by affiliations that broke down by platoon, by squad, and finally by team. If a man in your squad got jumped by more than one guy you were honor-bound to help out, which meant that within seconds you could have ten or fifteen guys in a pile on the ground.

O’Byrne’s 203 gunner, Steiner, once got stabbed trying to help deliver a group beating to Sergeant Mac, his squad leader, who had backed into a corner with a combat knife. In Second Platoon you got beat on your birthday, you got beat before you left the platoon — on leave, say — and you got beat when you came back. The only way to leave Second Platoon without a beating was to get shot. No other platoons did this; the men called it “blood in, blood out,” after a movie one of them had seen, and officers were not exempted. I watched Gillespie get held down and beaten, and Pops got pounded so hard his legs were bruised for days. The violence took many forms and could break out at almost any time. After one particularly quiet week — no firefights, in other words — the tension got so unbearable that First Squad finally went after Weapons Squad with rocks. A rock fight ensued that got so heavy, I took cover behind some trees.

Men wound up bleeding and heated after these contests but never angry; the fights were a product of boredom, not conflict, so they always stayed just this side of real violence. Officers were left out of the full-on rumbles, and there were even a couple of enlisted guys who had just the right mix of cool and remove to stay clear of the violence. Sergeant Buno was one of those: he ran Third Squad and had Aztec-looking tattoos on his arms and a tattooed scorpion crawling up out the front of his pants. Buno almost never spoke but had a handsome, impassive face that you could read anything you wanted into. The men suspected he was Filipino but he never admitted to anything; he just wandered around listening to his iPod and saying strange, enigmatic things. The men nicknamed him Queequeg. He moved with the careful precision of a dancer or a martial artist, and that was true whether he was in a firefight or brushing his teeth. Once someone asked him where he’d been the previous night.

“Down in Babiyal,” he answered, “killing werewolves.”

2

I ARRIVE IN THE KORENGAL A WEEK AFTER VIMOTO was killed, flying into the KOP on a Chinook that pounds over the Abas Ghar and drops fast onto a patch of crushed rock that serves as a landing zone. I’ve planned five trips into the valley to cover one platoon over the course of their fifteen-month deployment. I’ve been in Afghanistan many times before — starting in 1996, the year that Taliban fighters swept into Kabul — and it is a country that I care about tremendously. This time, however, I’m not interested in the Afghans and their endless, terrible wars; I’m interested in the Americans. I’m interested in what it’s like to serve in a platoon of combat infantry in the U.S. Army. The moral basis of the war doesn’t seem to interest soldiers much, and its long-term success or failure has a relevance of almost zero. Soldiers worry about those things about as much as farmhands worry about the global economy, which is to say, they recognize stupidity when it’s right in front of them but they generally leave the big picture to others.

Journalistic convention holds that you can’t write objectively about people you’re close to, but you can’t write objectively about people who are shooting at you either. Pure objectivity — difficult enough while covering a city council meeting — isn’t remotely possible in a war; bonding with the men around you is the least of your problems. Objectivity and honesty are not the same thing, though, and it is entirely possible to write with honesty about the very personal and distorting experiences of war. I worked with a British photographer named Tim Hetherington, who had seen a huge amount of combat while covering the Liberian civil war in 2003 but had no experience with American soldiers. He undoubtedly thought that the level of combat in the Korengal would be nothing compared to the violence and chaos of West Africa. I’d briefly been “embedded” in Battle Company a couple of years earlier in Afghanistan’s Zabul Province, but we’d gotten into contact only once, and very briefly. Afghanistan had turned a corner since then, and Tim and I were utterly unprepared for the level of violence we were about to experience.

After the Chinooks lift off I shoulder my pack and walk up the slope to the operations building to meet Captain Kearney. He’s six foot four and moves with a kind of solid purpose that I associate with athletes. Some part of him is always moving — usually a leg, which jams up and down so fast that it sends strange vibrations out across the bee-hut floor. He has dark eyes and a heavy brow and gives the impression that he’d barely fit inside a room, much less behind a desk. I ask him who is pushed the farthest out into the valley and he doesn’t hesitate.

“Second Platoon,” he says. “They’re the tip of the spear. They’re the main effort for the company, and the company is the main effort for the battalion, and the battalion is the main effort for the brigade. I put them down there against the enemy because I know they’re going to get out there and they’re not going to be afraid.”

I tell Kearney those are the guys I want to be with.

Second Platoon is based at Firebase Phoenix, half a mile south into the valley. One hot summer night I bring my gear to the LZ and join a switch-out that is headed down there on foot. It’s a half-hour walk on a dirt road that closely follows the contours of the hill. The base is a dusty scrap of steep ground surrounded by timber walls and sandbags, one of the smallest, most fragile capillaries in a vascular system that pumps American influence around the world. Two Americans have already lost their lives defending it. Rockets and ammo hang from pegs in the timber walls, and the men sleep on cots or in the dirt and an adopted Afghan dog sleeps in the dirt with them. The dog walks point and takes cover during firefights and sets to barking whenever anything moves outside the wire. The base hasn’t been attacked in days, but there’s intel that it will happen early the next morning. I lie down in my clothes and boots, and the last thing I hear before drifting off is Staff Sergeant Rice saying, “I hosey the .50 cal if we get hit tomorrow…”

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