Neely Tucker - Murder, D.C.

Sully killed time by studying the D.C. waterline, about four hundred yards to the north, already having a pretty good hunch where this particular corpse would have come from, and no doubt John Parker did, too-Frenchman’s Bend, which bellied out into the water like a limp dick, like a mini-Florida, about a half mile back up the channel. It was a bullshit city park, scrubby grass and beat-to-shit trees, sitting right before the pencil-thin strand of Southwest D.C. gave way to the brick walls and manicured lawns of Fort McNair, the small U.S. Army base that ran to the end of the peninsula.

From his vantage point, the fort’s long row of precisely spaced waterfront houses seemed so close that you could almost tell if the drapes were pulled. The jonquils and tulips and pansies and begonias were coming up around the porches. The flowers were planted at each house in the same pattern. The exacting nature of this arrangement, replicated at house after house, made the fort appear monotonous if not robotic. And yet it was those startling bursts of red and yellow and pink and white that made the protruding knob of the Bend so identifiable and desolate by comparison: brown dirt and weeds too dumb to die and scraps of paper and brightly colored plastic bags, trash flitting across the scrub. No wonder there was a seven-foot brick wall running between the fort and the neighborhood.

The Bend, meanwhile, wasn’t on any tourist map and was scarcely acknowledged by the city itself. It had been the District’s most notorious antebellum slave market, its chattel packed into long-gone wooden pens, slaves brought from the farms lining the Potomac or the Anacostia, put on a platform, and sold off onto ships bound for cotton plantations down south. It had opened long before Washington was the capital but stayed in business for decades, the shame of the city, slaves force-marched through the streets in neck shackles.

Its stigma was so great that the land had never been built upon, not in the late nineteenth century when Southwest was a working-class address of the Irish and Germans, not later when it became a warren of blacks and Jews, not even in the post-World War II razing and building boom in that quadrant of the city.

For the past thirty years, it had been a yellowish scab, a drug park run by one crew or another, and nobody really seemed to give a good goddamn. If Sully hadn’t been raised in Louisiana, an entire state of a yellowish scab still haunted by slavery, he might have thought the Bend was poisoned or cursed or defiled, a city block of malignant soil so infected by the sins of its past that it seeped into the souls of the living.

Now, twenty minutes after Dave had dropped him back at the dock, Sully was walking across this sorry expanse of real estate, seeing if there was anything that passed for a connection to the body in the water. The giddy high of the bourbon and fucking around with Dave’s crew was fading into a headache and a slow burn. John Parker was right. This was going to turn out to be another drug shooting in a city that had averaged almost a homicide every day of every week of every month, all year round. For John, that likely meant another unsolved killing. For Sully, it translated as a fuckall story that was going to take too long and add up to not much.

He stopped a few feet from the water. He slid the backpack off his left shoulder, pulled the notebook out of the backpack, and then reached around inside it, looking for a pen. When he found one, he set the helmet and the backpack down, flipped open the notebook, and started writing down the basics of the park. No relevant details as to floater man jumped out at him, but he was after scenery, not specifics. The main atmospheric-the big picture that gave the place its sense of foreboding, even in the daylight-was the dearth of anything anyone would want. Across the channel at Hains Point, East Potomac Park looked like an emerald idyll, bike paths and the golf course and manicured roads. Over here, on the wrong side of the water, it was all packed dirt and broken glass and the hard hustle.

“Not buying,” he said loudly, still writing, not looking up.

The footsteps behind him paused, then resumed and stopped again. He kept writing, idle observations about the desolation of the place and the meanness it gave off, like the scent of blood in a coroner’s office. He had been here once or twice at night on crime scenes and thought it depressing and mean. The fresh spring disinfectant of daylight and a good breeze didn’t do much for it.

“Working on a story,” he said, still writing, but turning around, “about this guy who wound up in the channel last night? Shot in the head.”

He looked up. Didn’t recognize either of them. Foot soldiers. It wasn’t like the Hall brothers, the identical twins who ran this turf, would stoop to checking out the loco paleface wandering into the Bend in the middle of the afternoon.

The one on his left, he dubbed him Short Stuff, the hoodie still pulled over his head. That tall drink of water on the right, he’d go with Lanky Dreads as a nickname, at least for now. They both had their hands in their pockets and regarded him with the dull, flat glares that a nobody like him warranted.

“Probably military,” Sully continued, making it up as he went, selling it, gesturing off to his right, “from the fort? But it turns out you can’t get in there. So I stopped off here to look around.”

He’d never been to the fort in his life and had no idea of the entrance requirements, and he was guessing the same applied to these two halfwits, so it wasn’t like they were going to be reciting U.S. military protocol to him.

“Man dead in the channel?” This was Short Stuff, his voice deeper than Sully would have thought, and he moved his guess on the man’s age from eighteen to twenty.

Sully nodded, yeah yeah, sure.

“White man?”

“Nah.”

“You police?”

A shake of the head. “Reporter.”

Lanky Dreads, the tall one on his right, shifted his weight to his back foot, eyeing him, Sully recognizing the long gaze on the scars. Then Lanky Dreads said, “The fuck’s with your face?” his voice raspy, like a grate, like somebody sandblasted his vocal cords when he was three. Short Stuff laughed. It sounded like a bark.

“It’s a shrapnel tattoo,” Sully said.

“It looks like shit.”

“Good thing I got it for free.”

The same dude, flicking a wrist forward at him. “Whyn’t you walk right?”

“Same shrapnel.”

“It hurt a lot?”

“Until I passed out.”

“You military?” This was Lanky Dreads again, but Short Stuff flicked a glance over at his partner, irritated, not hiding it.

“Nope,” Sully said, cutting his eyes between them, trying to figure out who was in charge. “Reporter, like I said. I was in Bosnia. The paper? Sent me over there. They had a war going on. I got blown up.”

“They get the guy?”

“What guy?”

“That fucked you up.”

“It was a grenade. There wasn’t any guy to get.”

“So why you down here?”

“Curious,” said Short Stuff, flicking that glance at his partner again, “cut that shit out.”

Lanky Dreads blinked, three, four, five-six-seven times, like he was processing the interruption, but he did not take his gaze from Sully. “Brothers get capped on the block all the time,” he said, defensive, like he was justifying the line of inquiry. “Ain’t no reporters show up.”

Sully shifted his weight, time getting short. You could only talk to dickheads like this for so long before it got ugly, and the clock was about to strike half past. “I already done said. This dude floating out there in the channel? Had six holes in his head instead of the usual five. Seven, you want to count the exit wound. Tourist boat spotted him riding the waves, they freaked, so now it’s all over television. Police? They figure he’s military, went in the water off the fort over there. Turns out you got to have a pass to get in. Which I don’t got. Like I said.”