Neely Tucker - Murder, D.C.

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'Gripping from start to finish, it has a great line in snappy dialogue and a twist that puts Tucker in the finest Elmore Leonard tradition.' Daily Mail
When Billy Ellison, the son of Washington, D.C.'s most influential African-American family, is found dead in the Potomac near a violent drug haven, veteran metro reporter Sully Carter knows it's time to start asking some serious questions – no matter what the consequences.
With the police unable to find a lead and pressure mounting for Sully to abandon the investigation, he has a hunch that there is more to the case than a drug deal gone bad or a tale of family misfortune. Digging deeper, Sully finds that the real story stretches far beyond Billy and into D.C.'s most prominent social circles.
An alcoholic still haunted from his years as a war correspondent in Bosnia, Sully now must strike a dangerous balance between D.C.'s two extremes – the city's violent, desperate back streets and its highest corridors of power – while threatened by those who will stop at nothing to keep him from discovering the shocking truth.

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Sully just quoted it.

So, Mom, I don’t know why you’ve been lying about this all this time. I don’t know why you hate who I’ve become. I can’t do anything about that. But I can do something. I can end it all. I am the last of the Ellisons, and that is one thing that-

The page was torn at that point, leaving the rest of his thoughts to himself.

He was only wrong about one thing, Sully thought. His mother had been the last of the Ellisons.

Had Sully been the type to weep, he might have. He thought Billy Ellison a good man. A young one, but a good man. They died all the time. They always had.

AFTERWORD & ACKNOWLEDGMENTS

THE PRECEDING ISa work of fiction.

Washington, D.C., did indeed have a series of slave pens in the antebellum era and some of those factual accounts are included herein. The epigraph and the horrific accounts of the Williams and Robey slave pens in the city, and the Franklin and Armfield place just across the river in Alexandria, Virginia, are taken from historical accounts, as is the journey of the Pearl. The Red Summer of 1919 took place largely as presented.

Frenchman’s Bend, however, is cut entirely of fictional cloth. Neither it nor its proprietors and descendants ever existed.

The careful reader will notice that, as in The Ways of the Dead , I have taken small liberties with other D.C. timelines and geography.

This book is affectionately dedicated to the late Tommy Miller, my old professor, mentor, friend, and one of the western world’s most underappreciated newspaper editors. He taught me how to think and write and how to make a living with a pen and a notebook. I miss him, as do so many others.

Many, many thanks are extended to the people who supported the writing of this book and who read, edited, and thought aloud about how it could be better. Most of the mostest is my adorable spouse, the belle of Jamaica, Carol Smith Tucker, my first reader, critic, and watcher of the kids when I am locked in a small room with the keyboard. Also, lookin’ at you, Lynn Medford, my most boss at The Washington Post ; Elyse Cheney, agent extraordinaire; and Allison Lorentzen, my very most wonderful editor at Viking. Thank you, ladies. Take the rest of the day off.

about the author

Neely Tucker was born in Lexington Mississippi when kids used to run around - фото 2

Neely Tucker was born in Lexington, Mississippi, when kids used to run around in the chemical fog sprayed behind the mosquito truck, which his wife thinks explains a lot. He is a former foreign correspondent who worked in a lot of places, many of them where people would shoot you for free. He is the author of Love in the Driest Season , a memoir about war, reporting, and adopting his gorgeous elder daughter. A staff writer for The Washington Post , he lives in a house with a Jamaican, a Zimbabwean, two very small Americans, and one very large dog. They are all Saints fans. For more, see www.neelytucker.com.

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Murder DC - фото 3
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