Lisa Chaney - Coco Chanel - An Intimate Life

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Coco Chanel: An Intimate Life: краткое содержание, описание и аннотация

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The controversial story of Chanel, the twentieth century's foremost fashion icon. Revolutionizing women's dress, Gabrielle "Coco'' Chanel was the twentieth century's most influential designer. Her extraordinary and unconventional journey-from abject poverty to a new kind of glamour- helped forge the idea of modern woman.
Unearthing an astonishing life, this remarkable biography shows how, more than any previous designer, Chanel became synonymous with a rebellious and progressive style. Her numerous liaisons, whose poignant and tragic details have eluded all previous biographers, were the very stuff of legend. Witty and mesmerizing, she became muse, patron, or mistress to the century's most celebrated artists, including Picasso, Dalí, and Stravinsky.
Drawing on newly discovered love letters and other records, Chaney's controversial book reveals the truth about Chanel's drug habit and lesbian affairs. And the question about Chanel's German lover during World War II (was he a spy for the Nazis?) is definitively answered.
While uniquely highlighting the designer's far-reaching influence on the modern arts, Chaney's fascinating biography paints a deeper and darker picture of Coco Chanel than any so far. Movingly, it explores the origins, the creative power, and the secret suffering of this exceptional and often misread woman.

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Nevertheless, in a somewhat defiant mood, they secretly set off. This clandestine atmosphere set the tone for the following three weeks. It also dictated the lovers’ initial plan to stay at Menton, where it was unlikely they would meet anyone they knew. As it turned out, the hotel fell well below their expectations; Gabrielle had “horrible nightmares’ and they made for the Riviera Palace at Monte Carlo, one of the most luxurious hotels on the Riviera. Gabrielle’s personal maid and Dmitri’s valet now arrived. The kindly giant Piotr had been Dmitri’s servant for years, serving him devotedly throughout his insecure childhood and youth and then following him into exile in Persia.

Gabrielle and Dmitri soon settled into a routine; where Gabrielle rose late, Dmitri played morning golf, and they joined each other for lunch and then took scenic tours in the open-topped Rolls. En route they often discovered some little church or ancient village, such as the tiny and beautiful Coar-aze, high up in the hills above Nice. At first they ate in their suite of rooms, but growing less wary of being spotted, they graduated to the hotel dining room and then to a couple of restaurants. Gabrielle and Dmitri were both discerning about food, and one of their favorite restaurants was the eminently fashionable Ciro’s, situated in the only part of Monte Carlo as yet regarded as sufficiently fashionable for society. This quarter was within a hundred yards or so of the central Galerie Charles III and the casino, where Gabrielle and Dmitri could be found most evenings; Dmitri was an inveterate gambler, winning — and losing — largessums.

He described how Gabrielle did “everything she could” to draw him out, anxious in case this tranquil life should bore him. To the contrary, the calm rhythms of their routine combined with Gabrielle’s “rare goodness’ soothed Dmitri and revived his state of mind. Although admitting to himself that their relationship was “as strange as can be,” he delighted in Gabrielle’s cheerful companionship, appreciating her “good spirits’ and “surprising sweetness.” And during several weeks in each other’s company, Gabrielle helped Dmitri pull himself together with such success that he wrote, “It would have been impossible to choose a better friend for that moment in time than dearest Coco.”

Dmitri wrote that he was not in love with Gabrielle and that they never discussed anything to do with their future, but he became devoted to her, and was touched by her loving treatment of him. In this way, his diary entries act as a powerful correction to the typical portrayal of this relationship, where Dmitri is the lovesick young nobleman mooning around Gabrielle, the predatory Amazon.

Dmitri’s diary for this period displays a noticeable preoccupation with “discovery” by his peers. And while concerned lest Gabrielle, whom he found “surprisingly observant,” should be troubled by this preoccupation, he consoled himself with the thought that she felt the same way. Despite the greater likelihood of Dmitri’s reputation being compromised more than Gabrielle’s, there was also nothing new in a grand duke’s spending time with his lover. Above all, Dmitri’s reluctance to be spotted with Gabrielle stems from his concern not to be seen as a kept man. Gabrielle’s wealth was now common knowledge, but so was the impoverishment of Russian royalty. The greater mystery is why Gabrielle herself should have feared gossip and “the gaze of acquaintances.”

