Carlos Fuentes - This I Believe - An A to Z of a Life

Здесь есть возможность читать онлайн «Carlos Fuentes - This I Believe - An A to Z of a Life» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2007, Издательство: Random House, Inc., Жанр: Биографии и Мемуары, Публицистика, Критика, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

This I Believe: An A to Z of a Life: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «This I Believe: An A to Z of a Life»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

In this masterly, deeply personal, and provocative book, the internationally renowned Mexican writer Carlos Fuentes, whose work has been called “a combination of Poe, Baudelaire, and Isak Dinesen” (
), steps back to survey the wellsprings of art and ideology, the events that have shaped our time, and his extraordinary life and fiercest passions.
Arranged alphabetically from “Amore” to “Zurich,”
takes us on a marvelous inner journey with a great writer. Fuentes ranges wide, from contradictions inherent in Latin American culture and politics to his long friendship with director Luis Buñuel.
Along the way, we find reflection on the mixed curse and blessing of globalization; memories of a sexual initiation in Zurich; a fond tracing of a family tree heavy with poets, dreamers, and diplomats; evocations of the streets, cafés, and bedrooms of Washington, Paris, Santiago de Chile, Cambridge, Oaxaca, and New York; and a celebration of literary heroes including Balzac, Cervantes, Faulkner, Kafka, and Shakespeare. Throughout, Fuentes captivates with the power of his intellect and his prose.
Here, too, are vivid, often heartbreaking glimpses into his personal life. “Silvia” is a powerful love letter to his beloved wife. In “Children,” Fuentes recalls the births of his daughters and the tragic death of his son; in “Cinema” he relives the magic of films such as
and
. Further extending his reach, he examines the collision between history and contemporary life in “Civil Society,” “Left,” and “Revolution.”
And he poignantly addresses the experiences we all hold in common as he grapples with beauty, death, freedom, God, and sex. By turns provocative and intimate, partisan and universal, this book is a brilliant summation of an international literary career. Revisiting the influences, commitments, readings, and insights of a lifetime, Fuentes has fashioned a magnificently coherent statement of his view of the world, reminding us once again why reading Fuentes is “like standing beneath the dome of the Sistine Chapel. . The breadth and enormity of this accomplishment is breathtaking” (
).

This I Believe: An A to Z of a Life — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «This I Believe: An A to Z of a Life», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

But while these were the bright lights of politics, the shadows that hovered over everything during those years threatened to extinguish them entirely. Spain’s war was the first sign of a political regime that was openly designed to serve the interests of evil. Franco disguised it as a nationalist crusade, his bishops blessed it, and his fascist and Nazi allies provided the weapons for it. Spain was a warning of what was to come. Never before in history had evil proclaimed itself as such, so openly and without any kind of aesthetic justification. Genocide, absolute tyranny, racism, extermination, the Holocaust, the Final Solution: it was all a foregone conclusion. Adolf Hitler decided that the Devil should finally take human form. If God had done so with his son, Jesus, Satan could do the same with his clone Adolf. Jaspers warned us in advance that Hitler’s strength resided in his lack of existence: Hitler was the empty leader of the rootless masses.

The defeat of the German socialists and Communists in 1932 can be explained by the fact that the Left looked at the world through the tunnels of economic infrastructure, exactly as the Marxist bible preached. Hitler kidnapped the cultural superstructures, looked up toward the heights of Valhalla, and appealed to the Wagnerian myths, to the dreams and false illusions of the German Volk, to the damage and humiliation of the peace at Versailles, to his country’s sense of ethnic and intellectual superiority, and to their physical need for a space to live, the Lebensraum. His evil and its means were always so transparent. Yet the lies Stalinism told may have been even worse, for Communism was a movement that was supposed to put a humanistic, liberating philosophy into practice. Stalin’s perversion of the socialist dream— the purges, the Gulag, the abolition of the most basic rights, the leader’s paranoia, and the atrocities of his torture — was worse than the fulfillment of the Hitlerian nightmare. Hitler never deceived anyone. Stalin donned the mask of Marxist humanism and cheated hundreds of thousands of honorable, devoted, though perhaps naïve Communists. Gide may have lost his faith in 1936, but Aragon hung on until the invasion of Czechoslovakia, and Neruda held out until Khrushchev’s report to the Twentieth Communist Party Congress.

World War II was justified; it has been called the only good and necessary war. Our youthful solidarity enthusiastically joined forces with the fight against fascism. I spent the war years in Argentina and Chile, the latter being the first Latin American country to consciously develop into a democratic system, from a democracy of aristocrats to a democracy of political parties, the press, and social organizations. In 1941 the Frente Popular (Popular Front) was in power, with Pedro Aguirre Cerda as its president, and the prevailing spirit was one of social reform backed by a literary growth that fused words with freedoms, poetry with politics. My Chilean education necessarily contrasted quite powerfully in my mind with Argentina, where I lived during 1944. A fascist military regime, sinister precursor to Perón’s populist dictatorship, deformed education (the anti-Semitic Hugo Wast was minister of education at the time) and maintained Argentina as fascism’s political redoubt and, later on, a safe haven for Nazis on the run.

