Aileen Wuornos - Monster

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Monster: краткое содержание, описание и аннотация

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‘I’m a good person inside, but when I get drunk, I just don't know. It's just… when I get drunk, don’t mess the fuck with me…’ There have been few female serial killers but Aileen ‘Lee’ Wuornos was an incredible example of this rare species of death-row inhabitants.
All-too-often female prostitutes have been the victims of male serial killers – the killings of Aileen ‘Lee’ Wuornos were the inverse of this. She was a child prostitute, fleeing an abusive childhood at the hands of her grandparents, which led straight into a disastrous adulthood of difficult affairs with both men and women. Her metamorphosis from victim to attacker had brutal consequences: a stream of dead men.
Following a renewed interest in this woman after the film ‘Monster’, this is her story in her own words.
NB The cover is entitled
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On Wednesday, 9 October 2002, as Lee sipped her last cup of coffee, she contemplated the end which she knew would be painful; what she didn’t know was that she was going to be injected with a combination of three drugs which would burn terribly.

Sterling Ivey, a spokesman for the Florida Department of Corrections, told reporters, no doubt with tongue in cheek, that Lee was awake at 5.30am and was in a ‘good mood’ and ‘ready for the sentence to be carried out’. Ivey said that Wuornos offered no resistance and was cooperative when she was strapped to the execution gurney outside the death chamber, and then wheeled into the room so the assembled witnesses could watch her die. When the lethal drugs began to flow into her, it was a quiet death. Other than her final statement, and two coughs, she made no sounds, said Ivey, who witnessed the execution. ‘She just closed her eyes and her heart stopped beating.’

During her last days of life, Lee had requested no religious advisers, chaplain or a last meal, Ivey said. ‘Lee Wuornos refused an offer to eat a barbecued-chicken dinner that was fed to the rest of the prison population,’ Ivey reported.

An hour before the dread act, the witnesses started to arrive through the main prison gate to be escorted to the death chamber. They might have noticed the sheeting now draped over the steel gates hiding the hearse that was waiting to receive the body. After being given a shakedown to check for hidden weapons or concealed cameras, they were led to the viewing room, which is separated from the gurney by a window and closed curtains.

Around 30 minutes before Lee would take her last walk, she was given a pre-injection of 8cc 2% sodium pentothal. Waiting silently in an adjacent room was the cell-extraction team wearing protective clothing and armed with Mace gas to subdue her if she caused trouble.

Finally, Lee was invited to leave her cell. She agreed, and no guard touched her as she walked the few steps to the chamber door which was opening before her. Lee paused momentarily when she saw the gurney with its white padding and cover sheet. Two arm supports were pulled out and she saw the brown straps dangling loose with an officer by each one. There were tears in her eyes.

Lee was strapped down, and the paramedics inserted two 16-gauge needles and catheters into her right and left arms and connected them, via tubes, to the executioner’s equipment, which was hidden from view. The doctor also attached a cardiac monitor.

The curtains were drawn back and the warden asked her if she had any last words to say into the microphone above her head. She replied, ‘I’d just like to say I’m sailing with the Rock and I’ll be back like Independence Day with Jesus, June 6, like the movie, big mothership and all. I’ll be back.’

Lee looked scared, as over the next ten seconds she was given an injection of sodium thiopentone (a rapidly acting anaesthetic). She felt a slight pressure and her arm started to ache. She felt light-headed. After a one-minute wait, this was followed by 15cc of normal saline to ease the passage of 50cc pancuronium bromide (a muscle relaxant to paralyse respiration and bring unconsciousness) over a ten-second time period.

Lee would have felt pressure in her chest, a suffocating feeling that caused her to gasp several times for air. She coughed twice as her lungs collapsed. She was dizzy and hyperventilating, her heart beating faster and faster as the whole sympathetic nervous system was activated. This is called stress syndrome, a common feature during the first stages of dying.

