Karin Slaughter - Skin Privilege

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It's no simple case of murder. Lena Adams has spent her life struggling to escape her past. She has only unhappy memories of Reece, the small town which nearly destroyed her. She's made a new life for herself as a police detective in Heartsdale, a hundred miles away – but nothing could prepare her for the violence which explodes when she is forced to return. A vicious murder leaves a young woman incinerated beyond recognition. And Lena is the only suspect. When Heartsdale police chief Jeffrey Tolliver, Lena's boss, receives word that his detective has been arrested, he has no choice but to go to Lena's aid – taking with him his wife, medical examiner Sara Linton. But soon after their arrival, a second victim is found. The town closes ranks. And both Jeffrey and Sara find themselves entangled in a horrifying underground world of bigotry and rage – a violent world which shocks even them. A world which puts their own lives in jeopardy. Only Jeffrey and Sara can free Lena from the web of lies, betrayal and brutality that has trapped her. But can they discover the truth before the killer strikes again?
***
'No one does American small-town evil more chillingly… Slaughter tells a dark story that grips and doesn't let go' The Times
'This is without doubt an accomplished, compelling and complex tale, with page-turning power aplenty' Daily Express
'Beautifully paced, appropriately grisly, and terrifyingly plausible' Time Out
'Slaughter knows exactly when to ratchet up the menace, and when to loiter on the more personal and emotional aspects of the victims. Thoroughly gripping, yet thoroughly gruesome stuff' Daily Mirror
'An explosive thriller with plenty of twists – this is criminally spectacular!' OK!
'A great read… This is crime fiction at its finest' Michael Connelly 'Slaughter's plotting is relentless, piling on surprises and twists… A good read that should come with a psychological health warning' Guardian
'Another brilliantly chilling tale from Slaughter' beat A fast-paced and unsettling story… A compelling and fluid read' Daily Telegraph
'Structured and paced brilliantly; the tension is unceasing throughout. Slaughter's shock tactics don't allow the reader to relax for a single moment' The Times
'Slaughter deftly turns all assumptions on their head. Her ability to make you buy into one reality then another, means that the surprises – and the violent scenes – keep coming' Time Out
'Don't read this alone. Don't read this after dark. But do read it' Daily Mirror
'A salutary reminder that Slaughter is one of the most riveting writers in the field today' Sunday Express
'Confirms her at the summit of the school of writers specialising in forensic medicine and terror… Slaughter's characters talk in believable dialogue. She's excellent at portraying the undertones and claustrophobia of communities where everyone knows everyone else's business, and even better at creating an atmosphere of lurking evil' The Times
'With Blindsighted, Karin Slaughter left a great many mystery writers looking anxiously over their shoulders. With Kisscut, she leaves most of them behind' John Connolly
'Slaughter's narrative is superb, a game of show and tell that constantly exhilarates as the next unexpected piece of the jigsaw fits into place' Birmingham Post
'Gripping, gruesome and definitely not for the faint-hearted' Woman Home
'Karin Slaughter is a fearless writer. She takes us to the deep, dark places other novelists don't dare to go. Kisscut will cement her reputation as one of the boldest thriller writers working today' Tess Gerritsen
'Unsparing, exciting, genuinely alarming… excellent handling of densely woven plot, rich in interactions, well characterised and as subtle as it is shrewd' Literary Review
'This gripping debut novel, filled with unremittingly graphic forensic details, is likely to have Patricia Cornwell and Kathy Reichs glancing nervously in their rearview mirrors because rookie Karin Slaughter is off the starting grid as quickly as Michael Schumacher and is closing on them fast' Irish Independent
'Brutal and chilling' Daily Mirror 'Energetic, suspenseful writing from Slaughter, who spares no detail in this bloody account of violent sexual crime but also brings compassion and righteous anger to it' Manchester Evening News
'It's not easy to transcend a model like Patricia Cornwell, but Slaughter does so in a thriller whose breakneck plotting and not-for-the-squeamish forensics provide grim manifestations of a deeper evil her mystery trumpets without ever quite containing' Kirkus Reviews
'A tension-filled narrative with plenty of plot twists… This is just the ticket for readers who like their crime fiction on the dark side' Booklist
'Wildly readable… [Slaughter] has been compared to Thomas Harris and Patricia Cornwell, and for once the hype is justified… deftly crafted, damnably suspenseful and, in the end, deadly serious. Slaughter's plotting is brilliant, her suspense relentless' Washington Post
'Slaughter has created a ferociously taut and terrifying story which is, at the same time, compassionate and real. I defy anyone to read it in more than three sittings' Denise Mina
'Wildly readable… hits the bull's eye' New York Post 'Taut, mean, nasty and bloody well written. She conveys a sense of time and place with clarity and definite menace – the finely tuned juxtaposition of sleepy Southern town and urgent, gut-wrenching terror' Stella Duffy
'Taut and tight and tinged with terror' Houston Chronicle 'A story that roars its way through the final pages, Slaughter's thriller is scary, shocking and perfectly suspenseful' BookPage.com
'The undertone of violence is pervasive, even at quiet moments, amplifying Slaughter's equation of intimacy with menace and placing her squarely in the ranks of Cornwell and Reichs' Publishers Weekly
'Slaughter's gift for building multi-layered tension while deconstructing damaged personalities gives this thriller a nerve-wracking finish' USA Today
'A page turner… has more twists than a Slinky Factory' People
'A debut novel that blows your socks off. Karin Slaughter has immediately jumped to the front of the line of first-rate thriller writers…' Rocky Mountain News

