Erik Larson - In the Garden of Beasts

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The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming—yet wholly sinister—Goebbels,
lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.

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Erik Larson

IN THE GARDEN OF BEASTS

Love, Terror, and an American Family in Hitler’s Berlin

To the girls, and the

next twenty-five

(and in memory of Molly, a good dog)

In the middle of the journey of our life I came to myself in a dark wood where the straight way was lost.

—DANTE ALIGHIERI, The Divine Comedy: Canto I (Carlyle-Wicksteed Translation, 1932)

I walked across the snowy plain of the Tiergarten—a smashed statue here, a newly planted sapling there; the Brandenburger Tor, with its red flag flapping against the blue winter sky; and on the horizon, the great ribs of a gutted railway station, like the skeleton of a whale. In the morning light it was all as raw and frank as the voice of history which tells you not to fool yourself; this can happen to any city, to anyone, to you.

—Christopher Isherwood, Down There on a Visit
Das Vorspiel Das Vorspiel prelude overture prologue preliminary match - фото 1

Das Vorspiel

Das Vorspiel

prelude; overture; prologue; preliminary match; foreplay; performance; practical (exam); audition; das ist erst das ~ that is just for starters

—Collins German Unabridged Dictionary (seventh edition, 2007)

Once, at the dawn of a very dark time, an American father and daughter found themselves suddenly transported from their snug home in Chicago to the heart of Hitler’s Berlin. They remained there for four and a half years, but it is their first year that is the subject of the story to follow, for it coincided with Hitler’s ascent from chancellor to absolute tyrant, when everything hung in the balance and nothing was certain. That first year formed a kind of prologue in which all the themes of the greater epic of war and murder soon to come were laid down.

I have always wondered what it would have been like for an outsider to have witnessed firsthand the gathering dark of Hitler’s rule. How did the city look, what did one hear, see, and smell, and how did diplomats and other visitors interpret the events occurring around them? Hindsight tells us that during that fragile time the course of history could so easily have been changed. Why, then, did no one change it? Why did it take so long to recognize the real danger posed by Hitler and his regime?

Like most people, I acquired my initial sense of the era from books and photographs that left me with the impression that the world of then had no color, only gradients of gray and black. My two main protagonists, however, encountered the flesh-and-blood reality, while also managing the routine obligations of daily life. Every morning they moved through a city hung with immense banners of red, white, and black; they sat at the same outdoor cafés as did the lean, black-suited members of Hitler’s SS, and now and then they caught sight of Hitler himself, a smallish man in a large, open Mercedes. But they also walked each day past homes with balconies lush with red geraniums; they shopped in the city’s vast department stores, held tea parties, and breathed deep the spring fragrances of the Tiergarten, Berlin’s main park. They knew Goebbels and Göring as social acquaintances with whom they dined, danced, and joked—until, as their first year reached its end, an event occurred that proved to be one of the most significant in revealing the true character of Hitler and that laid the keystone for the decade to come. For both father and daughter it changed everything.

This is a work of nonfiction. As always, any material between quotation marks comes from a letter, diary, memoir, or other historical document. I made no effort in these pages to write another grand history of the age. My objective was more intimate: to reveal that past world through the experience and perceptions of my two primary subjects, father and daughter, who upon arrival in Berlin embarked on a journey of discovery, transformation, and, ultimately, deepest heartbreak.

There are no heroes here, at least not of the Schindler’s List variety, but there are glimmers of heroism and people who behave with unexpected grace. Always there is nuance, albeit sometimes of a disturbing nature. That’s the trouble with nonfiction. One has to put aside what we all know —now —to be true, and try instead to accompany my two innocents through the world as they experienced it.

These were complicated people moving through a complicated time, before the monsters declared their true nature.

—Erik Larson Seattle

1933

The Man Behind the Curtain

It was common for American expatriates to visit the U.S. consulate in Berlin, but not in the condition exhibited by the man who arrived there on Thursday, June 29, 1933. He was Joseph Schachno, thirty-one years old, a physician from New York who until recently had been practicing medicine in a suburb of Berlin. Now he stood naked in one of the curtained examination rooms on the first floor of the consulate where on more routine days a public-health surgeon would examine visa applicants seeking to immigrate to the United States. The skin had been flayed from much of his body.

Two consular officials arrived and entered the examination room. One was George S. Messersmith, America’s consul general for Germany since 1930 (no relation to Wilhelm “Willy” Messerschmitt, the German aircraft engineer). As the senior Foreign Service man in Berlin, Messersmith oversaw the ten American consulates located in cities throughout Germany. Beside him stood his vice consul, Raymond Geist. As a rule Geist was cool and unflappable, an ideal subaltern, but Messersmith registered the fact that Geist looked pale and deeply shaken.

Both men were appalled by Schachno’s condition. “From the neck down to his heels he was a mass of raw flesh,” Messersmith saw. “He had been beaten with whips and in every possible way until his flesh was literally raw and bleeding. I took one look and got as quickly as I could to one of the basins where the [public health surgeon] washed his hands.”

The beating, Messersmith learned, had occurred nine days earlier, yet the wounds were still vivid. “From the shoulder blades to his knees, after nine days there were still stripes showing that he had been beaten from both sides. His buttocks were practically raw and large areas thereof still without any skin over them. The flesh had at places been practically reduced to a pulp.”

If this was nine days later, Messersmith wondered, what had the wounds been like immediately after the beating had been delivered?

The story emerged:

On the night of June 21, Schachno had been visited at his home by a squad of uniformed men responding to an anonymous denunciation of him as a potential enemy of the state. The men searched the place, and although they found nothing, they took him to their headquarters. Schachno was ordered to undress and immediately subjected to a severe and prolonged beating by two men with a whip. Afterward, he was released. He somehow made his way to his home, and then he and his wife fled to central Berlin, to the residence of his wife’s mother. He lay in bed for a week. As soon as he felt able, he went to the consulate.

Messersmith ordered him taken to a hospital and that day issued him a new U.S. passport. Soon afterward, Schachno and his wife fled to Sweden and then to America.

There had been beatings and arrests of American citizens ever since Hitler’s appointment as chancellor in January, but nothing as severe as this—though thousands of native Germans had experienced equally severe treatment, and often far worse. For Messersmith it was yet another indicator of the reality of life under Hitler. He understood that all this violence represented more than a passing spasm of atrocity. Something fundamental had changed in Germany.

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