Lisa Chaney - Coco Chanel - An Intimate Life

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Coco Chanel: An Intimate Life: краткое содержание, описание и аннотация

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The controversial story of Chanel, the twentieth century's foremost fashion icon. Revolutionizing women's dress, Gabrielle "Coco'' Chanel was the twentieth century's most influential designer. Her extraordinary and unconventional journey-from abject poverty to a new kind of glamour- helped forge the idea of modern woman.
Unearthing an astonishing life, this remarkable biography shows how, more than any previous designer, Chanel became synonymous with a rebellious and progressive style. Her numerous liaisons, whose poignant and tragic details have eluded all previous biographers, were the very stuff of legend. Witty and mesmerizing, she became muse, patron, or mistress to the century's most celebrated artists, including Picasso, Dalí, and Stravinsky.
Drawing on newly discovered love letters and other records, Chaney's controversial book reveals the truth about Chanel's drug habit and lesbian affairs. And the question about Chanel's German lover during World War II (was he a spy for the Nazis?) is definitively answered.
While uniquely highlighting the designer's far-reaching influence on the modern arts, Chaney's fascinating biography paints a deeper and darker picture of Coco Chanel than any so far. Movingly, it explores the origins, the creative power, and the secret suffering of this exceptional and often misread woman.

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Dmitri’s breathtakingly privileged and yet isolated upbringing had left him badly equipped to make the changes necessary for a successful new life in the West. Like most of his fellow Russian aristocrats, in the revolution Dmitri had lost not only virtually his entire wealth, but he had also lost caste, to a devastating degree.

Marie described the aristocratic émigrés’ social lives: “the atmosphere that settled down around us had almost nothing to do with the people or the interests of the country we were living in; we led an existence apart.” 3All had lost family, and narrowly avoided death. And while they had usually been reduced to near-poverty, they didn’t speak of their losses or “the harrowing tales of our escape from Russia. Everyone tried to make the best of his present situation… We managed even to be gay in a detached, inconsequential sort of way.” 4

While Dmitri appeared to have adjusted to his new life, it was as if the energy involved in escaping (and losing) one’s country had left him, like many fellow émigrés, so emotionally reduced that he was unable, really, to begin his life again. Although many were still young, they had effectively withdrawn, living an impoverished version of their old lives. A few even allowed their transformation into celebrity pastiches of their previous selves: modeling clothes for couturiers or film acting, their noble blood touted as the draw. Only recently, Dmitri Pavlovich had turned down a lucrative film contract with Hollywood.

Meanwhile, in 1919, he had arrived in Paris from England, where he had pursued the beautiful forty-two-year-old American heiress Consuelo Vanderbilt, ex-wife of the Duke of Marlborough. Consuelo Vanderbilt described Dmitri as “an exceptionally handsome man, fair and sleek with long blue eyes in a narrow face, he had fine features, and the stealthy walk of a wild animal, moving with the same balanced grace.” 5But Consuelo quickly thought better of this briefest of liaisons and made a happy marriage to Jacques Balsan. Balsan was the famed aviator elder brother of Etienne, Gabrielle’s lover from Royallieu days.

For many years, it has been said that Gabrielle met Dmitri Pavlovich through Marthe Davelli, at Biarritz, in 1920. Thanks to Dmitri’s diaries, 6we now know that while Gabrielle and Dimitri did indeed meet throught Marthe Davelli, it was in 1921 and in Paris, not Biarritz; and Marthe Davelli’s 1921 dinner was not their first meeting. As Dmitri’s diary records, they had met ten years earlier, in 1911. No doubt this was on one of Dimitri’s periodic visits to his father, Grand Duke Paul, living at Saint-Cloud outside Paris.

Dmitri’s lineage, his gracious manner and fine looks had given him an immediate entrée to the haut monde, and at twenty, in 1911, he was already known for his sympathetic and carefree personality. He and Gabrielle would have met through Arthur’s connections. As a fine horseman — Dmitri represented Russia in the 1912 Olympics — he may also have ridden to polo with Arthur and Etienne when in France.

The most significant aspect of Dmitri’s diaries, however, is its revision of Gabrielle’s relationship with him. What little has been known derives from the older Gabrielle’s fairly jaundiced comments to Paul Morand and others, implying that it was no more than her allowing this handsome young nobleman to bed her. Gabrielle’s comments have successfully concealed from us what Dmitri’s diary reveals: how vulnerable she was at the beginning of their affair.