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'Al Pfeiffer. He was a good guy, but nothing says it's time to retire like a firebomb thrown through your front window.'

Jeffrey was sure he'd heard wrong. 'What?'

Nick nodded, pouring cream into the cup until the liquid touched the rim. 'They firebombed his house. Wife and grandkid barely got out. The old man suffered third-degree burns on his face and arms. Lost one of his fingers. Never made a case because nobody would talk: no witnesses, no crime scene evidence, no nothing. Happened in broad daylight on a Sunday afternoon. Take that as a warning, Chief. These boys don't fuck around. They're making too much money.'

'Skinheads?' Jeffrey asked.

'Guessed it again, Chief.' Nick gave him a careful look. 'Something tells me you've played this game before.'

Jeffrey knew it was his turn to share. I saw this guy outside the Elawah hospital last night – tough-looking con. He had a big red swastika tattooed on his arm.'

'That old thing.' Nick waved his hand like an old lady fielding gossip. 'It's used by the Skin Brothers. Now, there's an interesting bunch of Nazis. Started in the prisons back in the late fifties. Integration on the outside, segregation on the inside. All them white boys running the cell blocks didn't like the black guys coming in and they made it known every way they could.' Nick leaned forward, kept his voice low. 'In the 1950s, you had maybe sixty-five, seventy percent white in all the federal and state prisons, basically in line with the white population on the outside, right?'

'Right.'

'Now, it's upside down. You got maybe a sixty-forty, eighty-twenty mix in some prisons. The whites are the minorities, the blacks and Hispanics are the majority.'

'So, in come the gangs.'

'Crips, Bloods, the Boyz, Tiny Raskals, MS-13, Nazi Low Riders.'

Jeffrey said, 'Which brings us back to meth again.'

'That kind of quick money to be made, there's always gonna be some kind of war going on, some asshole wanting to swing his dick around. Whites on whites, blacks on blacks, all that matters anymore is the green. You got the Aryans telling the Low Riders what to do, the Low Riders telling the Aryans to fuck off, the purists telling them both they're selling out the white race… long story short, whoever's in charge better be looking over his shoulder all the time.'

'Who uses the black swastika?'

'Just about all of 'em but the Skin Brothers.' He anticipated Jeffrey's next question. 'And never the twain shall meet. You put a Skin Brother in with, say, a Low Rider, they see their tats, you might as well put two tomcats in a cardboard box. Only one of 'em's gonna come out alive.'

'You positive about that?'

'Their feud goes so far back nobody even remembers how it got started. Part of the oath they take when they jump in is to kill any motherfucker playing for the other team. Red or black, you get that tattoo, you better be damn sure it's for life. You'll see peace in the Middle East before those two get together.'

Jeffrey breathed a little easier. Whatever was going on in Reece, he could take Ethan Green out of the equation for the moment.

Nick leaned back, cupping his coffee in his hands. 'You hear about that case with the Hells Angels out on the West Coast?'