As the poison saturated her body, Lee entered the second stage of death. She was unable to breathe or move, but she could still see and hear. Paralysed, she was not able to swallow at this stage, which often gives rise to witnesses thinking that the inmate is already dead, when they are not. During this short period, the autonomic nervous system becomes dominated by the parasympathetic nervous system, or the sympathetic nervous system fails. Lee’s eyes dilated and the hairs on her skin became erect.

Then she was hit with another 15cc of saline and finally a massive dose of potassium chloride. In large doses, injected intravenously, this drug burns and hurts horribly because it is a salt and instantly throws off the chemical balance of the blood with which it comes into contact. It makes all the muscles lock up in extreme contraction. However, it would not reach all of Lee’s muscles: the moment it reached her heart, it would stop it dead.

There was a few minutes’ wait and, at 9.47am, Lee was pronounced dead. The curtains were opened for the witnesses to view the deceased.

The ashes of Aileen Wuornos were scattered at a secret location in Fostoria, Tuscola County, Michigan.

CHAPTER SIXTEEN

THE MOVIE

I BELIEVE SHE [TYRIA] IS INVOLVED WITH MILLIONS OF DOLLARS OF BOOKS AND MOVIES AND SHE DOESN’T WANT MY ACQUITTAL BECAUSE, IF I GET CONVICTED, SHE GETS THE MONEY AND SO DOES MR HORZEPA, MUNSTER AND A LOT OF YOU OTHER DETECTIVES AND POLICE OFFICERS THAT ARE INVOLVED IN THIS AND ALSO THAT SHE IS CONCERNED ABOUT HER FAMILY, SHE LOVES HER FAMILY… SHE’S ACTING LIKE SHE DOESN’T KNOW ANYTHING… I GOT 289 LIES IN HER DEPOSITION… WHY IS SHE LYING SO MUCH? SHE’S AFRAID TO TELL ANYTHING, SHE’S EVEN AFRAID TO SAY IT’S SELF-DEFENCE.

I hold the documentary-maker Nick Broomfield in very high regard. He made his name with two critically acclaimed films, one on the suicide of rock singer Kurt Cobain, the other on the murders of rap stars Tupac Shakur and Biggie Smalls. Nick was drawn to the Wuornos story because of the level of ‘demonisation’ that was washing over her, and the headlong rush to wrap up the movie rights before she had been charged and before questions had been asked about how she could so casually turn into America’s first female serial killer.

In a three-page feature for the Sunday Express magazine, 28 March 2004, Nick wrote, ‘The police and lawyers were interested in money. The first phone call I made to her lawyer for an interview I was told, “Yes – for $25,000.” I was astonished.’

The idea of a movie about Lee Wuornos was first mooted by Jacqueline Giroux, a beautiful, blonde Hollywood starlet. Jackie had begun her production company, the aptly named Twisted Productions, in Studio City in 1985. Her CV at the time showed that she had produced a handful of movies, some of which she had penned herself, and she was particularly interested in women’s stories.

In due course, Jackie Giroux found herself in the position of being able to talk to Ray Cass, an attorney who was currently representing Lee. To his credit, Cass explained that he was ethically unable to help her; however, he did call Russell Armstrong who had represented Lee in 1981. Moving with some speed, Armstrong called Giroux who said that she wanted the rights to sell Lee’s story.

Armstrong agreed to this offer, later stating somewhat cynically that there was a German company interested in this production, but only if Lee got the death penalty. This, it appears, suited all three parties. So, ten days after Lee’s arrest, Armstrong visited her in jail clutching the contract – Giroux called it a ‘deal memo’ – which required the signatures of Lee, Giroux and himself. It was a pretty loose contract: it offered no dates, no percentages, only a string of loosely strung promises hinging on money from investors who still had not become evident. Then the word got around.

Shortly after the signatures were in place, Armstrong received a blistering letter from the Florida attorney general, Robert A. Butterworth, who put the cat amongst the pigeons:

This office has been advised that your client, Ms Aileen Wuornos, has been arrested and charged with at least two murders and that you represent her in these cases. It has come to our attention that Ms Wuornos apparently has entered into a contract or contracts with a filmmaking enterprise to tell her story.

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