Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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You didn't shoot junk into your veins for twenty years and still keep breathing if you had a death wish. You didn't suddenly stop hanging on to your life by your fingernails unless someone gave you a damn good reason to let go.

Lena spat into the sink, then used a bottle of water to rinse her mouth.

Hank had always been careful, as if he could distinguish himself between being a user and an abuser. For all his blackouts and open sores, he was careful about one thing. If speed was Hank's religion, he prayed at the altar of his veins. This was where the dope entered his system, and he was rigorous about making sure he took care of them. He never cooked with the same needle he injected with because the spoon or cotton could kink the tip and leave a bigger scar. He always used new needles, fresh alcohol swabs, and vitamin E to keep the tracks down. He didn't smoke before he shot up because that made the veins harder to find, the needle less likely to hit at the right spot.

Sure, there were times when his need overcame his logic; the track marks scarring his forearms, the way he sometimes lost feeling in his hands and feet because the veins couldn't get enough blood to his extremities, betrayed that fact. But, as drug addicts went, he had always been fairly careful.

Until now.

Lena turned on the water in the shower, then changed her mind, thinking she would feel even more filthy if she stepped her bare feet into the soiled, gray bathtub. She checked the lock on the door, then quickly took off her clothes, changing into a fresh pair of underwear and slipping back into her jeans from the day before. She found a T-shirt in her bag and kept her eyes on the door as she put it on.

Hank wouldn't talk to her. He had made that clear yesterday. Whatever his reasons, she knew that he was stubborn – as stubborn as she was. No matter what she said, how much she begged or beat him, he wouldn't talk until he was damn good and ready. The way he looked yesterday, unless a miracle happened, he would more than likely take his secrets to his grave.

Lena caught her reflection in the mirror over the dresser. It was tilted down toward the bed, spidery lines meant to give the appearance of lace framing the corners. She didn't see Sibyl anymore when she looked in the mirror. Sibyl would forever be trapped in a particular time that would never allow her to move on. She wouldn't have tiny lines around her eyes or the faint trace of a scar on her left temple. Her hair wouldn't get those few streaks of gray Lena had found in the bathroom mirror last week and, much to her shame, had plucked out with a pair of tweezers. Even if she'd lived, Sibyl would never have gotten that hard look to her eyes, that flat, cold stare that sent out a challenge to the world.

Sibyl would never know that their mother had lived however long – at least long enough to hold them. She would never know that just as Lena had always predicted, Hank had finally given in to his addiction. Nor would she stand at his graveside, cursing him for his weakness.

Hank was going to die. Lena knew there was no way he could pull himself out of his current condition without some kind of medical intervention. Yet, every time she thought about him, she didn't see the Hank from the last twenty-five years, the one who dutifully attended his AA meetings and ran to Lena 's side whenever she called him. She saw the addict of her childhood, the speed freak who chose the needle over his nieces. When Lena thought of his state of decline, she felt the rage only a child can feel toward a parent: you are all I have in the world and you are abandoning me for a drug that will destroy us all.

That's what addicts didn't see. They weren't just screwing up their own lives, they were screwing up the lives of everyone around them. There were some nights of Lena 's childhood when she had actually kneeled on the side of her bed and prayed that Hank would finally mess up, that the needle would go too far, the drug would be too potent, and he would finally die. She had envisioned adoption, a mother and father to take care of her and Sibyl, a clean place to live, order in their lives, food on the table that didn't come out of a can. Seeing Hank now, knowing the state he was in, Lena could not help but recall those sleepless nights.

And part of her – a very big part – said to let him die.

Lena sat on the bed as she tied her sneakers. Thinking about Hank wasn't going to get her anywhere but back in bed feeling sorry for herself. She wasn't sure what she was going to do today, but her top priority was getting out of this dingy room. The library's microfiche archives didn't go past 1971. The newspaper office was based out of the back room of an insurance company, so Lena didn't have much hope that they kept old issues. Still, she would try to get in touch with the weekly's editor, a man whose full-time job was picking up roadkill off the interstate.

Lena supposed she could find her mother's death certificate through the proper state office, but she would need Angela's Social Security number, place of birth, or at the very least her last known address in order to help her narrow the search. She knew both her mother's and father's birth dates from her own birth certificate, but beyond that, there was nothing. The hospital might have kept a billing address or other pertinent information, but she would need a warrant to get that information. She had thought about trying the county courthouse, but according to the message on their phone, they were closed while asbestos tiles in the floor were being removed.

Since the motel was right next door to Hank's bar, Lena decided she might as well start there. Technically, the Hut was not in Reece's city limits. Like a lot of small towns all over America, Elawah was a dry county. If you wanted to buy liquor, you had to cross the county lines into Seskatoga, which explained why the Elawah sheriff's department spent most of its weekends scraping teenagers off the road that led out of town.

Lena opened the door to her room and immediately closed her eyes, her retinas screaming at the sudden light. She blinked several times to regain her vision, staring at the floor of the concrete balcony. Just to the left of her foot, she saw a small, red X chalked onto the ground, maybe three inches square.

She knelt down, running her fingers along the red mark, wondering if it had been there when she checked in last night. It had been dark, but the ancient sign outside the motel cast enough light to see by. But, Lena hadn't been looking at the ground as she walked into the room. She'd been concentrating on the basics: bringing in her bag, finding her toothbrush, falling in to bed.

Lena looked at the tips of her fingers, saw that the chalk had transferred to her skin. The chalk mark didn't mean anything except that the maid didn't clean much. Judging by the state of Lena 's room, the woman wasn't exactly thorough.

Still, Lena glanced around as she stood back up. No one jumped out at her, and she went to the balcony and scanned the parking lot. Except for a motorcycle parked in the handicap space, her Celica was the only vehicle there.

She looked back at the ground. An X. Not a swastika, not a cross. Just a red X to mark the spot.

Lena wiped her hand on her pants as she strolled across the balcony toward the stairs. She kept her eyes on the ground, looking for other marks, trying to see if any of the other rooms had been singled out. There was nothing out of the ordinary, just cigarette butts, trash, and a few leaves, though the closest tree to the motel was about twenty feet away in the forest that ran behind the building.

She stopped in the front office to get a cup of coffee. There was a box of change by the pot, requesting fifty cents for each cup. Lena dropped a dollar in the box and stood looking into the parking lot as she poured herself a cup.

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