Politics may very well be the eagle that flies higher and achieves a broader vision of things from the “high cliff of the human dawn,” as Pablo Neruda asserted in his Canto General. Or perhaps it is Yeats’s “rough beast” of “The Second Coming” that “slouches towards Bethlehem to be born.” The Cold War tried to put the eagle in a cage and cast a spell upon the serpent, replacing them with a hybrid between camel and crow, that sleepy creature of the desert so resistant to thirst, and that rapacious scavenger bird, ready to claw our eyes out. With McCarthy, the United States succumbed to an anti-Communist paranoia that led its inquisitors to emulate the very thing they were fighting against, the intolerance and cruelty of Stalinism. The resistance of the North American democratic institutions held out and, as an extension of their social struggle, set the stage for the civil rights movement and antidiscrimination laws. There was a McCarthy. There was a Martin Luther King, Jr. But if Americans can sometimes be benevolent Dr. Jekylls inside their own country, they so easily become monstrous Mr. Hydes when they leave its borders. The good-neighbor policy of coexistence with the Mexican and Chilean Left, Brazilian corporativism, or the Central American and Caribbean dictatorships (“Somoza is a son of a bitch, but he’s our son of a bitch,” as FDR said) turned into an anti-Communist campaign under Eisenhower and Dulles. This campaign confused Kremlin politics with many reformist movements, and ended up fighting them all: Arbenz in Guatemala and Goulart in Brazil, the seductive and comprehensible revolution led by Castro in Cuba, and the cleanly elected democratic government of Salvador Allende in Chile.

All of this fatally stunted the growth of much-needed social, economic, and political reform in Latin America, and plunged Cuba into an extralogical imitation of “real socialism” as pernicious as the extralogical imitation of the models of authoritarian capitalism in the rest of Latin America, which would become ruthless dictatorships in Chile, Argentina, and Paraguay. As a result, politics in Latin America has come to be synonymous with reconstruction but above all construction. Chile, Uruguay, and to a certain degree Argentina, can restore democracy. Central America and the Caribbean must construct it, while Mexico must transform the “perfect dictatorship” of the singularly powerful PRI president into an imperfect democracy with political parties, division of powers, accountability of the executive branch, activation of human capital, and improved distribution of income.

How can the challenges of democracy be met?

The world stage has undergone radical changes. The Cold War created a kind of shared jurisdiction between the United States and the Soviet Union based on the balance of nuclear terror. Ever since then, we have witnessed the weakness and, occasionally, the disappearance of traditional methods of social bonding and problem solving.

Nation and empire, state and international community, public sector, private sector, and civil society. All these traditional labels are now very clearly — sometimes paradoxically, sometimes furtively — in crisis or at least in mutation.

Why does this happen?

Because we have not been able to create a new legality for a new reality — the reality of globalization.

The modern Western world — that is, from the Renaissance onward — built itself around notions that had little relevance in the medieval realm: the nation, the state, international law, the mercantile-capitalist economy, and civil society.

What kind of relevance — moreover, what kind of reality — do these circumstances represent to our globalized, post — Cold War world? Given that Latin America finds itself situated between both of these premises, we can venture to suggest some shared ideas.

Nation and nationalism, for example, are modern terms that arose to legitimize notions of territorial, political, and cultural unity, and were necessary for the integration of the new states that emerged from the rupture of medieval Christian communities.

But what, then, provoked the emergence of nationalist ideology?

Emile Durkheim speaks of the loss of old centers of identification and adhesion.

The nation fills that loss.

Isaiah Berlin adds that all nationalism is a response to a wound inflicted by society.

The nation heals that wound.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «This I Believe: An A to Z of a Life»

Представляем Вашему вниманию похожие книги на «This I Believe: An A to Z of a Life» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Carlos Fuentes - Chac Mool
Carlos Fuentes
Carlos Fuentes - En Esto Creo
Carlos Fuentes
Carlos Fuentes - Vlad
Carlos Fuentes
Carlos Fuentes - Hydra Head
Carlos Fuentes
Carlos Fuentes - Christopher Unborn
Carlos Fuentes
Carlos Fuentes - The Campaign
Carlos Fuentes
Carlos Fuentes - A Change of Skin
Carlos Fuentes
Carlos Fuentes - Instynkt pięknej Inez
Carlos Fuentes
Carlos Fuentes - La cabeza de la hidra
Carlos Fuentes
Carlos Fuentes - La Frontera De Cristal
Carlos Fuentes
Отзывы о книге «This I Believe: An A to Z of a Life»

Обсуждение, отзывы о книге «This I Believe: An A to Z of a Life» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x