Jeffrey shook his head.

'Let me tell you, them're some violent motherfuckers. Been inside most of their adult lives, no hope of getting out, they'll cut you just as soon as look at you. The feds are trying to go after them with the RICO statutes, saying they're the same as organized crime. They had to bolt the bastards to the floor during the trial. One of 'em was already in for stabbing his lawyer with an ink pen. These guys got nothing to lose; just biding their time at the old SuperMax, waiting for their number to come up. They know they're never gonna see the light of day without a set of bars casting a shadow through it and they don't care how many bodies they leave in their wake.'

Jeffrey felt his blood turning cold in his veins. 'Let's go back to the Skin Brothers.'

'Technically, it's the Brotherhood of the True White Skin, but that don't flow off the tongue near as well.'

'Tell me more about them.'

'For the last five, maybe ten, years, it's been run by two brothers, Carl and Jerry Fitzpatrick. Carl's in prison and Jerry lives out on a zillion-dollar compound with the rest of the family. Thinks he's some kind of preacher for the Way of Whitey.'

'True believer?'

'Sadistic true believer,' Nick amended. 'You don't cross Jerry. He takes care of the stray lambs himself – tracks them down and shatters their little legs so the rest of the flock knows they better keep on the path. You got grown men, mean-as-fuck skinheads with twenty kills under their belt, who piss their pants at the thought of Jerry coming after them.'

'He's never been caught?'

'Oh, he's been charged plenty, but nothing sticks. Witnesses tend to change their minds when their fingernails are pulled off and their children go missing.'

'Where's the compound?'

'Up in a little town called Keene, New Hampshire.'

'Why is it always a relief when these guys are Yankees?'

Nick pretended surprise, clutching his hand to his chest. 'Racists in the liberal North? How dare you, sir.'

'Shocking,' Jeffrey agreed, wondering not for the first time why the rest of America wanted to believe racism only happened south of the Mason-Dixon. It was as if Watts and Harlem, the cases of Rodney King and Abner Louima, were startling anomalies on their respective coasts.

Nick continued, 'The FBI has the Fitzpatrick brothers on their watch list, but I'm not sure what kind of priority they've been given. All this anti-immigration shit that's been stirring up has been like free PR for the neo-Nazi groups. Suddenly, saying we should close our borders and kick out the people with the funny-sounding names doesn't sound like extremist rhetoric anymore.'

'Good thing we let the Fitzpatricks slip in first,' Jeffrey commented. 'What's the brother in prison for?'

'Shooting two cops.'

' New Hampshire have the death penalty?'

'Just for this very thing,' Nick said. 'Only problem is, they've set their age limit at seventeen. Carl was two weeks shy of his seventeenth birthday when he pulled the trigger. Life in prison without the chance of parole. Smart boy, our Carl. He met the right people on the cell block, made some good contacts, worked his way up in the group, and – as these things happen – beat his boss to death with a dumbbell and took over the organization. Real upwardly mobile guy.'

Jeffrey tried not to think about the two cops that had been shot, how their families, their children, had coped with the loss all these years. 'So, how do the Fitzpatricks pay their bills?'

'They're real heavy into meth. Like, super-heavy, kill-your-mama heavy. The Fitzpatricks control everything going in and out of the Southeast corridor, from Florida on up. Some of those boys are billionaires. Only catch is, they're dead before they reach the age of thirty.'

Jeffrey already knew this. 'And?'

Nick added more sugar to his coffee as he spoke. 'They say they've got skin privilege, that being white means they're better than everybody else, that they should be in control. They view it as a special ordination from God.' The waitress walked by and Nick gave her another wink. He turned back to Jeffrey, asking, 'You like your history, right?'

'Well enough.'

'Then let me tell you this story,' Nick began. 'The Skin Brothers got started by a World War II vet, an Army National Guardsman from out West by the name of Jeremiah Todd. Claimed he was with one of the infantry divisions that helped liberate Dachau.' Nick tried the coffee again, then started back with the cream. Jeffrey suppressed the urge to throw the cup across the room as Nick continued, 'Todd gets back from Germany and starts telling everybody it's all been overblown, that the press is just making a big deal out of nothing. He was there and saw it with his own eyes, and it was just a bunch of Jews stirring up trouble, trying to bring down America.'

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