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Joan Didion: The Year of Magical Thinking

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Joan Didion The Year of Magical Thinking

The Year of Magical Thinking: краткое содержание, описание и аннотация

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From one of America's iconic writers, this is a portrait of a marriage and a life — in good times and bad — that will speak to anyone who has ever loved a husband or wife or child. This is a stunning book of electric honesty and passion. Several days before Christmas 2003, John Gregory Dunne and Joan Didion saw their only daughter, Quintana, fall ill. At first they thought it was flu, then pneumonia, then complete sceptic shock. She was put into an induced coma and placed on life support. Days later — the night before New Year's Eve — the Dunnes were just sitting down to dinner after visiting the hospital when John suffered a massive and fatal coronary. In a second, this close, symbiotic partnership of 40 years was over. Four weeks later, their daughter pulled through. Two months after that, arriving at LA airport, she collapsed and underwent six hours of brain surgery at UCLA Medical Centre to relieve a massive hematoma. This powerful book is Didion's 'attempt to make sense of the weeks and then months that cut loose any fixed idea I ever had about death, about illness, about marriage and children and memory, about the shallowness of sanity, about life itself'. The result is an exploration of an intensely personal yet universal experience: a portrait of a marriage, and a life, in good times and bad.

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I had allowed other people to think he was dead.

I had allowed him to be buried alive.

Another such flag: there had come a point (late February, early March, after Quintana had left the hospital but before the funeral that had waited on her recovery) when it had occurred to me that I was supposed to give John’s clothes away. Many people had mentioned the necessity for giving the clothes away, usually in the well-intentioned but (as it turns out) misguided form of offering to help me do this. I had resisted. I had no idea why. I myself remembered, after my father died, helping my mother separate his clothes into stacks for Goodwill and “better” stacks for the charity thrift shop where my sister-in-law Gloria volunteered. After my mother died Gloria and I and Quintana and Gloria and Jim’s daughters had done the same with her clothes. It was part of what people did after a death, part of the ritual, some kind of duty.

I began. I cleared a shelf on which John had stacked sweatshirts, T-shirts, the clothes he wore when we walked in Central Park in the early morning. We walked every morning. We did not always walk together because we liked different routes but we would keep the other’s route in mind and intersect before we left the park. The clothes on this shelf were as familiar to me as my own. I closed my mind to this. I set aside certain things (a faded sweatshirt I particularly remembered him wearing, a Canyon Ranch T-shirt Quintana had brought him from Arizona), but I put most of what was on this shelf into bags and took the bags across the street to St. James’ Episcopal Church. Emboldened, I opened a closet and filled more bags: New Balance sneakers, all-weather shoes, Brooks Brothers shorts, bag after bag of socks. I took the bags to St. James’. One day a few weeks later I gathered up more bags and took them to John’s office, where he had kept his clothes. I was not yet prepared to address the suits and shirts and jackets but I thought I could handle what remained of the shoes, a start.

I stopped at the door to the room.

I could not give away the rest of his shoes.

I stood there for a moment, then realized why: he would need shoes if he was to return.

The recognition of this thought by no means eradicated the thought.

I have still not tried to determine (say, by giving away the shoes) if the thought has lost its power.

On reflection I see the autopsy itself as the first example of this kind of thinking. Whatever else had been in my mind when I so determinedly authorized an autopsy, there was also a level of derangement on which I reasoned that an autopsy could show that what had gone wrong was something simple. It could have been no more than a transitory blockage or arrhythmia. It could have required only a minor adjustment — a change in medication, say, or the resetting of a pacemaker. In this case, the reasoning went, they might still be able to fix it.

I recall being struck by an interview, during the 2004 campaign, in which Teresa Heinz Kerry talked about the sudden death of her first husband. After the plane crash that killed John Heinz, she said in the interview, she had felt very strongly that she “needed” to leave Washington and go back to Pittsburgh.

Of course she “needed” to go back to Pittsburgh.

