Дэвид Балдаччи - A Gambling Man [calibre]

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**Aloysius Archer, the straight-talking World War II veteran fresh out of prison, returns in this riveting new thriller from #1 *New York Times* bestselling author David Baldacci.**
The 1950s are on the horizon, and Archer is in dire need of a fresh start after a nearly fatal detour in Poca City. So Archer hops on a bus and begins the long journey out west to California, where rumor has it there is money to be made if you're hard-working, lucky, criminal--or all three.
Along the way, Archer stops in Reno, where a stroke of fortune delivers him a wad of cash and an eye-popping blood-red 1939 Delahaye convertible--plus a companion for the final leg of the journey, an aspiring actress named Liberty Callahan who is planning to try her luck in Hollywood. But when the two arrive in Bay Town, California, Archer quickly discovers that the hordes of people who flocked there seeking fame and fortune landed in a false paradise that instead caters to their...

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I can be dangerous, Archer, or have you already forgotten?”

“Yeah, well, you’re dangerous when someone is threatening you. These guys don’t wait around for that.”

“You’re worried about me, Archer. That’s very touching.”

“I am worried about you. Two people have bought it in this joint over a really short time.”

“Well, just so you know, I worry about you , Archer. And I’ve done a little snooping already since I’ve been here.”

“What do you mean?”

“I’m observant. I keep my eyes and ears open.”

“And what did you find out?”

“Oh, so now you’re okay with me spying?” said Callahan.

“Liberty!”

“Okay, okay. Anyway, I finished my dinner and took my cup of coffee and found a little room to just have some quiet time and get my nerves under control.”

“And?” said Archer expectantly.

“And I heard some noise in the room next door. And your name came up.”

Archer frowned. “Who was it?”

“It was those same two thugs that roughed you up before, Archer.”

“Hank and Tony? But how do you know what they sounded like? You only saw them before. They didn’t say anything.”

“Easy. When they mentioned your name, I snuck out and peeked through the keyhole.”

“Liberty, that was a big risk.”

“My whole life has been a big risk. Anyway, I saw them.”

“And what did they say about me?”

“Oh, that they were going to kill you.”

Archer sat back and dead-eyed her. “Thanks for saving the best part for last.”

“You can take care of yourself, Archer, I’ve seen that. And now that you’re forewarned? Well, my money’s on you over those two goons.”

“They say why they want to kill me?”

“I heard them mention you were snooping around an island ?”

Archer told her about the architectural mockups he and Dash had found and their connection to the island. And then his suspicions about the death of Benjamin Smalls.

“A casino, huh? Makes sense. And dying in your bathtub, Archer? Puhleez. That’s mob stuff. They either machine-gun you or do the ankle grab in the tub and under you go.”

“How come you know so much about that stuff?”

“You think the mob passed Reno by for some reason?”

Archer looked at her closely. “Is Max Shyner part of the mob?”

“I got out, Archer. Read into that what you want to. You got a gun?”

“I do.”

“And you got your aluminum knuckles?”

He nodded. “And I’m wearing underwear, too,” he said with a grin.

“Really? I’m not.”

His features sagged and his cigarette drooped. “Not now, Liberty. For chrissakes.”

She smiled demurely. “What’s your next move?”

He rose and put his hat on. “And the room where you overheard them?”

“Go right down this hall, turn left, and then right again. Second door on the left.”

He tipped his hat. “You got great gams and a great voice, but you’ve also got a great brain. Don’t let anybody ever tell you otherwise.”

“You got style, Archer, don’t let anybody ever say you don’t.”

Chapter 57

THE DOOR TO THE ROOM WAS STANDING OPEN and it was empty, Archer could see. Hank and Tony apparently had flown the coop. He walked out to the terrace, found a seat, ordered a gimlet and a rack of olives and—because he hadn’t had his dinner yet—a roast beef sandwich with a side of potato salad. He drank and ate, and was lost in thought until he heard the voice.

“You don’t look so good, honey.”

He looked up to see it was the same waitress who had taken care of him and Kemper.

“Nah, I’m fine. Hey, you seen Kemper tonight?”

“I’m not that lucky.”

“You ever seen any other skirt here reel him in?”

“Not a one. And there wasn’t a lack of effort. Least it ain’t just me, right?”

“Right. Hey, you know Hank and Tony, Sawyer Armstrong’s bouncer boys?”

“Sure.”

“They’re here, right?”

“They were. Seen ’em leaving, oh, about an hour ago.”

“You ever try your chances with them?”

She planted a hand on her hip. “Hey, fellow, I’m not that desperate. And I like my guys with a little class. I mean, I don’t even think those goons can read. I got standards.”

Archer slipped her a buck and added a wink to it. “Thanks. And keep aiming higher. Who knows, you might just end up running General Motors one day.”

She tucked the dollar down her blouse. “What a comedian. You should try vaudeville.”

As she walked off, Archer checked his watch. He decided it was time to drive up the mountain again. And maybe bag two for the price of one.

The Bentley was gone, but the Triumph and the Phantom Rolls were out front. The door opened and the same servant appeared. He looked at Archer like he’d never seen him before.

“Are Mr. and Mrs. Kemper in?”

“Who shall I say is asking, sir?”

“It’s Archer. I was here before, with Willie Dash?”

“It is very late, Mr. Archer. I believe you should come back—”

“It’s all right, Chen, I’ll see Mr. Archer.” Beth Kemper had appeared next to her butler. “Follow me, Archer. You look like you could use a drink.”

And so, just like that, Archer followed her. He liked following her. He liked how she moved, like a panther slinking through the brush. It was inspiring, actually, simply how the lady walked. You couldn’t teach it, he knew. You could either do it or you couldn’t. And this lady could do it in spades. Just like Callahan.

She took him into one of the rooms he and Dash had passed on their previous visit. It was all marble and white and cold and, despite all that, interesting. He stared at a large figurine of a naked woman looking at something over Archer’s right shoulder.

He pointed his hat at it. “Does it cost more not to have clothes on?”

She sat beautifully on the couch, her bright red skirt fanning out and covering her legs all the way to her calves. The blouse above it was a creamy white. She looked like some sort of exotic flower in full bloom.

“In life it usually does, Archer, so why not in art? Would you like a drink? I’m going to have one.”

“You look very comfortable sitting there, so let me do the honors. Dry Manhattan do the trick?”

She smiled and waved her hand at the bar. He guessed they had a bar in every room, and wasn’t that just the stuff of everyone’s fantasies?

He poured and measured and jiggered his way through the concoctions. He presented the Dry Manhattan to her and took a seat facing the woman.

They raised the glasses to each other and took sips.

She said, “And what can I do for you so late at night?”

He dabbed a bit of vermouth off his lip. “I think your father might be mad at me, again.”

“Why do you say that?”

“Well, you know Hank and Tony gave me the once-over when your father learned that we had come up here to question you.”

“But I thought that was all forgotten and forgiven after we met at his house.”

“But then I was a bad boy a second time and gave them more reason to give me the treatment again.”

“And what exactly did you do now?”

“If I tell you, you’ll tell your father, right?”

“Not if you don’t want me to.”

A smile eased across Archer’s face. “Now that’s a good line, Beth. Although Willie doesn’t want me to call you Beth.”

She set her drink down, took out her cigarette case, tapped a smoke on the top of the coffee table, and lit up. “Why is that?”

“Something about different classes of people. You’re up here on the mountain and I’m down on Porter Street with the dirty rabble.”

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