Karin Slaughter - Skin Privilege

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Skin Privilege: краткое содержание, описание и аннотация

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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She put down her can of Coke and pushed her hands against the small window tucked high on the creek side, but it would not budge. A rock helped, and the untempered glass shattered into a million pieces, some of it falling into the open mouth of her soda can. Lena found a stick and used it to knock away the broken glass. Still, she didn't like the idea of climbing blind through the window. What's more, it was high up, probably too high to get to without a ladder. She had done stupider things, but at the moment, Lena was hard-pressed to remember what.

Out of frustration, she kicked the wall, mad at herself and this idiotic situation. The board made a hollow sound, and she kicked it harder until the wood splintered. A few more kicks created a nice hole in the shack. She cringed as she reached in and pulled out the pink insulation, sneezing from the dust, wondering if she was inhaling asbestos. There were black flakes of mold and excrement from animals that she didn't want to think about, but she pulled out enough fiberglass to expose the backside of the paneling that lined the inside office. She used her foot again, kicking out the plywood, which made a cracking sound as it pulled away from the rusted penny nails holding it to the studs.

A few minutes later, Lena was inside Hank's office.

She brushed off her jeans as she looked around, trying to find the light switch. She pushed away a spiderweb, then realized that it was actually the cord for the overhead light. Lena tugged the string and the bare bulb flickered on, then made a loud pop as it blew.

Lena cursed again. She had a flashlight in her car, but she didn't want to go back and get it.

Instead, she used the light coming in through the broken window to look for the spare bulbs Hank always kept in his desk. He had wired the office himself using a hundred-foot extension cord he'd snaked through a piece of metal pipe and plugged in at the bar. This was not the first time the light had blown. She found the pack of bulbs in the bottom drawer and changed the light, trying not to think about what her hands might find in the dark. Her feet crunched on the broken glass as she twisted the bulb, the socket making a dry, crackling sound as she tried to get the right angle. Finally, the light came on and the sudden heat from the bulb made her jerk back her hand.

She wasn't just being paranoid. Hank had almost electrocuted himself a couple of times trying to change the bulb.

Lena looked around the airless room, which was wallpapered with posters from beer and liquor companies. Half-naked women stared back at her, most of them fellating bottles they held in their hands. White cartons stuffed with paperwork that dated back to the bar's grand opening were stacked against the back wall, leaving about ten square feet for a desk and two chairs. Piles of receipts were in shoeboxes scattered around the desk.

Six years ago, Lena had sat in one of those stupid plastic chairs across from Hank, drinking so much Jack Daniel's that she made herself sick, as she tried to work up the courage to tell him that Sibyl was dead.

Was that when he had started using again? Had the news that his beloved girl, his favorite niece, was dead, been what had finally thrown him over the edge?

Or had it started six months ago when Hank had taken Lena to the abortion-clinic? He had stood outside the building, chain-smoking cigarettes, listening to angry protestors with their disgusting signs screaming about hell and damnation, condemning Lena and everybody else in the clinic to hell for their sins.

Had she done this to him? Had Lena 's actions helped put the needle back in his arm?

The guy with the red swastika had helped, too -she was certain of it. Lena had to find the man, to figure out who he was working for. Guys like that were muscle. There was a brain somewhere, and once Lena found that brain, she would burn his fucking house down with him inside.

Lena sat in Hank's chair, the springs squeaking like an old barn door. The top drawer to his desk was locked, and she took her folding knife out of her back pocket and flicked open the blade from the white pearl handle. The lock jimmied open easily enough. In the drawer, she found Hank's business checkbook, a couple of free coupons to Harrah's casino up in the mountains, and his spare set of keys to the bar. The larger drawers contained files that seemed mostly to do with the running of the business. Liquor distributors, payroll, taxes, and insurance. She flipped back through the checkbook and saw the last balance was dated three weeks ago. At the time, he had around six thousand dollars in the bank.

What date had the bar been closed down? She would have to find out from the sheriff's office. She wondered if that old fart Al Pfeiffer was still running the show and had to smile at the thought of going into his office, flashing her gold shield in the fucker's face. Pfeiffer had a neat trick where he pulled over young girls for speeding and frisked them to within an inch of their ovaries. He had pulled over Lena once and taken a few liberties before she had figured out what was going on and slammed her knee into his groin. Pfeiffer had thrown her into jail without charging her or giving her a phone call. She had sat in the cell for six hours before Hank had come down to the station to file a missing persons report.

His face. God, she could still see Hank's face. There was this split second when he saw her coming out of the jail when his eyes filled with tears and his mouth opened, letting out this yelp-like sound when he realized that she was okay. Just as quickly, his mouth had closed into an angry frown, and he had cuffed her on the back of the head, asking her what the hell she was doing getting herself into trouble, who the hell she thought she was sassing the police. He hadn't wanted to hear her story. Pfeiffer was one of his AA buddies and Hank thanked the man for not formally charging her.

Still, his face…

Lena had seen that same transformation so many times now that she'd come to think of Hank in almost schizophrenic terms. One second, the loving guardian who would do anything for her, the next second the angry disciplinarian threatening to beat her to within an inch of her life.

And now the drug addict – back to that old role again, waiting for the curtain to finally come down.

She put her elbows on the desk and dropped her head into her hands. The shack was like a kiln, and she felt sweat rolling down her back and into the waist of her jeans. Still, she sat there, heat engulfing her body, the water in the creek a constant murmur as she thought about Hank, the way he had looked in the shower, the hard words he had used when he told her to leave.

There had to be an explanation for his disintegration. Did the bar's closing send him into a spiral? Was that what had finally pushed him back into his old ways? Lena looked around the cramped office, trying to put herself in Hank's mind. He had no love for this place. He had always seen the Hut as a way to make money and nothing else. There was almost a perverse pleasure he got from being a recovering alcoholic and having the strength to be around liquor all day without imbibing. Had it been a crutch all these years?

She pushed herself back from the desk, her shoe sliding on a piece of paper. Lena reached down to pick it up, her hand freezing midair as she stared at the light blue notepaper on the concrete floor. The handwriting was a perfect cursive, the kind they used to teach in school back when it mattered. The words were easy to read from this distance, but still, she picked up the paper and sat back in the chair so she could study it. She had to read through the page two more times before the words started to make sense.

Lena rummaged through the desk, looking for the rest of the letter. She moved the shoeboxes and found three more pages underneath, then a few more that had fallen behind the desk. When she put them together, Lena found that there was not just one but three letters, all dated within the last two months. She read through them, feeling like she was reading someone's diary. The notes were banal in parts, listing details of shopping for groceries and picking up the kids after school. Some of it was intensely personal, the kinds of things you shared only with a close friend.

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