The day after their meeting at Marthe Davelli’s dinner, Dmitri bumped into Gabrielle and Marthe once again, with what he called “all the old crowd.” 7Following “an amazingly boring dinner” at the Ritz, Dmitri spied Gabrielle dining there, and invited her back to his apartment, where “she remained until four a.m.” 8The next morning, Dmitri’s tennis suffered as a result, then the couple lunched together again. Seeing them together on several occasions, the gossips set to work putting around word of their trysts.

Misia and Diaghilev “adored gossip and had talents for intrigue that were to blossom alarmingly.” 9Misia had rapidly discovered the identity of Gabrielle’s new lover and fired off a spiteful telegram to Diaghilev and Stravinsky in Spain. “Coco is a little shop girl who prefers Grand Dukes to artists,” it read, and Diaghilev famously sent it back by return to Gabrielle, saying that under no circumstances should she now appear in Spain, because Stravinsky wanted to kill her. Gabrielle was incensed at Misia’s telegram, refused to believe her protestations of innocence, and didn’t speak to her for weeks. This episode signaled, definitively, the end of Gabrielle and Stravinsky’s affair.

Gabrielle’s chance meeting with the young duke was thus the unexpected route by which she stepped back from Stravinsky’s emotional fervor. Their affair had been stimulating and life affirming for her, but it had also become something of a burden. Gabrielle’s well-concealed yet underlying state of mourning left her unable, or unwilling, to be involved at Stravinsky’s level of intensity. His jealous rage at her rejection must have been compounded by the knowledge that he had not only been thrown over for a younger fellow Russian, but also by a member of the royal family.

Meanwhile, Gabrielle and Dmitri continued their daily assignations until a week later, when he “stopped by the Ritz to say goodbye,” en route for a few weeks’ stay with friends in Copenhagen. Sir Charles and Lady Lucia Marling had been the ambassadorial couple in Tehran who had looked after Dmitri there in exile. Sir Charles was now British ambassador to Denmark.

After this pleasant trip, Dmitri went to Berlin. There he met with ex-tsarist officers and aristocrats who hailed him as the tsar-in-waiting of a new imperial Russia. Dmitri was rather ambivalent about accepting this role, and claimed that he was taken aback at his reception. He was evidently not a particularly adept tactician, for on returning to Paris he was left berating himself for having cooperated in any way — the Russian press in France and Britain were lambasting him for having put himself forward as pretender to the throne.

One of Dmitri’s relatives, Grand Duchess Victoria, even traveled to the French capital to inform him that it was her husband, Cyril, who was the rightful tsar, and that Dmitri should be “shot as a traitor for having presumed to play such a role.” 10Dmitri was appalled at the vehemence of this faction within the Parisian Russian community, so from this point on he did indeed give up any pretensions to the Russian throne. The episode left him very low, and it was in this state of emotional exhaustion that he met Gabrielle once again.

Always reluctant to reveal his feelings, Dmitri appears to have found it easier to confide in women than in men. He confessed some of his strains to Gabrielle and said that until things calmed down, the best thing would be for him to take a trip to London. His diary records that “as a result of ardent persuasion” from Gabrielle, however, he decided instead to go to “Menton [in the south of France] or Monte Carlo and bask with her in the sun.” 11Gabrielle insisted “so sweetly and touchingly” that she would be making the trip because it would be good for Dmitri. Although he was not entirely without finances, it sat badly with the young man’s conscience that Gabrielle would be the one largely funding this holiday. In the end, however, he allowed himself to be persuaded.

Gabrielle decided she would buy a new car for their expedition. And one is reminded of how her considerable wealth could now guide her decisions. She went with Dmitri to one of the city’s most select car showrooms and after a very brief inspection bought a Rolls-Royce convertible, a Silver Cloud. With Dmitri delighting in how “splendidly” the car drove, they took a trial run to Rouen, stayed the night and returned the next day. They parted but, later that day, Dmitri called in at the Ritz to see Gabrielle and was embarrassed when people thought his face was red because he was drunk. In fact, he was sunburned from the drive in the open-topped car. Dmitri was not impervious to gossip or the fact that a compatriot, who had got wind of his plans, tried to dissuade him from leaving with Gabrielle for the Riviera.

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