Gabrielle’s newfound wealth was in part predicated upon the creation of a reputation as a public figure. But while she would never let gossip have any effect upon her affairs, her coyness about being seen with Dmitri may have been related to having her very recent lover, Stravinsky, find out more details of her new liaison. Another explanation for Gabrielle’s apprehension about being spotted with Dmitri could well have been related to her new status. She had become a figure whose life was lived — increasingly, like Dmitri’s — under regular public scrutiny. The last months had left her emotionally exhausted, and the interlude on the Riviera was a moment in which she tried, temporarily, to recapture a life that was private.

When Arthur Capel had told Gabrielle of his plans to marry, it had both reduced her emotionally while also obliging her to move out of his apartment and live alone. Since then, however, she had been schooling herself in the ways of the modern woman, one best described as emancipated. Under the circumstances in which Gabrielle found herself with Dmitri, she was luxuriating in the ability to dictate her own life, enjoying a kind of autonomy that the vast majority of contemporary women couldn’t possibly have contemplated. While remaining an outsider, Gabrielle was now able, if she chose, to live with the freedom of the haut monde, yet without some of its burdens. She had achieved the autonomy of the successful courtesans but with one crucial difference: Gabrielle was now financing herself from work unrelated to whoever was her present lover. She had achieved her goal: she was now genuinely independent.

Notwithstanding the vein of sadness coursing through Gabrielle’s life, her natural optimism and vitality were, in the end, unquenchable. Not only did these qualities come to the fore in this interlude with Dmitri Pavlovich but, for the first time, one also notices something else. However vulnerable she might feel and whatever the sensitivity with which she behaved, Gabrielle also had the upper hand. This is not to say that in the past she had simply been a passive female, subject to male whims. Gabrielle’s story in relation to men was never as simple as that. Indeed, when she chose to reveal her charm and charisma, many a man was seduced by it. With all her force of character, Gabrielle remained a very feminine woman who did not, in theory, want to rule any man.

Whatever Dmitri and Gabrielle’s private concerns, their leisurely weeks on the Riviera had been a refuge of order and tranquility for Dmitri and a balm to Gabrielle’s much-troubled spirit. Their holiday had passed off without mishap with the exception of one dramatic event as they drove back to Paris.

When the time came to leave the south, they decided to break up their journey en route to Paris by stopping along the way. With the Rolls-Royce retuned, they planned to drive along the Riviera, turn inland after Marseille and then follow the old road on up to Paris. Dmitri was keeping an eye on the calendar because he wanted to be in the capital in time for his beloved sister’s birthday. Up early on April 27, the travelers were met by unpleasant weather: it was cold and wet, and as they left Monte Carlo, the road was very slippery. Taking the “low road” to Nice and Cannes, Dmitri drove slowly and with great care.

As a result of what he called a “wretched misunderstanding,” they found themselves driving right past the place where Arthur had been killed a year and a half earlier. Dmitri described seeing a cross marking the spot where the accident had taken place. (It has only recently become known that this was erected by Gabrielle.) Dmitri was mortified at this most unfortunate incident, and recorded its dreadful effect upon Gabrielle. She became very quiet, “frightfully melancholy,” and they drove on through the driving rain in complete silence. Meanwhile, as a driver of some experience, Dmitri couldn’t help but find the apparent cause of Arthur’s accident mysterious, noting to himself that not only was the road at that point completely level, there were no ditches alongside it either. Although Dmitri and Gabrielle tried to push the misery of this episode aside, it hung heavily upon them for the rest of the day. On reaching Marseille, they retired for the night very early.

The strength of Gabrielle’s reaction, on seeing once again the place where Arthur had died, reveals how little she had recovered from his loss. As few of us are prepared to expend more than a minimal amount of imagination on the thoughts and feelings of others, taking what they offer us pretty much at face value, almost everyone had chosen to be convinced by Gabrielle’s pose. Her real feelings were hidden behind that great vitality. Long ago, in her miserable childhood, her intelligence and defiance had taught her the habit of self-protection, of revealing herself to almost no one.

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