Джон Пристли - Benighted

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Philip and Margaret Waverton and their friend Roger Penderel are driving through the mountains of Wales when a torrential downpour washes away the road and forces them to seek shelter for the night. They take refuge in an ancient, crumbling mansion inhabited by the strange and sinister Femm family and their brutish servant Morgan. Determined to make the best of the circumstances, the benighted travellers drink, talk, and play games to pass the time while the storm rages outside. But as the night progresses and tensions rise, dangerous and unexpected secrets emerge.
On the house's top floor are two locked doors; behind one of them lies the mysterious, unseen Sir Roderick Femm, and behind the other lurks an unspeakable terror. Which is more deadly: the apocalyptic storm outside the house or the unknown horrors that await within? And will any of them survive the night?
The book was written and published in 1927. And in 1932 it was adapted for the screen: "The Old Dark House" (1932) with Boris Karloff and Charles Laughton

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The car roared forward, and though he immediately released the pressure it did not slacken speed because there was a sudden dip in the road. Just in front the hillside jutted into a sharp edge of rock and the road turned a blind corner. Philip had only time to touch the footbrake when this corner swung towards him. He gave the wheel a hard twist; for a second the car went sliding; and the next moment they were round the corner but apparently plunging into a river. The road had disappeared; there was nothing ahead but the gleam of water. In they went with a roar and a splash. Philip gripped the wheel harder than ever; he felt Margaret's hand upon his left arm; he heard a shout from Penderel behind. Then the roaring and splashing filled the night, but the car seemed to be slowing down. He accelerated and the engine responded with loud spasmodic bursts, but all to no purpose. The car swung forward, stopped, drummed, and then shook violently, swung forward again, then stopped.

"Don't stop." Margaret was crying in his ear.

"Can't help it," he shouted. What a damn silly remark! Did she think they were in a motor-boat! He must do something though. The engine was still running, trembling there under his feet, like a hunted beast. Hastily he shoved the lever into low gear and rammed down the accelerator. The car gave an agonised roar and seemed to shake itself like a dog, but for a moment or so nothing else happened. "Here for the night, here for the night," Philip heard himself chanting idiotically. Then slowly, almost painfully it seemed, the car moved forward, protesting every yard against the unfamiliar element. And now the road began to climb again; the worst was passed; the lights showed solid ground ahead, and a few minutes" more splashing brought them out into earth and air. The little box of tricks had won. At least, Philip reminded himself, it had won so far; end of first round. But what was coming next? They were still climbing a little, and now the hillside to the right seemed less steep and rocky, but that to the left fell away more sharply. He could see nothing there but rain falling into a black gulf. It had the curiously vivid and dramatic quality of rain in a film.

Margaret was saying something and appeared to be fumbling in the pocket in the door. What was it she wanted? He caught the word "stop" in her reply, and so once again brought the car to a standstill. "What is it?" he asked.

"I'm looking for the map," she replied. "We must find out where we are. We can't go on like this."

"A good voyage, Waverton!" Penderel shouted. "Have a cigarette?" Philip found the open case under his nose when he turned, and lit up with Penderel. Then there was a little click and the whole car was illuminated, transformed into a queer tiny room. The night was banished, wind and rain and darkness disappearing behind the shining screen; Margaret had found the little observation lamp and had fixed it in the plug. She had also found the map and was now bending over it, the lamp in her hand. But it was only a flimsy affair of paper and the rain had played havoc with it. Philip, who was visited by a sudden feeling of cosiness, watched her turn it over and stare at it with wide grave eyes. Then he saw her shake her head; just like a child, he thought. He wanted to tell her so and give her a quick little hug, a sign across a thousand miles of desert; then rush away to the nearest shelter and talk everything out with her. What was she feeling? How odd it was that he didn't know!

"You look," she said, holding out the map. "I can't see anything. It's all a stupid puddle."

