Erik Larson - In the Garden of Beasts

For dinner, the men were joined by Mrs. Regendanz and a son, Alex, who was preparing to become an international lawyer. After the meal, Röhm and the French ambassador retired to Regendanz’s library for an informal conversation. Röhm talked of military matters and disclaimed any interest in politics, declaring that he saw himself only as a soldier, an officer. “The result of this conversation,” Regendanz told the Gestapo, “was literally nothing.”

The evening came to an end—mercifully, in François-Poncet’s opinion. “The meal was dismal, the conversation insignificant,” he recalled. “I found Röhm sleepy and heavy; he woke up only to complain of his health and the rheumatism he expected to nurse at Wiessee,” a reference to Bad Wiessee, where Röhm planned a lakeside sojourn to take a cure. “Returning home,” François-Poncet wrote, “I cursed our host for the evening’s boredom.”

How the Gestapo learned of the dinner and its guests isn’t known, but by this point Röhm most certainly was under close surveillance. The license plates of the cars parked at Regendanz’s house would have tipped any watcher off to the identities of the men within.

The dinner became infamous. Later, in midsummer, Britain’s Ambassador Phipps would observe in his diary that of the seven people who sat down to dine at the Regendanz mansion that night, four had been murdered, one had fled the country under threat of death, and another had been imprisoned in a concentration camp.

Phipps wrote, “The list of casualties for one dinner party might make even a Borgia envious.”

AND THERE WAS THIS:

On Thursday, May 24, Dodd walked to a luncheon with a senior official of the foreign ministry, Hans-Heinrich Dieckhoff, whom Dodd described as being “what amounts to Assistant Secretary of State.” They met at a small, discreet restaurant on Unter den Linden, the wide boulevard that ran due east from the Brandenburg Gate, and there they engaged in a conversation that Dodd found extraordinary.

Dodd’s main reason for wanting to see Dieckhoff was to express his dismay at having been made to seem naive by Goebbels’s Jews-as-syphilis speech after all he had done to quiet Jewish protests in America. He reminded Dieckhoff of the Reich’s announced intent to close the Columbia House prison and to require warrants for all arrests and of other assurances that Germany “was easing up on the Jewish atrocities.”

Dieckhoff was sympathetic. He confessed to his own dim view of Goebbels and told Dodd he expected that soon Hitler would be overthrown. Dodd wrote in his diary that Dieckhoff “gave what he considered good evidence that the Germans would not much longer endure the system under which they were drilled everlastingly and semi-starved.”

Such candor amazed Dodd. Dieckhoff spoke as freely as if he were in England or the United States, Dodd noted, even to the point of expressing the hope that Jewish protests in America would continue. Without them, Dieckhoff said, the chances of overthrowing Hitler would diminish.

Dodd knew that even for a man of Dieckhoff’s rank such talk was dangerous. He wrote, “I felt the deep concern of a high official who could thus risk his life in criticism of the existing regime.”

After exiting the restaurant, the two men walked west along Unter den Linden toward Wilhelmstrasse, the main government thoroughfare. They parted, Dodd wrote, “rather sadly.”

Dodd returned to his office, worked a couple of hours, then took a long walk around the Tiergarten.

The increasing evidence of social and political oppression came more and more to trouble Martha, in spite of her enthusiasm for the bright, blond young men whom Hitler attracted by the thousands. One of the most important moments in her education came in May when a friend, Heinrich Maria Ledig-Rowohlt, a regular in the salon of Mildred and Arvid Harnack, invited her and Mildred to accompany him for a visit to one of the few prominent authors who had not joined the great flight of artistic talent from Nazi Germany—an exodus that included Fritz Lang, Marlene Dietrich, Walter Gropius, Thomas and Heinrich Mann, Bertolt Brecht, Albert Einstein, and composer Otto Klemperer, whose son, actor Werner Klemperer, would go on to portray a kindly, befuddled Nazi prison-camp commandant in the TV series Hogan’s Heroes . Ledig-Rowohlt was the illegitimate son of publisher Ernst Rowohlt and worked as an editor in his father’s company. The author in question was Rudolf Ditzen, known universally by his pseudonym, Hans Fallada.

The visit was supposed to take place earlier in the year, but Fallada had postponed it until May because of his anxiety over the publication of his latest book, Once a Jailbird . By this point Fallada had achieved considerable fame worldwide for his novel Little Man—What Now? , about one couple’s struggle during the economic and social upheaval of the Weimar Republic. What made Once a Jailbird a subject of such anxiety for Fallada was the fact that it was his first major work to be published since Hitler had become chancellor. He was uncertain of his standing in the eyes of Goebbels’s Reich Literary Chamber, which claimed the right to decide what constituted acceptable literature. To try to smooth the way for his new book, Fallada included in its introduction a statement that praised the Nazis for ensuring that the awful situation at the center of the book could no longer occur. Even his publisher, Rowohlt, thought Fallada had gone too far and told him the introduction “does seem rather TOO ingratiating.” Fallada kept it.

In the months following Hitler’s ascension to chancellor, the German writers who were not outright Nazis had quickly divided into two camps—those who believed it was immoral to remain in Germany and those who felt the best strategy was to stay put, recede as much as possible from the world, and wait for the collapse of the Hitler regime. The latter approach became known as “inner emigration,” and was the path Fallada had chosen.

Martha asked Boris to come along as well. He agreed, despite his previously stated view that Mildred was someone Martha should avoid.

THEY SET OUT on the morning of Sunday, May 27, for the three-hour drive to Fallada’s farmhouse in Carwitz, in the lake country of Mecklenburg north of Berlin. Boris drove his Ford and of course left the top down. The morning was cool and soft, the roads mostly free of traffic. Once outside the city, Boris accelerated. The Ford sped along country roads lined with chestnut and acacia, the air fragrant with spring.

Halfway through the drive, the landscape darkened. “Little sharp lines of lightning lit up the sky,” Martha recalled, “and the scene was wild and violent with color, intense electric green and violet, lavender and gray.” A sudden rain sent pellets of water exploding against the windscreen, but even here, to the delight of all, Boris kept the top down. The car raced along on a cloud of spray.

Abruptly the sky cleared, leaving sun-shafted steam and sudden color, as if they were driving through a painting. The scent of newly moist ground filled the air.

As they neared Carwitz, they entered a terrain of hills, meadows, and bright blue lakes, laced together with sandy paths. The houses and barns were simple boxes with steeply pitched roofs. They were only three hours from Berlin, yet the place seemed remote and hidden.

Boris brought the Ford to a stop at an old farmhouse beside a lake. The house stood at the base of a tongue of land called the Bohnenwerder that jutted into the lake and was mounded with hills.

Fallada emerged from the house trailed by a young boy of about four and Fallada’s blond and buxom wife, who held their second child, a baby. A dog bounded out as well. Fallada was a boxy man with a square head, wide mouth, and cheekbones so round and hard they might have been golf balls implanted under his skin. His glasses had dark frames and circular lenses. He and his wife gave the new arrivals a brief tour of the farm, which they had bought using the proceeds from Little Man . Martha was struck by the apparent contentment of both.