Joan Didion: The Year of Magical Thinking

What was the meaning and what the experience?

To what thought or reflection did the experience lead us?

How could he come back if they took his organs, how could he come back if he had no shoes?

On most surface levels I seemed rational. To the average observer I would have appeared to fully understand that death was irreversible. I had authorized the autopsy. I had arranged for cremation. I had arranged for his ashes to be picked up and taken to the Cathedral of St. John the Divine, where, once Quintana was awake and well enough to be present, they would be placed in the chapel off the main altar where my brother and I had placed our mother’s ashes. I had arranged for the marble plate on which her name was cut to be removed and recut to include John’s name. Finally, on the 23rd of March, almost three months after his death, I had seen the ashes placed in the wall and the marble plate replaced and a service held.

We had Gregorian chant, for John.

Quintana asked that the chant be in Latin. John too would have asked that.

We had a single soaring trumpet.

We had a Catholic priest and an Episcopal priest.

Calvin Trillin spoke, David Halberstam spoke, Quintana’s best friend Susan Traylor spoke. Susanna Moore read a fragment from “East Coker,” the part about how “one has only learnt to get the better of words / For the thing one no longer has to say, or the way in which / One is no longer disposed to say it.” Nick read Catullus, “On His Brother’s Death.” Quintana, still weak but her voice steady, standing in a black dress in the same cathedral where she had eight months before been married, read a poem she had written to her father.

I had done it. I had acknowledged that he was dead. I had done this in as public a way as I could conceive.

Yet my thinking on this point remained suspiciously fluid. At dinner in the late spring or early summer I happened to meet a prominent academic theologian. Someone at the table raised a question about faith. The theologian spoke of ritual itself being a form of faith. My reaction was unexpressed but negative, vehement, excessive even to me. Later I realized that my immediate thought had been: But I did the ritual. I did it all. I did St. John the Divine, I did the chant in Latin, I did the Catholic priest and the Episcopal priest, I did “For a thousand years in thy sight are but as yesterday when it is past” and I did “ In paradisum deducant angeli. ”

And it still didn’t bring him back.

“Bringing him back” had been through those months my hidden focus, a magic trick. By late summer I was beginning to see this clearly. “Seeing it clearly” did not yet allow me to give away the clothes he would need.

In time of trouble, I had been trained since childhood, read, learn, work it up, go to the literature. Information was control. Given that grief remained the most general of afflictions its literature seemed remarkably spare. There was the journal C. S. Lewis kept after the death of his wife, A Grief Observed. There was the occasional passage in one or another novel, for example Thomas Mann’s description in The Magic Mountain of the effect on Hermann Castorp of his wife’s death: “His spirit was troubled; he shrank within himself; his benumbed brain made him blunder in his business, so that the firm of Castorp and Son suffered sensible financial losses; and the next spring, while inspecting warehouses on the windy landing-stage, he got inflammation of the lungs. The fever was too much for his shaken heart, and in five days, notwithstanding all Dr. Heidekind’s care, he died.” There were, in classical ballets, the moments when one or another abandoned lover tries to find and resurrect one or another loved one, the blued light, the white tutus, the pas de deux with the loved one that foreshadows the final return to the dead: la danse des ombres, the dance of the shades. There were certain poems, in fact many poems. There was a day or two when I relied on Matthew Arnold, “The Forsaken Merman”:

Children’s voices should be dear

(Call once more) to a mother’s ear;

Children’s voices, wild with pain—

Surely she will come again!

There were days when I relied on W. H. Auden, the “Funeral Blues” lines from The Ascent of F6:

Stop all the clocks, cut off the telephone,

Prevent the dog from barking with a juicy bone,

Silence the pianos and with muffled drum

Bring out the coffin, let the mourners come.

The poems and the dances of the shades seemed the most exact to me.

Beyond or below such abstracted representations of the pains and furies of grieving, there was a body of subliterature, how-to guides for dealing with the condition, some “practical,” some “inspirational,” most of either useless. (Don’t drink too much, don’t spend the insurance money redecorating the living room, join a support group.) That left the professional literature, the studies done by the psychiatrists and psychologists and social workers who came after Freud and Melanie Klein, and quite soon it was to this literature that I found myself turning. I learned from it many things I already knew, which at a certain point seemed to promise comfort, validation, an outside opinion that I was not imagining what appeared to be happening. From Bereavement: Reactions, Consequences, and Care, compiled in 1984 by the National Academy of Sciences’ Institute of Medicine, I learned for example that the most frequent immediate responses to death were shock, numbness, and a sense of disbelief: “Subjectively, survivors may feel like they are wrapped in a cocoon or blanket; to others, they may look as though they are holding up well. Because the reality of death has not yet penetrated awareness, survivors can appear to be quite accepting of the loss.”

Here, then, we had the “pretty cool customer” effect.

I read on. Dolphins, I learned from J. William Worden of the Harvard Child Bereavement Study at Massachusetts General Hospital, had been observed refusing to eat after the death of a mate. Geese had been observed reacting to such a death by flying and calling, searching until they themselves became disoriented and lost. Human beings, I read but did not need to learn, showed similar patterns of response. They searched. They stopped eating. They forgot to breathe. They grew faint from lowered oxygen, they clogged their sinuses with unshed tears and ended up in otolaryngologists’ offices with obscure ear infections. They lost concentration. “After a year I could read headlines,” I was told by a friend whose husband had died three years before. They lost cognitive ability on all scales. Like Hermann Castorp they blundered in business and suffered sensible financial losses. They forgot their own telephone numbers and showed up at airports without picture ID. They fell sick, they failed, they even, again like Hermann Castorp, died.

This “dying” aspect had been documented, in study after study.

I began carrying identification when I walked in Central Park in the morning, in case it happened to me.

If the telephone rang when I was in the shower I no longer answered it, to avoid falling dead on the tile.

Certain studies, I learned, were famous. They were icons of the literature, benchmarks, referred to in everything I read. There was for example “Young, Benjamin, and Wallis, The Lancet 2:454–456, 1963.” This study of 4,486 recent widowers in the United Kingdom, followed for five years, showed “significantly higher death rates for widowers in first six months following bereavement than for married.” There was “Rees and Lutkins, British Medical Journal 4:13–16, 1967.” This study of 903 bereaved relatives versus 878 non-bereaved matched controls, followed for six years, showed “significantly higher mortality for bereaved spouses in first year.” The functional explanation for such raised mortality rates was laid out in the Institute of Medicine’s 1984 compilation: “Research to date has shown that, like many other stressors, grief frequently leads to changes in the endocrine, immune, autonomic nervous, and cardiovascular systems; all of these are fundamentally influenced by brain function and neurotransmitters.”