He peered at the thing just to satisfy her. Roads and rivers and stout acres were now so many blotches. "It seems to me it represents this country very well, for everything here's under water. The thing's useless. Besides I can't make out where we missed the turning." He followed a possible road with his forefinger, only to discover that it led him into a long blue smudge, under which some fifty square miles were submerged. Perhaps if they went there, everything would be different. Perhaps they were there. "I give it up," he told her. Then he turned to see Penderel's tousled hair and bright eyes above the back of the seat. "Would you like to look at the map, Penderel? We can't make anything of it."

Penderel grinned and shook his head. "No map for me. I don't believe we're on a map. Drive on and we'll arrive somewhere. Only don't let it be water. We be land rats."

Margaret made a slight gesture of impatience. "It's absurd now trying to get to any particular place. We must stop at the first village we come to and ask for shelter. What's that?" There came a crack of thunder that rolled and clanged among the hills. Philip opened the door on his side, threw away his cigarette, looked out at the thick jigging wires of rain, and then hastily closed the door. "More rain and thunder," he said, then looked doubtfully at Margaret. "We'd better move on and, as you say, get in anywhere." There arrived with Margaret's nod a savage assent from the sky, another roll and clanging of iron doors on the summits above.

Philip started the engine again. Margaret put out the little observation lamp and with it any fleeting sense of cosiness. The night invaded them once more; they were wet and numbed and maundering on towards a furious autumnal midnight, among cracking mountains, lost in a world of black water; they were sitting crazily behind two lamps that showed nothing but a streaming track, the flashing of the rain, and the gulf beyond. When they moved off, very cautiously hugging the right-hand side, he could hear Penderel's voice raised above the din. He was singing or at least shouting some kind of song, like a man in his bath. The whole night was going to be one vast bath and so Penderel was singing. A queer youth! – Philip looked down on him from a great height, but then suddenly remembered that Penderel was only two years younger than himself. It was his daft drinking and shouting and singing that magnified these two years. Unlike him, Penderel didn't seem to have escaped from the War yet, and every night with him was still the night before one moved up to the line. Why didn't Margaret like him? He wanted to think about Margaret, but just now there wasn't time.

There was another sharp bend in the road, not fifty yards away, and he decided to nose round it very cautiously. What a tremendous rumbling there was! Was it thunder? He shouted to the others. Margaret was leaning forward, peering out. "Look out, Waverton," he thought he heard Penderel shout. The bend was here, another corner as sharp as the last, and he pulled round and ran straight into roaring chaos. A torrent of water was pouring down upon the road and something struck the car, a large clod of earth or a rock, with a resounding jolt. The entire slope above seemed to be rumbling and shuttering. In another minute they would be buried or sent flying over the other side of the road. Dazed as he was, he realised that there was just a chance of escape, and he pressed down the accelerator while he kept the other foot trembling on the brake for fear the road in front should be blocked or should have fallen away. So far it seemed to be clear, though the whole hillside immediately behind them now seemed to be crashing down. The road ran back in a curve, probably between two spurs of the hill. Margaret was shrieking in his ear: "Lights! Look, Phil. Lights! Pull in there." He saw them not far in front, where the road seemed to bend back again, beyond the centre of its horseshoe curve. Without thinking, he began to slow down. There seemed to be some sort of gateway there, an entrance to a drive perhaps. Then the rumbling and crashing and tearing behind, growing in volume every moment, awakened him to the danger of the situation.

It was obvious now that there was a house in front, and he could see the open entrance to the drive. But what kind of place was this to stay in, with the whole hillside threatening to descend upon them and tons of water coming down from somewhere? "We'd better go on while we can," he shouted to Margaret. "It's not safe here." But at the same time he clapped on the brakes and brought the car down to a walking pace. They were now only a few yards from the gateway, were actually sheltered by the high wall of the garden. He felt a vague sense of safety, the sight of that wall keeping at bay the terror of the water and the crumbling slope.

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