Pittsburgh, not Washington, was the place to which he might come back.

The autopsy did not in fact take place the night John was declared dead.

The autopsy did not take place until eleven the next morning. I realize now that the autopsy could have taken place only after the man I did not know at New York Hospital made the phone call to me, on the morning of December 31. The man who made the call was not “my social worker,” not “my husband’s doctor,” not, as John and I might have said to each other, our friend from the bridge. “Not our friend from the bridge” was family shorthand, having to do with how his Aunt Harriet Burns described subsequent sightings of recently encountered strangers, for example seeing outside the Friendly’s in West Hartford the same Cadillac Seville that had earlier cut her off on the Bulkeley Bridge. “Our friend from the bridge,” she would say. I was thinking about John saying “not our friend from the bridge” as I listened to the man on the telephone. I recall expressions of sympathy. I recall offers of assistance. He seemed to be avoiding some point.

He was calling, he said then, to ask if I would donate my husband’s organs.

Many things went through my mind at this instant. The first word that went through my mind was “no.” Simultaneously I remembered Quintana mentioning at dinner one night that she had identified herself as an organ donor when she renewed her driver’s license. She had asked John if he had. He had said no. They had discussed it.

I had changed the subject.

I had been unable to think of either of them dead.

The man on the telephone was still talking. I was thinking: If she were to die today in the ICU at Beth Israel North, would this come up? What would I do? What would I do now?

I heard myself saying to the man on the telephone that my husband’s and my daughter was unconscious. I heard myself saying that I did not feel capable of making such a decision before our daughter even knew he was dead. This seemed to me at the time a reasonable response.

Only after I hung up did it occur to me that nothing about it was reasonable. This thought was immediately (and usefully — notice the instant mobilization of cognitive white cells) supplanted by another: there had been in this call something that did not add up. There had been a contradiction in it. This man had been talking about donating organs, but there was no way at this point to do a productive organ harvest: John had not been on life support. He had not been on life support when I saw him in the curtained cubicle in the emergency room. He had not been on life support when the priest came. All organs would have shut down.

Then I remembered: the Miami-Dade Medical Examiner’s office. John and I had been there together one morning in 1985 or 1986. There had been someone from the eye bank tagging bodies for cornea removal. Those bodies in the Miami-Dade Medical Examiner’s office had not been on life support. This man from New York Hospital, then, was talking about taking only the corneas, the eyes. Then why not say so? Why misrepresent this to me? Why make this call and not just say “his eyes”? I took the silver clip the social worker had given me the night before from the box in the bedroom and looked at the driver’s license. Eyes: BL, the license read. Restrictions: Corrective Lenses.

Why make this call and not just say what you wanted?

His eyes. His blue eyes. His blue imperfect eyes.

and what i want to know is

how do you like your blueeyed boy

Mister Death

I could not that morning remember who wrote those lines. I thought it was E. E. Cummings but I could not be sure. I did not have a volume of Cummings but found an anthology on a poetry shelf in the bedroom, an old textbook of John’s, published in 1949, when he would have been at Portsmouth Priory, the Benedictine boarding school near Newport to which he was sent after his father died.

(His father’s death: sudden, cardiac, in his early fifties, I should have taken that warning.)

If we happened to be anywhere around Newport John would take me to Portsmouth to hear the Gregorian chant at vespers. It was something that moved him. On the flyleaf of the anthology there was written the name Dunne, in small careful handwriting, and then, in the same handwriting, blue ink, fountain-pen blue ink, these guides to study: 1) What is the meaning of the poem and what is the experience? 2) What thought or reflection does the experience lead us to? 3) What mood, feeling, emotion is stirred or created by the poem as a whole? I put the book back on the shelf. It would be some months before I remembered to confirm that the lines were in fact E. E. Cummings. It would also be some months before it occurred to me that my anger at this unknown caller from New York Hospital reflected another version of the primitive dread that had not for me been awakened by the autopsy question.

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